Jimmy Winterpock at age fourteen is 5'5 and weighs 188 pounds. Outside the comfort of his family and church, life for Jimmy is a constant struggle. The cruel taunts of his classmates make ... See full summary »
The extraordinary story of a group of twenty-somethings who seized the streets of New York, transforming the meaning of comedy, performance and art through forming 'Improv Everywhere,' a prank collective ten years in the making.
in 1988, 12 year old boy genius Henry Jameson sends his best friend, George, into the future to discover the resolution of a cliffhanger episode of the hit detective show 'Columbo.' But he ... See full summary »
Losers Take All is a comedy in which we follow "The Fingers," a fictional punk-pop band stumbling and staggering their way in the opposite direction of mainstream success, circa 1986. ... See full summary »
Hollywood Actor Matthew Lillard, Directs this Award winning film about the struggles of life when loved ones are posted to fight in the war. A heart moving in sight into the life of a ... See full summary »
Although it suffers from typical technical independent film problems, it's one of the best feel-good films of the year.
I'll always think of Matthew Lillard as Shaggy from the Scooby-Doo movies of my childhood and that laid back personality seems to be fed into his hard work too. Fat Kid Rules The World is a real indie treat. Although it takes on the tired high school archetype (not alone in freshening it up with the delightful 21 Jump Street this year), it's about the characters as people, not as stereotypes. It's the protagonist Troy, played by Jacob Wysocki, who makes the journey worthwhile. He's wonderfully relatable in his self-deprecating fantasies and bursts of teenage horniness. Here he finds not only direction in life but someone to share it with too. It's a great feel-good archetype that this film really makes work with its great soundtrack and sense of humour. Although perhaps Matt O'Leary's Marcus feels a little too contrived in his role to fit in the Kurt Cobain grunge rocker who throws far too much kindness onto Troy than is believable, the film otherwise makes great use of its side characters, particularly Troy's father, the army type with surprising compassion. Unfortunately the film suffers from indie cinema traits of flat cinematography and lighting which does weigh the film down quite a bit but otherwise it's one of the most watchable films of the year.
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