| Photos (See all 25 | slideshow) | Videos (see all 4) |
| Ingrid Bolsø Berdal | ... | Zoe | |
| Dimitri Diatchenko | ... | Uri | |
| Olivia Dudley | ... | Natalie (as Olivia Taylor Dudley) | |
| Devin Kelley | ... | Amanda | |
| Jesse McCartney | ... | Chris | |
| Nathan Phillips | ... | Michael | |
| Jonathan Sadowski | ... | Paul | |
| Milos Timotijevic | ... | Russian Check Point Guard | |
| Milutin Milosevic | ... | Ukrainian Thug | |
| Ivan Djordjevic | ... | Ukrainian Thug | |
| Ivan Jovic | ... | Ukrainian Thug | |
| Zinaida Dedakin | ... | Restaurant Owner | |
| Ivana Milutinovic | ... | Little Girl | |
| Alex Feldman | ... | Medic Goldshimdt | |
| Kristof Konrad | ... | Medic Grotzky | |
| Pasha D. Lychnikoff | ... | Doctor (as Pasha Lynchnikoff) | |
| Jay Kash | ... | Humanoid | |
| rest of cast listed alphabetically: | |||
| Colin Conners | ... | Humanoid (uncredited) | |
| Zachary Haycock | ... | Jared (uncredited) | |
Directed by | |||
| Bradley Parker | |||
Writing credits | ||
| Oren Peli | (screenplay) and | |
| Carey Van Dyke | (screenplay) & | |
| Shane Van Dyke | (screenplay) | |
| Oren Peli | (story) | |
Produced by | |||
| Rob Cowan | .... | executive producer | |
| Broderick Johnson | .... | executive producer | |
| Ildiko Kemeny | .... | production executive, Hungary, Pioneer Pictures | |
| Andrew A. Kosove | .... | executive producer | |
| Oren Peli | .... | producer | |
| Milan Popelka | .... | executive producer | |
| Richard Sharkey | .... | executive producer | |
| Allison Silver | .... | executive producer | |
| Andjelija Vlaisavljevic | .... | line producer: Serbia | |
| Brian Witten | .... | producer | |
Original Music by | |||
| Diego Stocco | |||
Cinematography by | |||
| Morten Søborg | |||
Film Editing by | |||
| Stan Salfas | |||
Casting by | |||
| Terri Taylor | |||
Production Design by | |||
| Aleksandar Denic | |||
Set Decoration by | |||
| Mina Buric | |||
| Zsuzsa Mihalek | |||
Costume Design by | |||
| Momirka Bailovic | |||
Second Unit Director or Assistant Director | |||
| Sean Guest | .... | first assistant director | |
| James Andrew Haven | .... | second assistant director | |
| Casey Mako | .... | second assistant director: additonal photography | |
| Vesna Milic | .... | second second assistant director | |
| Bogi Móricz | .... | second second assistant director | |
| Aleksandra Vlaisavljevic | .... | third third assistant director | |
Art Department | |||
| Slobodan Cadjo | .... | swing gang | |
| Marko Dimitrijevic | .... | property master | |
| Dragan Kaplarevic | .... | leadman | |
| Moni Kovacs | .... | assistant set decorator | |
| Vladimir Ljubic | .... | props | |
| Aleksandra Mihajlovic | .... | art department coordinator | |
| Radoslav Mihajlovic | .... | construction coordinator | |
| Mirko Milosevic | .... | graphic designer | |
| Termet Nuki | .... | assistant property master | |
| Zeljko Pasic | .... | swing gang | |
| Ivana Stefanovic | .... | set dressing buyer | |
| Béla Tollay | .... | stand-by props | |
| Rachel Wilkin | .... | set decoration buyer: reshoot | |
| Dejan Zlatkovic | .... | swing gang | |
Sound Department | |||
| Ray Beckett | .... | sound mixer | |
| Ivan Branisavljevic | .... | sound utility | |
| Scott Brewster | .... | adr editor | |
| Scott Brewster | .... | adr recordist | |
| Robert Dehn | .... | sound studio manager | |
| Trevor Gates | .... | sound effects editor | |
| Ginger Geary | .... | foley artist | |
| Angela Hemingway | .... | dialogue editor | |
| Lisa J. Levine | .... | adr supervisor | |
| Douglas Murray | .... | supervising sound designer | |
| Nemanja Novicic | .... | boom operator | |
| John Skoglund | .... | additional sound mixer | |
| Mihailo Stevanovic | .... | sound utility | |
| Jonathan Wales | .... | sound re-recording mixer | |
Special Effects by | |||
| Muhamed M'Barek | .... | special effects coordinator | |
Visual Effects by | |||
| Ryan Andersen | .... | visual effects production assistant: Shade VFX | |
| Bryan Baker | .... | visual effects editor: DIVE | |
| Drew Beekler | .... | digital compositor | |
| Dustin Colson | .... | visual effects artist: Shade VFX | |
| Kevin Fanning | .... | digital effects artist | |
| Mark O. Forker | .... | visual effects supervisor | |
| Bryan Godwin | .... | visual effects supervisor: Shade VFX | |
| Patricio Harris | .... | visual effects artist: Shade VFX | |
| Harimander Singh Khalsa | .... | compositing supervisor: Shade VFX | |
| Tyler Lockard | .... | paint artist | |
| Tyler Lockard | .... | visual effects artist | |
| Bob Lowery | .... | visual effects executive producer: DIVE | |
