|Page 1 of 5:||    |
|Index||44 reviews in total|
This film is well done. The parts are played well, and the movie is intriguing from start to finish. D'Onofrio is great as the serial killing cab driver. I think Jennifer Lynch has done a great job with the script and the actors. But after seeing 'HISSS', you hoped that she had improved, and in my mind she has done so easily. The story is very good too, I was watching wanting to know what happens with Tim. And then there's the huge plot twist at the end, you do not see it coming! It was what made the film worth seeing through to the end. If you're like me and love a good twist, then this movie is well worth seeing. So I give it a solid 8 out of 10.
*** This review may contain spoilers ***
With its sunny daylight ranch exteriors and sparse, sickly yellow
interiors, Jennifer Lynch's Chained is not playing subtle at being a
domestic dysfunction drama. But seeing how the film is also firmly
exists in the gory serial-killer box, it is one of the more subtle and
affecting entries in that particular sub-genre. This dichotomy makes
the film a bit of an enigma, drifting between two radically different
discomfort zones, but one that lingers because of it.
Tim and his mom (Julia Ormond, doing the director a favour here after knocking things out of the park in Lynch's previous thriller, Surveillance) get dropped off at the movies by dad. Living dangerously and in the interest of bonding, mom decides to let her 9 year old (at his request) check out a horror flick instead of the CGI kiddie movie. Catching a taxi home afterwards proves the real horror as the cabbie is quite unlicensed, and uses his gleaming yellow car as a way of getting easy victims. The cabbie's name is Bob and he is a serial killer. This is perhaps a nod to Ms. Lynch's father's spiritual serial killer of the same name from the Twin Peak's TV series featuring an isolated town and dead girls, for which Jennifer wrote the Diaries of Laura Palmer when she was a teenager. Bob takes the immediately suspicious (and immediately powerless) mother and son out to his isolated (no cellular signal) bungalow where he has his way, both in a sexual and violent sense, with mom but is at a momentary loss with what to do with a nine year old. In a coarse and lispy grunt, the cabbie tells the Tim, "She's not ever coming back, get used to it." And then he keeps him around to do the cooking and the cleaning - where the first job of non-indentured servitude is disposing of mom's mutilated corpse.
Bob is played by Vincent D'Onofrio, one of those versatile character actors who has been lost on network TV for some years, but has played everything from a struggling marine trainee (Full Metal Jacket) to Thor (Adventures in Babysitting) to Orson Welles (Ed Wood) to goofy alien antagonist (Men in Black) to a noseless thug (The Salton Sea) to yes, a deranged serial killer (The Cell). Here he is heavyset and brutish, no nonsense approach to life and memorable manner of speech. His father- son relationship with captive Tim is the heart of the film, black and twisted as it is. As several years pass, the victims (exclusively women) begin to pile up to the point where the two of them can play a disturbing game of 'go fish' with the collected set of drivers licenses. The film settles into the odd rhythm of Bob trying to remake Tim, rechristened him Rabbit, in his own image, less a slave and more an heir, and the nature vs. nurture conflict of Rabbit's unusual upbringing. It is rather heady and exceptionally well-handled stuff for what on the surface is essentially a one-room genre picture. This could have been based on a play. Maybe it was. Bob is nothing if not voracious in appetite, and things eventually head into icky loss-of- virginity for Rabbit, but the friction between surrogate parent and child - what the adult thinks is best for the child's future and how the child wants to take control of their own circumstances - take that Dexter. Tim learns human anatomy from books, but psychology from dear old 'dad.' Bob intones, "Listening is good," but fails to hear anything Rabbit has to say. Probably a common parenting error. He also offers, "Following through is the key to life," which is loaded with more than a bit of ironic foreshadowing.
If the film were content to stay with this tense drama, I would be proclaiming this film a minor masterpiece of the genre. But the writers (Damien O'Donnell and Jennifer Lynch), whether intending to really drive home the theme, or merely add an extra layer of clever to what is an oddly paced and low-key affair, decide to do some 'rug-pulling' in the plotting department that struck me as rather odd. I love the final shot and subsequent continuation of audio for the entire credit crawl, but the penultimate bit of extraneous family drama takes the film out of good stretching-the-audience drama and into bad over-plotted genre bombast. Even the former title of the film, Rabbit, suggests a more subtle and less pandering piece than Chained. As it stands, the film is very much worth your time, a conversation piece that is only enhanced by its NC-17 rating (apparently for 'realism' instead of the usual movie sex and violence) and when you get to the kooky ending, you can decide for yourself. The film stays with you.
