| Photos (See all 25 | slideshow) | Videos (see all 4) |
| Ingrid Bolsø Berdal | ... | Zoe | |
| Dimitri Diatchenko | ... | Uri | |
| Olivia Dudley | ... | Natalie (as Olivia Taylor Dudley) | |
| Devin Kelley | ... | Amanda | |
| Jesse McCartney | ... | Chris | |
| Nathan Phillips | ... | Michael | |
| Jonathan Sadowski | ... | Paul | |
| Milos Timotijevic | ... | Russian Check Point Guard | |
| Milutin Milosevic | ... | Ukrainian Thug | |
| Ivan Djordjevic | ... | Ukrainian Thug | |
| Ivan Jovic | ... | Ukrainian Thug | |
| Zinaida Dedakin | ... | Restaurant Owner | |
| Ivana Milutinovic | ... | Little Girl | |
| Alex Feldman | ... | Medic Goldshimdt | |
| Kristof Konrad | ... | Medic Grotzky | |
| Pasha D. Lychnikoff | ... | Doctor (as Pasha Lynchnikoff) | |
| Jay Kash | ... | Humanoid | |
| rest of cast listed alphabetically: | |||
| Colin Conners | ... | Humanoid (uncredited) | |
| Zachary Haycock | ... | Jared (uncredited) | |
Directed by | |||
| Bradley Parker | |||
Writing credits | ||
| Oren Peli | (screenplay) and | |
| Carey Van Dyke | (screenplay) & | |
| Shane Van Dyke | (screenplay) | |
| Oren Peli | (story) | |
Produced by | |||
| Rob Cowan | .... | executive producer | |
| Broderick Johnson | .... | executive producer | |
| Ildiko Kemeny | .... | production executive, Hungary, Pioneer Pictures | |
| Andrew A. Kosove | .... | executive producer | |
| Oren Peli | .... | producer | |
| Milan Popelka | .... | executive producer | |
| Richard Sharkey | .... | executive producer | |
| Allison Silver | .... | executive producer | |
| Andjelija Vlaisavljevic | .... | line producer: Serbia | |
| Brian Witten | .... | producer | |
Original Music by | |||
| Diego Stocco | |||
Cinematography by | |||
| Morten Søborg | |||
Film Editing by | |||
| Stan Salfas | |||
Casting by | |||
| Terri Taylor | |||
Production Design by | |||
| Aleksandar Denic | |||
Set Decoration by | |||
| Mina Buric | |||
| Zsuzsa Mihalek | |||
Costume Design by | |||
| Momirka Bailovic | |||
Second Unit Director or Assistant Director | |||
| Sean Guest | .... | first assistant director | |
| James Andrew Haven | .... | second assistant director | |
| Casey Mako | .... | second assistant director: additonal photography | |
| Vesna Milic | .... | second second assistant director | |
| Bogi Móricz | .... | second second assistant director | |
| Aleksandra Vlaisavljevic | .... | third third assistant director | |
Art Department | |||
| Slobodan Cadjo | .... | swing gang | |
| Marko Dimitrijevic | .... | property master | |
| Dragan Kaplarevic | .... | leadman | |
| Moni Kovacs | .... | assistant set decorator | |
| Vladimir Ljubic | .... | props | |
| Aleksandra Mihajlovic | .... | art department coordinator | |
| Radoslav Mihajlovic | .... | construction coordinator | |
| Mirko Milosevic | .... | graphic designer | |
| Termet Nuki | .... | assistant property master | |
| Zeljko Pasic | .... | swing gang | |
| Ivana Stefanovic | .... | set dressing buyer | |
| Béla Tollay | .... | stand-by props | |
| Rachel Wilkin | .... | set decoration buyer: reshoot | |
| Dejan Zlatkovic | .... | swing gang | |
Sound Department | |||
| Ray Beckett | .... | sound mixer | |
| Ivan Branisavljevic | .... | sound utility | |
| Scott Brewster | .... | adr editor | |
| Scott Brewster | .... | adr recordist | |
| Robert Dehn | .... | sound studio manager | |
| Trevor Gates | .... | sound effects editor | |
| Ginger Geary | .... | foley artist | |
