During an operation of a Mexican Cartel, Machete Cortez and Sartana Rivera intercept the criminals alone, but another group arrives and a masked man kills Sartana. Machete is arrested, accused of killing his beloved Sartana and Sheriff Doakes hangs Machete. But the President of the USA Rathcock pardons and recruits Machete to kill the revolutionary Marcos Mendez that has threatened the USA with a missile with a bomb. Machete goes to San Antonio to meet the Miss San Antonio Blanca Vasquez that will be the liaison between Machete and President Rathcock. Then Machete goes to the brothel of Madame Desdemona to seek out the prostitute Cereza that is Mendez's mistress. Machete meets Mendez and learns that his heart is connected to the missile and only the arm dealer Luther Voz is capable to disarm the bomb. Now Machete needs to bring Mendez to the USA in less than twenty-four hours and save his new country in a dangerous journey with betrayals. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the first film of Charlie Sheen's career in which he is credited under his real name, Carlos Estevez. He is humorously given "introducing" billing. See more »
When Voz puts on the metal mask, it is clearly just a part that will cover the face. (He's putting it on towards his face.) But in the next second it appears to be more like a helmet that completely covers the whole head which would have been impossible to be put on the way he did before. See more »
After all the credits have been shown, two short scenes are shown. One is an outtake of one of the last fight scenes, where an unexpected punch is delivered between two women, the other scene is a very short montage of the presidential character posing with guns. See more »
In Robert Rodriguez's Machete Kills, Danny Trejo's characterdeadly Mexican secret agent Machete Cortezis about as three-dimensional and grounded in realism as a Looney Tunes cartoon character tripping on peyote. For many, this move towards a crazier style with even more unbelievable splatstick violence will be a step too far, the live-action-cartoon style antics exceeding many people's willingness to suspend disbelief. However, those who can find their way safely past this potential stumbling block should have a whale of a time.
Rodriguez directs proceedings with a carefree attitude and sense of fun that I found infectious, with all ideasno matter how dumb they must have looked on papermaking their way into the final film. Thus, we have a Bond-style baddie in the form of megalomaniac Luther Voz (Mel Gibson), our hero killing numerous henchmen in a variety of creative ways, some innovative sci-fi weaponry, plenty of cool in-jokes for us movie geeks (I loved the visual reference to Mad Max II) and a bevy of lovely latino babes in sexy gear (including Alexa Vega in PVC and Michelle Rodriguez in tight, cleavage enhancing top). Hell, Rodriguez is having so much fun that he doesn't even care about the quality of his CGI, which only adds to the gleefully gaudy vibe.
It all gets very silly, and with the next sequel featuring Machete in space, it's set to get a whole lot sillier; I for one will make sure I've booked my seat for the ride.
7.5 out of 10, rounded up to 8 for being marginally more fun than the first one.
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