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A con-team couple (Andy Lau & Rene Liu) head west after taking a city businessman for his BMW. But an encounter with a naive young carpenter travelling home with his life savings challenges their fate as thieves.
Sammi Cheng plays Mimi Mo, a young exchange student to Japan who met and fell in love with a budding pianist, Kurokawa, played by Rikiya Kurokawa. Kurokawa eventually leaves to study music ... See full summary »
It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »
A storm is heading to the city, and with it comes another occurrence so destructive, it vows to bring down everything it touches. A crew of seasoned criminals led by the notorious Nam (Hu ... See full summary »
"The Way We Are" tells the story of a hardworking, widowed, single mother (Mrs. Cheung) and her teenage son (Ka-on) living in the troubled housing estate of Tinshuiwai, a suburb regularly featured in the news for all the wrong reasons.
Hee Ching Paw,
Cheuk Man Au
The Suns are a typical Hong Kong family: May, forty something, works for a trading company; her husband, Bing, works as a low-grade civil servant, and Allen, their teenage son, is still at ... See full summary »
This is a simple film - two main characters with no blood relation and yet deeply connected to each other - and presumably made with a modest budget. It is slow, and arguably a tad long (but I am OK with it), but as the story evolves I begin to care about them.
As a film it is a great antidote to the sex, violence, intriguing plots, and CGI (I must admit I like some of those too) that we are so used to on the big screen these days. Director Ann Hui indicated the story was inspired by true events and I believe her. What makes this story unique is we are looking at love, respect and a feeling of duty and obligation between two human beings as if they were mother and son
but they are not. Instead, what started out as a servant-master
relationship transcended itself to become something more sublime when the care-giver became incapacitated and the table was turned. When this happened the roles were reversed and yet it happened in such an unforced, natural and leisurely fashion.
There are tear-jerking moments, of course, but they came in such an unpretentious manner. The ending is as you would expect when age and illness took their toll on Tao Jie, played by Deannie Yip. And yet, I finished watching the film feeling uplifted, and with a strong sense of hope on humanity.
4 of 4 people found this review helpful.
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