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It's a Disaster (2012)

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Four couples meet for Sunday brunch only to discover they are stuck in a house together as the world may be about to end.



3 wins. See more awards »





Complete credited cast:
Will Coleman ...
Public Radio Host (voice) (as Will T.S. Coleman)
Helena Wei ...
Jared Sosa ...


Eight friends meet for their monthly couples brunch. But what starts as an impromptu therapy session/airing of domestic grievances takes a sudden, catastrophic turn when the city falls victim to a mysterious attack. Trapped in the house and unsure of their fates, these seemingly normal people become increasingly unhinged to surprising results. Written by Oscilloscope Pictures

Plot Summary | Add Synopsis


Have a nice end of days. See more »


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language including sexual references, and some drug content | See all certifications »

Parents Guide:





Release Date:

7 June 2013 (Poland)  »

Also Known As:

It's a Disaster - Bist du bereit?  »

Filming Locations:

Box Office


$3,000,000 (estimated)

Opening Weekend:

$15,305 (USA) (12 April 2013)


$38,100 (USA) (19 April 2013)

Company Credits

Show detailed on  »

Technical Specs


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Did You Know?


Todd Berger: Plays Hal, the next door neighbor in the hazmat suit. See more »


Glen calls the final book of the Bible "Revelations" instead of its correct name "Revelation". A Bible History teacher would never make such a mistake. See more »


Hedy: Do you think that when we die, we have to wear the clothes we died in for all of eternity?
Buck: No way. I bet we get those kickin' white robes like you see in the old cartoons.
Hedy: I look awful in white. Maybe Emma would let me borrow some sweats.
Buck: I bet you get a sweet-ass harp too.
Hedy: Hmmmm...
Hedy: Do you have any idea how many human beings are estimated to have lived and died on Earth throughout all of time?
Buck: I have absolutely no idea.
Hedy: 106 billion.
Buck: Wow.
See more »

Crazy Credits

The finale of Tchiakovsky's 1812 Overture is heard just as the ending credits begin. This is a callback to the beginning of the movie when Glen turns the car radio off just before this segment begins. See more »


References Armageddon (1998) See more »


Get Gone
Written by Mickey Church and Andy Naeve
Performed by White Arrows
Courtesy of White Arrows
See more »

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User Reviews

Enjoyable but broadly written and never excels in any one area
23 October 2015 | by (United Kingdom) – See all my reviews

At times It's a Disaster is a bit hard to stay with, because essentially it is a film that focuses on the 'friends' who are together at one of their periodic 'couple's brunch'. While gossipy asides and barely concealed relationship tensions are present as normal, this particular brunch is marked out by some form of major attack on the US occurring as they sit to their meal. While responding to this is now on the agenda, what that means is different for each person, and of course the former business of the meal also still remains.

Recently I watched the sci-fi film Coherence, where the drama is all played out more or less in one house on one night. This film takes a similar approach and, although there is not really any other connection between the two films, it is interesting to see how the same basic location and ensemble structure can be used to support two such very different films. In this case the focus is the black comedy of the situation and although it is never as smart or as funny as one would have liked, it is consistently amusing in its acerbic characters and extreme background. The writing is a bit broad and it is no real surprise when infidelities and other such secrets emerge from within the group, but mostly it has a solid degree of truth about it all. The downside of this is that the characters are not particularly likable, so while elements of them are recognizable and amusing to observe, there is a lot about them which grate – which is part of the satire, but also a side effect.

The performances are mixed. Cross plays the straight man of the group really well and also allows a character for the viewer to follow, since he is new to the group; Stiles and Ferrera are also both reliable. For the others it was variable but not as memorable as these three. The writing is part of the limit on them, since it is broad across the group, with simpler characters rather than fleshed out ones. Filming around the one set of rooms is well done, and I liked the repeated external shot of the house – and that we never see more of the outside world than this. As a while, the film is too broad to really be brilliant, and it never skewers its characters as it should, or produces great laughs, or something deeper. It works for what it does, but I can understand the mixed response to it, because it is only okay rather than brilliant.

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