Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. ... See full summary »
A fourteen year old lad discovers his first love at the point of his pencil whilst drawing the portrait of a sickly but coquettish fifteen year old girl. In the neighbourhood an old ... See full summary »
One fatal morning, John's door is left ajar. A strange woman slips through the crack in his orderly life. Is she a squatter, a wanderer or a woman from his past? As John's tidy flat is ... See full summary »
A portrait documentary tracing the inspiration, philosophy and imagination of the celebrated theatre and screen writer - and Bunuel's long term collaborator - Jean Claude Carrière. Carrière... See full summary »
Juan Carlos Rulfo
Set on the French Riviera in the summer of 1915, Jean Renoir -- son of the Impressionist painter, Pierre-Auguste -- returns home to convalesce after being wounded in World War I. At his ... See full summary »
Chico is a young piano player with big dreams. Rita is a beautiful singer with an extraordinary voice. Music and romantic desire unites them, but their journey - in the tradition of the Latin ballad, the bolero - brings heartache and torment.
In 1931, a young soldier (Fernando) deserts from the army and falls into a country farm, where he is welcomed by the owner (Manolo) due to his political ideas. Manolo has four daughters (... See full summary »
Fernando Fernán Gómez,
Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. One day, Léa gives shelter to a beautiful young Spanish political refugee named Mercè. Marc soon understands that the girl, who agrees to pose for him, inspires him and that he has no choice but to embark on this last artistic (and sensual) adventure... Written by
When Fernando Trueba discussed the idea of the movie with Aida Folch, without even a screenplay, Folch left everything in Spain and moved to Paris for a few months to learn French properly and be ready for the project. See more »
How does it feel to pose naked?
Nothing special. You get used to it right away.
Did you like it?
I did and I was in demand too. I posed for some artists. Once I posed for an entire class.
Were they all men?
Yes. No... there were women too.
Do men pose naked too?
Do they pose naked with naked women?
Sure sometimes, why not? Why do you ask? You're not thinking of posing naked too, are you?
[...] See more »
A warm, slow, sometimes overly slow dig into simple meanings of art and life
The Artist and the Model (2012)
This is a movie, a poem, about the existence of beauty and meaning in art, and in the life of an artist. in France during WWIL
This is an impossible subject for any movieit demands too much be spelled out. The more obtuse, abstract, and indirect it is the better. Luckily that's where this movie tries to go. Where it fails is when it specifies its ideas. It sometimes states its wisdom. There is another better movie somewherenot yet madethat could touch these ideas and imbue them with fullness without making it concrete. That one is the masterpiece.
In a way the fact I'm talking about this is proof that something happens here. It's a gorgeous, thoughtful movie. The oldvery oldsculptor finds a youngvery young model and seems to come to life again. And in his work in these last years he finds something deep and lasting, or seemingly so. The model, in her own naive way, is actually more enriched than he is by all of this, and we see her enlightenment in small ways, even if on some level she doesn't care, not in the way the artist does.
But the artist is the center of things here, in a brilliant performance. His work, what they show of it in the movie (I speak as an artist and art historian), is pathetic and weak, and in a way that's an achilles heel here-his huge inspiration is just another cemetery sculpture, nothing much after all. Maybe that's the hidden intention, but I don't think so.
The film is a gorgeous, simple black and white widescreen filming that is perfect for the material. The plot is simplethere are just a couple of interesting interruptions to the model and the artist working and growing together. At the end of the day and the end of life for the old man, it all presses on us as we watchhence the pathos.
One of the stars is the French countryside itselfthe olive oil on bread, the light through the trees. In a way it's a poem to a perfect existence, as much as life allows on this small planet.
See this? It really depends. It's a patient movierequiring patience, as well. But it's beautiful and warm. And the acting is excellent. The torch is passed. The war is ending. Hope has some kind of connection to the profound, and the understanding that life is more than just the day's needs.
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