| Angela Hemingway | .... | dialogue editor | |
| Lisa J. Levine | .... | adr supervisor | |
| Douglas Murray | .... | supervising sound designer | |
| Nemanja Novicic | .... | boom operator | |
| John Skoglund | .... | additional sound mixer | |
| Mihailo Stevanovic | .... | sound utility | |
| Jonathan Wales | .... | sound re-recording mixer | |
Special Effects by | |||
| Muhamed M'Barek | .... | special effects coordinator | |
Visual Effects by | |||
| Ryan Andersen | .... | visual effects production assistant: Shade VFX | |
| Bryan Baker | .... | visual effects editor: DIVE | |
| Drew Beekler | .... | digital compositor | |
| Dustin Colson | .... | visual effects artist: Shade VFX | |
| Kevin Fanning | .... | digital effects artist | |
| Mark O. Forker | .... | visual effects supervisor | |
| Bryan Godwin | .... | visual effects supervisor: Shade VFX | |
| Patricio Harris | .... | visual effects artist: Shade VFX | |
| Harimander Singh Khalsa | .... | compositing supervisor: Shade VFX | |
| Tyler Lockard | .... | paint artist | |
| Tyler Lockard | .... | visual effects artist | |
| Bob Lowery | .... | visual effects executive producer: DIVE | |
| Andy Lueddeke | .... | digital compositor | |
| Liz McLelland | .... | digital compositor | |
| Ed Mendez | .... | compositing supervisor: Dive | |
| Colton Miller | .... | visual effects artist | |
| Anton Moss | .... | digital compositor | |
| Tom Quinn | .... | visual effects producer: DIVE | |
| John Riddle | .... | technical director: Shade VFX | |
| Matthew Robertson | .... | digital compositor | |
| Ruben Rodas | .... | visual effects artist | |
| Shane Strickman | .... | senior visual effects coordinator: Shade VFX | |
| Donald Strubler Jr. | .... | digital compositor | |
| David Van Dyke | .... | visual effects executive producer: Shade VFX | |
| Gabriel Vargas | .... | digital artist | |
| Jennifer Wessner | .... | visual effects coordinator: DIVE | |
| Ian A. Harris | .... | compositor: Shade (uncredited) | |
| Michael G. Jackson | .... | matchmove artist: Shade VFX (uncredited) | |
| Mike Morse | .... | additional visual effects production assistant: DIVE (uncredited) | |
Stunts | |||
| Milan Alavanja | .... | safety supervisor | |
| Milan Alavanja | .... | stunt rigger | |
| Borislav Bogosavac | .... | stunts | |
| Nenad Cudic | .... | stunts | |
| Dejan Dragosavac | .... | stunts | |
| Vladan Gostiljac | .... | stunts | |
| Slavisa Ivanovic | .... | stunt coordinator | |
| Milos Kesic | .... | stunts | |
| Nenad Ninic | .... | stunts | |
| Jelena Radovic | .... | stunts | |
| Ognjen Raduljica | .... | stunts | |
| Marija Savic | .... | stunts | |
| Tihomir Savic | .... | stunts | |
| Svetlana Todorovic | .... | stunts | |
| Marko Vasiljevic | .... | stunts | |
| Ilija Vekic | .... | stunts | |
| Slobodan Vlajic | .... | stunts | |
| Miroslav Vuckovic | .... | stunt rigger | |
Camera and Electrical Department | |||
| Andy Bader | .... | second assistant camera | |
| Sead Bihorac | .... | key grip | |
| Attila Bilik | .... | gaffer: Hungary | |
| Vladimir Bodiroga | .... | electrician | |
| Joy Britt | .... | best boy electric: reshoots | |
| Joy Britt | .... | electrician | |
| Ivan Colovic | .... | best boy electric | |
| Márk Czirják | .... | best boy: Hungary | |
| Sasa Djordjevic | .... | best boy grip | |
| Slobodan Gojkovic | .... | gaffer | |
| Srdjan Gojkovic | .... | electrician | |
| Dragan Jovic | .... | key grip: second unit | |
| Marko Lekovic | .... | grip | |