| Andy Lueddeke | .... | digital compositor | |
| Liz McLelland | .... | digital compositor | |
| Ed Mendez | .... | compositing supervisor: Dive | |
| Colton Miller | .... | visual effects artist | |
| Anton Moss | .... | digital compositor | |
| Tom Quinn | .... | visual effects producer: DIVE | |
| John Riddle | .... | technical director: Shade VFX | |
| Matthew Robertson | .... | digital compositor | |
| Ruben Rodas | .... | visual effects artist | |
| Shane Strickman | .... | senior visual effects coordinator: Shade VFX | |
| Donald Strubler Jr. | .... | digital compositor | |
| David Van Dyke | .... | visual effects executive producer: Shade VFX | |
| Gabriel Vargas | .... | digital artist | |
| Jennifer Wessner | .... | visual effects coordinator: DIVE | |
| Ian A. Harris | .... | compositor: Shade (uncredited) | |
| Michael G. Jackson | .... | matchmove artist: Shade VFX (uncredited) | |
| Mike Morse | .... | additional visual effects production assistant: DIVE (uncredited) | |
Stunts | |||
| Milan Alavanja | .... | safety supervisor | |
| Milan Alavanja | .... | stunt rigger | |
| Borislav Bogosavac | .... | stunts | |
| Nenad Cudic | .... | stunts | |
| Dejan Dragosavac | .... | stunts | |
| Vladan Gostiljac | .... | stunts | |
| Slavisa Ivanovic | .... | stunt coordinator | |
| Milos Kesic | .... | stunts | |
| Nenad Ninic | .... | stunts | |
| Jelena Radovic | .... | stunts | |
| Ognjen Raduljica | .... | stunts | |
| Marija Savic | .... | stunts | |
| Tihomir Savic | .... | stunts | |
| Svetlana Todorovic | .... | stunts | |
| Marko Vasiljevic | .... | stunts | |
| Ilija Vekic | .... | stunts | |
| Slobodan Vlajic | .... | stunts | |
| Miroslav Vuckovic | .... | stunt rigger | |
Camera and Electrical Department | |||
| Andy Bader | .... | second assistant camera | |
| Sead Bihorac | .... | key grip | |
| Attila Bilik | .... | gaffer: Hungary | |
| Vladimir Bodiroga | .... | electrician | |
| Joy Britt | .... | best boy electric: reshoots | |
| Joy Britt | .... | electrician | |
| Ivan Colovic | .... | best boy electric | |
| Márk Czirják | .... | best boy: Hungary | |
| Sasa Djordjevic | .... | best boy grip | |
| Slobodan Gojkovic | .... | gaffer | |
| Srdjan Gojkovic | .... | electrician | |
| Dragan Jovic | .... | key grip: second unit | |
| Marko Lekovic | .... | grip | |
| Miodrag Popovic Misko | .... | digital imaging technician (as Miodrag Popovic) | |
| Svetomir Pajic | .... | camera operator | |
| Drasko Pejanovic | .... | focus puller | |
| Branislav Stojanovic | .... | second assistant camera | |
| Marco Urrabazo | .... | digital imaging technician: reshoots | |
| Srdjan Ursicic | .... | second assistant camera | |
| Kata Vermes | .... | still photographer | |
| Milos Vidakovic | .... | electrician | |
| Veljko Vukasovic | .... | video control | |
| Bo Webb | .... | camera operator: additional photography | |
Casting Department | |||
| Aleksandar Adzic | .... | casting: Serbia | |
| Sarah Domeier | .... | casting assistant | |
| Patty Majorczak-Connolly | .... | adr voice casting | |
| John McAlary | .... | casting associate | |
| Nenad Pavlovic | .... | casting director: Serbia | |
| Mark Sussman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Marija Harz | .... | key costumer | |
| Radmila Jaksic | .... | seamstress | |
| Sanja Manakoski | .... | wardrobe intern | |
| Dragana Mladenovic | .... | wardrobe intern | |
| Sonja Mrkobrada | .... | wardrobe intern | |
| Stefan Savkovic | .... | costume supervisor | |
Editorial Department | |||
| Brett W. Bachman | .... | post-production assistant | |
| Bryan Baker | .... | conforming editor | |
| Alex Bickel | .... | colorist | |
| Mark Longchamps | .... | on-line editor | |
| Larry McGinley | .... | first assistant editor | |
| Carl S.G. Moore | .... | digital intermediate producer | |
| Mary Prendergast | .... | post-production coordinator | |
| Eugenio Richer | .... | post-production intern | |
| Vanara Taing | .... | post-production intern | |
| David Thomas | .... | digital cinema producer | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Charles M. Barsamian | .... | music business and legal affairs | |
| Stephanie Lowry | .... | music editor | |
| Sara Matarazzo | .... | music supervisor | |
Transportation Department | |||
| Branislav Andjelkovic | .... | driver | |
| Milos Djordjevic | .... | driver | |
| Igor Kokot | .... | driver | |
| Nenad Kokot | .... | picture vehicle coordinator | |
| Nenad Kokot | .... | transportation coordinator | |
| Dusko Krekic | .... | driver | |
| Sasa Krstic | .... | driver | |
