As an asteroid nears Earth, a man finds himself alone after his wife leaves in a panic. He decides to take a road trip to reunite with his high school sweetheart. Accompanying him is a neighbor who inadvertently puts a wrench in his plan.
Sarah begins to confront her shortcomings after she rejects her boyfriend's hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister Beth is immersed in the details of her wedding.
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
Lauren and Katie, college frenemies with a mutual good friend, move in together at age 28 in order to afford an amazing Gramercy Park apartment. The unlikely pair start a phone sex line and become best friends while learning about this hilarious world of vibrators, fake orgasms and nighttime callers. When the hot line is hung up and reality comes calling, the most meaningful relationship of their lives is put to the test. Written by
The film title doesn't mislead us. Sex toys, phones, and ladies are involved. It's also a relationship film, but an impressive variation from the usual romantic comedy angle.
Like another film from this year, Giant Mechanical Man, a significant part of this story involves young adults finding themselves along with happiness after what they thought was a serious relationship was ended by the significant other. And so begins the adventure. It may be we have a new type of urban adventure involving main characters exploring the unchartered territories of themselves and those close to them.
Unlike GMM, this is not nearly as predictable. Just when you think you know where it's headed, it shifts directions and explores areas that rarely get explored in film.
It also does many of the artistic things that other films keep failing to do in terms of how and who the villains/enemies are and who those you can trust are.
Another relatively low-key, indie film from 2012 doing new stuff that doesn't involve 3D, computer FX, or horribly loud audio blasted at the audience.
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