| Miodrag Popovic Misko | .... | digital imaging technician (as Miodrag Popovic) | |
| Svetomir Pajic | .... | camera operator | |
| Drasko Pejanovic | .... | focus puller | |
| Branislav Stojanovic | .... | second assistant camera | |
| Marco Urrabazo | .... | digital imaging technician: reshoots | |
| Srdjan Ursicic | .... | second assistant camera | |
| Kata Vermes | .... | still photographer | |
| Milos Vidakovic | .... | electrician | |
| Veljko Vukasovic | .... | video control | |
| Bo Webb | .... | camera operator: additional photography | |
Casting Department | |||
| Aleksandar Adzic | .... | casting: Serbia | |
| Sarah Domeier | .... | casting assistant | |
| Patty Majorczak-Connolly | .... | adr voice casting | |
| John McAlary | .... | casting associate | |
| Nenad Pavlovic | .... | casting director: Serbia | |
| Mark Sussman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Marija Harz | .... | key costumer | |
| Radmila Jaksic | .... | seamstress | |
| Sanja Manakoski | .... | wardrobe intern | |
| Dragana Mladenovic | .... | wardrobe intern | |
| Sonja Mrkobrada | .... | wardrobe intern | |
| Stefan Savkovic | .... | costume supervisor | |
Editorial Department | |||
| Brett W. Bachman | .... | post-production assistant | |
| Bryan Baker | .... | conforming editor | |
| Alex Bickel | .... | colorist | |
| Mark Longchamps | .... | on-line editor | |
| Larry McGinley | .... | first assistant editor | |
| Carl S.G. Moore | .... | digital intermediate producer | |
| Mary Prendergast | .... | post-production coordinator | |
| Eugenio Richer | .... | post-production intern | |
| Vanara Taing | .... | post-production intern | |
| David Thomas | .... | digital cinema producer | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Charles M. Barsamian | .... | music business and legal affairs | |
| Stephanie Lowry | .... | music editor | |
| Sara Matarazzo | .... | music supervisor | |
Transportation Department | |||
| Branislav Andjelkovic | .... | driver | |
| Milos Djordjevic | .... | driver | |
| Igor Kokot | .... | driver | |
| Nenad Kokot | .... | picture vehicle coordinator | |
| Nenad Kokot | .... | transportation coordinator | |
| Dusko Krekic | .... | driver | |
| Sasa Krstic | .... | driver | |
| Bozidar Marinkovic | .... | driver | |
| Bozidar Marinkovic | .... | transportation | |
| Zoran Markovic | .... | driver | |
| Dusan Milenkovic | .... | driver | |
| Slavko Novakovic | .... | transportation captain | |
| Milos Rodic | .... | driver | |
| Marko Stanojevic | .... | driver | |
| Zarko Stojanovic | .... | driver | |
Thanks | |||
| Armen Aghaeian | .... | special thanks | |
| Edward Mokhtarian | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This movie honestly isn't as bad as everyone's rating it. Sure, it had some predictable scenes and bad acting, but this isn't supposed to be a serious movie. If you going to see it with the mindset of it being deep and intellectual, you are more than likely not going to enjoy it. It uses tension to scare you more than anything else. Not very much gore and violence. It's worth seeing, despite everyone's reviews. I didn't know what was going to happen next for the majority of the movie. If you have to choose between this and "Cabin In The Woods" you should definitely see cabin. This, however, is worth seeing as well. I hope people who go to see this won't be expecting a intriguing movie with a deep story, and just go for the sheer excitement of the film.