| Bozidar Marinkovic | .... | driver | |
| Bozidar Marinkovic | .... | transportation | |
| Zoran Markovic | .... | driver | |
| Dusan Milenkovic | .... | driver | |
| Slavko Novakovic | .... | transportation captain | |
| Milos Rodic | .... | driver | |
| Marko Stanojevic | .... | driver | |
| Zarko Stojanovic | .... | driver | |
Thanks | |||
| Armen Aghaeian | .... | special thanks | |
| Edward Mokhtarian | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Another horror movie has donned upon us this holiday weekend and it is called the Chernobyl Diaries. The first trailer I saw for this movie about a month and half ago showed some potential for a true horror fest. However, I'll tell you now that this was not the case, and instead the movie I saw today was nothing more than a hastily produced horror movie that was rather lame. I know it's disappointing, but the truth is Chernobyl diaries like most horror movies are losing their edge. Read on to find out more about this movie.
For those of you who haven't seen the trailers for this movie, Chernobyl diaries is about a group of seven college kids taking a trip to the Chernobyl reactors. What starts out as a peaceful trip full of picture taking and jokes soon takes a turn for the worst. It seems that Chernobyl is not as abandoned as they think and soon the nightmare within decides to hunt the kids through the destroyed city.
Sound familiar? It should since this is the story for a plethora of horror movie it's just taking place at a new location. So what suckered me into seeing it? Aside from being assigned this movie, I admit the traps seen in the trailer held potential for a decent and entertaining horror flick. Unfortunately the trailers are once again misleading as Chernobyl Diaries fails to live up to the publicized suspense. Instead the movie is essentially a nonstop cascade of scenes and sequences of the incredibly shallow characters running around from some unseen threat. The camera work of the movie is chaotic, Blair Witch and Cloverfield style that is unsteady and jumpy, which took away from the detail. I think they mainly did this to help keep the monsters true from in the dark and allow the audience's imagination to fill into the details. While the attempt is worthy of recognition, Parker dropped the ball on the delivery making it too fast and shallow. Although the fast pace got us to the ending faster, it still made the movie boring as the story progressed.
One thought I had after watching this film was maybe Parker was planning on the movie being humorous, like the Cabin in The Woods. Unfortunately the comedy aspect of this film was lost on me as well. The stupidity of the college kids and the predictable path they take only made me laugh at how pathetic they were. Unfortunately the dialog was unable to humor me as well and mainly consisted of the kids saying "Oh my God!" or dropping an F bomb, further adding to the disappointment. This dialog combined with the shallow characters also meant the acting didn't have to be that good as well. Although the actors played the college kid roll well, the acting was nothing extraordinary and isn't enough to convince me to suggest this movie. As for the ending of the film, well to put it nicely it stunk. Once again I was left with questions and a bit cheated out of my money. While I feel some will like the ending or find it funny, I can't say I enjoyed it all.
Were there any positives to this movie? For me there were only some minor positives I could find. Although I normally don't like the ashy grey and desolate camera colors, I felt for this movie they were needed. This camera filter brought the desolate and hopeless city to life, which added some emotional chill to the film. A few of the shots also managed to capture the isolation and terror they wanted, though they were few and far in between. Despite the simple acting, the actresses in the movie were very nice to look at and was the only thing really keeping me in the movie. Finally the short time limit of the movie was for once a good thing as I got out of this movie faster than I expected.
To sum up this movie, it's one best left to the Redbox. Although I applaud their use of letting the imagination paint the horror, the delivery still failed to impress me. Again there are no characters to latch on to in this film, and unless you just want to see lots of shadows and hear countless cursing, you will want to avoid this. My scores below are the following:
Horror: 3.0-3.5 Movie Overall: 2.5
So check back soon my friends and again keep on enjoying the movies. Or at least try to.