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Lore (2012)

Not Rated  |   |  Drama, Romance, Thriller  |  20 September 2012 (Australia)
7.1
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Ratings: 7.1/10 from 9,454 users   Metascore: 76/100
Reviews: 55 user | 164 critic | 28 from Metacritic.com

As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.

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Title: Lore (2012)

Lore (2012) on IMDb 7.1/10

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Cast

Cast overview, first billed only:
...
Nele Trebs ...
Mike Weidner ...
Junger deutscher Soldat
...
Mutti
Hans-Jochen Wagner ...
Vati
Nick Holaschke ...
Baby Peter (as Nick Leander Holaschke)
André Frid ...
Mika Seidel ...
Sven Pippig ...
Farmer
...
Helmut
Katrin Pollitt ...
Farmer's Wife
Hendrik Arnst ...
Ox Cart Man
Claudia Geisler-Bading ...
Ox Cart Woman (as Claudia Geisler)
Kai-Peter Malina ...
Thomas (as Kai Malina)
Ulrike Medgyesy ...
Junge Frau mit Baby
Edit

Storyline

As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.

Plot Summary | Add Synopsis

Taglines:

When your life is a lie, who can you trust?

Genres:

Drama | Romance | Thriller | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

20 September 2012 (Australia)  »

Also Known As:

Лоре  »

Filming Locations:

 »

Box Office

Budget:

€4,300,000 (estimated)

Opening Weekend:

$31,498 (USA) (8 February 2013)

Gross:

$968,879 (USA) (28 June 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The official entry of Australia to the Best Foreign Language Film of the 85th Academy Awards 2013. See more »

Goofs

The German "das Baby" or "the baby" is used often and is in fact a recent Anglicism, and like much of the script, a word the Germans wouldn't have used in this period. See more »

Quotes

[first lines]
Vati: We can only take what fits in the truck.
Mutti: I'm not talking about the damn truck!
Vati: [Lore walks into the room] Hey, here she is! My girl. Come here.
See more »

Connections

Featured in Film 2015: Episode dated 13 February 2013 (2013) See more »

Soundtracks

Marschmusik - Von Finnland bis zum Schwarzen Meer
Folksong
Arranged by Lisa Carlyna Zumpano (ASCAP)
Published by Audiosparx (ASCAP)
See more »

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User Reviews

 
A drama set during a little known post-WW II period.
22 October 2012 | by (Fremantle, Australia) – See all my reviews

Lore is an intense drama involving a period of post-WW II German society that is rarely if ever examined and to do it, as this film does, from the viewpoint of German children caught up in these tragic days is worth a visit just out of curiosity. However, this film does not just take a dispassionate look from the viewpoint of historian's or news print, rather because of the wonderful direction of Cate Shortland, this movie moves completely away from ordinary story telling into the far less examined area of psychological change.

Superficially this story is about a family of young children who are forced because of Germany's WW II defeat to make their way from the Black Forrest to their grandmother's home near Hamburg in northern Germany. The story concerns the time before that long journey, the incidents of that journey and finally their arrival at their grandmother's home. Sounds simple and straight forward but the devil, as they say is in the details, or rather the story.

As the story unfolds while the children attempt to reach the grandmother's home, the viewer explores through the eldest, who leads this group, many of the consequences of her past history as a child growing in this family with all the mental baggage implied by this maturation. The drama is carried by this eldest child, Saskia Rosendahl, to whom many of the film's incidents occur.

Moviegoers might be struck by the close-ups used by the director; most of the movie's shots are taken at that range and viewers may not like the method. It contributes to an extremely distinct film, along with the story as well as Rosendahl's superb acting, which must affect the viewer and this after all is why we attend movies to begin.


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Awful in every way gemstone20
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