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After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
After a bad blind date, a man and woman find themselves stuck together at a resort for families, where their attraction grows as their respective kids benefit from the burgeoning relationship.
Director:
Frank Coraci
Stars:
Adam Sandler,
Drew Barrymore,
Wendi McLendon-Covey
After discovering her boyfriend is married, Carly soon meets the wife he's been betraying. And when yet another love affair is discovered, all three women team up to plot revenge on the three-timing S.O.B.
Three best friends find themselves where we've all been - at that confusing moment in every dating relationship when you have to decide "So...where is this going?"
As the result of a childhood wish, John Bennett's teddy bear, Ted, came to life and has been by John's side ever since - a friendship that's tested when Lori, John's girlfriend of four years, wants more from their relationship.
Kelly and Mac are settling down in a quiet neighborhood with their newborn child, until the frat brothers move into the house next door. Teddy is the President, and Pete is his right hand man, and they're quick to accept friendship when Kelly and Mac introduce themselves as the neighbors. Night after night, Mac asks Teddy to lower the fraternity's noise, even accepting the invitation to the party one evening. When Teddy goes back on his word to keep the partying down, Mac calls the police to deal with the problem. The police quickly blame Mac for their presence, and the war begins. As the family feuds with the frat brothers, things get hilariously dangerous and the fraternity ends up on thin ice with their college. After receiving their final warning and being placed on probation, Mac and Kelly pull a prank so ingenious that Teddy and Mac are forced to respond. All hell breaks loose, from Robert DeNiro parties to Christopher Mintz-Plasse having sex in the bushes, this comedy shows how... Written by
Mayor_G
The baby turning around to look at Mac and Kelly having sex in the first scene of the film was accidental. The scene was originally supposed to end after Seth Rogen turned her around, however the director noticed that the baby kept looking around to watch Rogen and Rose Byrne, so he instructed one of the camera men to film the baby. According to the director, if you listen closely, you can hear Rogen and Byrne laugh after the baby turns around to watch them. See more »
Goofs
After Mac and Kelly finish talking to Teddy about keeping the noise down for the first time, they start walking away from the porch. The next shot shows Teddy talking to Pete for around a minute. Teddy then opens the door to see if they want to join their party, but they have only traveled about halfway down the path that leads to the porch. Mac and Kelly should have traveled farther away from the time it took Teddy to talk to Pete. See more »
Quotes
Paula:
Let's make a baby!
Jimmy:
Yes, that will solve all our problems.
See more »
Crazy Credits
Baby Stella is dressed like the main characters during calendar photo shoot as the actors names appear on screen during the end credits. See more »
If there were any justice this film should be a career killer for rogan, byrne, and efron.
The sheer bankrupt cynicism that gets these worthless pictures financed is more or less guaranteed because they keep making money from a feral generation who think this is what humour is.
But this is a comedy without humour or any redeeming merit. The studios go on believing rogan is funny because his films reference a lost generation of sybaritic wastrels, who have no cannon of judgement by which to measure taste and intelligence, but who have the price of a ticket.
The mistakes are all in the writing -- the work of two no-hopers whose only track record is in collaborating with each other. They should go back and study the rudiments of plotting, structure and joke-writing itself.
There wasn't a single laugh in my audience and overall, the picture is about as funny as a broken arm. the obscene language keeps on descending to idiocy in every rogan film until it has no impact left at all on a desensitised world.
Efron's performance is borderline psychopathic and his internal dialogue shows on his face as disgust at himself. I have never seen such worrying ambivalence in an actor before. Actors don't know what is good and what is not. They rely utterly on feedback, but never quite believe the feedback. They call it going out on a limb and exposing themselves to risk. Their obsequious flunkies never tell them the truth so they find solace in anticipating the next good project and half-remembering the last bad one.
The production is ugly, improvised and worthless. One shot is actually out of focus. But they think you don't notice such things.
Do not see this film. Save your money. Don't encourage them to make another like it. Pass over the ordure you're being offered on a regular basis by the amoral cynics behind a class of film that will condemn this generation with all future generations.
If you saw Movie 43, then you know exactly what to expect from this effort. Movie 43 required 28 talentless writers to produce abhorrence, while Bad Neighbours efficiently took only 2 of them to fail on the same scale.
169 of 307 people found this review helpful.
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If there were any justice this film should be a career killer for rogan, byrne, and efron.
The sheer bankrupt cynicism that gets these worthless pictures financed is more or less guaranteed because they keep making money from a feral generation who think this is what humour is.
But this is a comedy without humour or any redeeming merit. The studios go on believing rogan is funny because his films reference a lost generation of sybaritic wastrels, who have no cannon of judgement by which to measure taste and intelligence, but who have the price of a ticket.
The mistakes are all in the writing -- the work of two no-hopers whose only track record is in collaborating with each other. They should go back and study the rudiments of plotting, structure and joke-writing itself.
There wasn't a single laugh in my audience and overall, the picture is about as funny as a broken arm. the obscene language keeps on descending to idiocy in every rogan film until it has no impact left at all on a desensitised world.
Efron's performance is borderline psychopathic and his internal dialogue shows on his face as disgust at himself. I have never seen such worrying ambivalence in an actor before. Actors don't know what is good and what is not. They rely utterly on feedback, but never quite believe the feedback. They call it going out on a limb and exposing themselves to risk. Their obsequious flunkies never tell them the truth so they find solace in anticipating the next good project and half-remembering the last bad one.
The production is ugly, improvised and worthless. One shot is actually out of focus. But they think you don't notice such things.
Do not see this film. Save your money. Don't encourage them to make another like it. Pass over the ordure you're being offered on a regular basis by the amoral cynics behind a class of film that will condemn this generation with all future generations.
If you saw Movie 43, then you know exactly what to expect from this effort. Movie 43 required 28 talentless writers to produce abhorrence, while Bad Neighbours efficiently took only 2 of them to fail on the same scale.