Coming home from a routine trip to the movies, eight-year-old Tim (Bird) and his mother, Sarah (Ormond) are picked up by a psychopathic cab driver named Bob (D'Onofrio). It ends up being their last ride together. Bob murders the young boy's mother and keeps Tim as his unwilling protégée, making him clean up the mess following each murder he commits. After a couple of aborted escape attempts, Bob chains Tim now renamed Rabbit -- allowing just enough length to move freely within the house. As the years pass, Bob starts instructing Rabbit, teaching him anatomy and human behavior. Now a teenager, Rabbit (Eamon Farren, X: Night of Vengeance) is slowly being pressed by Bob to start his own homicidal spree. Slowly but surely, he must soon choose whether to follow in Bob's serial killer footsteps or make one final, desperate attempt to break free... overall 9/10 it should have been released worldwide
Jennifer Lynch has created something here that is nothing short of
breath taking. From the tone and mood to the color and performances,
this film is a must for any fan of dark reality. This film could
Vincent D'Onfrio gives a brilliant performance as a serial killer with a chance to be a mentor to his captive. I loved this film, it is just so sad that Hollywood does not recognize films like this when awards come around. This film is honest, unrelenting and touching. This is how horror films should be made. Horror, not gore, not slasher. This film kept me glued to my seat on pins and needles wondering how everything was gonna play out. I was not let down. Jennifer, thank you so much.
The movie is a really difficult watch. It's not easy seeing what is
happening on screen and is meant to be that way. Vincent D'Onofrio is
mesmerizing (in a bad or a good way, depending on how you look at it).
His character is more than despicable, but the acting is amazing. So if
you know that, you know why the voting is split down the middle. The
ending is not helping either with most people.
The director talked about the ending and there is a different version of it, if I got it right (extended), which I'm looking forward to see on an upcoming release. Though I do feel the ending I saw was very good too. It might take you back a little, but if you think about it, it does make a lot of sense.
Bob (Vincent D'Onofrio), a cab-driving serial killer who stalks his
prey on the city streets alongside his reluctant protégé Tim, who must
make a life or death choice between following in Bob's footsteps or
breaking free from his captor.
In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)
D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.
One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?
My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).
You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.
*** This review may contain spoilers ***
Jennifer Lynch's "Chained" is one of those films I walked away from
completely disturbed but also captivated by. I find it hard to even
call it a horror film because it doesn't fit in to the definition of
the genre. A horror film to me is one that you walk away from with a
sense of fun from being scared. There's nothing fun about "Chained."
All I kept thinking the entire time I watched it is, "This really could
and does happen." It's a gripping psychological thriller that throws in
a few twists here and there to keep the viewer on their toes.
Basically, it's exactly what you would expect from the daughter of
director David Lynch.
Bob (Vincent D'Onofrio) is a cab driving serial killer who picks his victims up and takes them to his rural house. One afternoon, Bob picks up a little boy named Tim (Evan Bird) and his mother (Julia Ormond) from the movies. He takes the boy and his mother to his home. After killing Tim's mother, he chains the boy up and tells him he'll be his servant for the rest of his life and his name is now Rabbit. As Rabbit (Eamon Farren) grows into a teenager, he realizes the only way Bob will allow him to survive is by following in the killer's footsteps. He must find a way to escape from the psycho before it's too late.
If you're looking for a fun horror movie for Halloween, steer clear of "Chained." There's nothing enjoyable about it. That's not to say it isn't a great piece of cinema. I've never seen Vincent D'Onofrio play someone so disturbing. I don't know whether I should applaud him for his performance or be scared he was so good at playing the part. It's a serious film you'll cringe at in several parts because of the horrific things unfolding in front of you.
The nine year-old Tim (Evan Bird) goes to the movie theater with his
mother Sarah (Julia Ormond) and his father Brad Fittler (Jake Weber)
tells Sarah to take a cab to go home. After the session, Sarah and Tim
take the cab of Bob (Vincent D'Onofrio) that abducts and bring them to
his isolated house. Bob kills Sarah and shackles and gives rules to
Tim, nicknaming him "Rabbit". Along the years, the psychopath
serial-killer Bob keeps killing women and Tim cleans the house and the
blood, buries the women and eats Bob's leftover. When Tim (Eamon
Farren) grows up, Bob decides to treat him as his son and unchains him,
but Tim is reluctant to accept him. One day, Bob brings the gorgeous
teenager Angie (Conor Leslie) expecting that Tim has sex with her and
kills her. What will Tim do with Angie?
"Chained" is a disturbing, twisted and depressing loss of innocence of a boy kidnapped by a sadistic and deranged serial-killer and with a surprising plot point in the end. Vincent D'Onofrio is a scary psychopath with a twisted mind. The fate of Angie is omitted in the movie and this is the weakest part of the cruel plot that makes an ambiguous conclusion. My vote is seven.
Title (Brazil): "Acorrentados" ("Chained")
Bob, a cab-driving serial killer who stalks his prey on the city
streets alongside his reluctant protégé Tim, who must make a life or
death choice between following in Bob's footsteps or breaking free from
Be prepared, this film is not for the faint of heart or the more sensitive viewers. Chained is the most unsettling film of 2012 that grips you by the throat and doesn't let go, as well as a kick in the stomach. Dread consumes this twisted, dark and provocative crime/thriller. In the vein of Henry: Portrait Of A Serial Killer, this film takes you inside the mind of a ruthless killer, the character study is a very disturbing, heart shattering and shocking. Filled with depravity! The performances were powerfully tense and keeps you glued to the screen and on the edge of you seat. Vincent D'Onofrio, who you may know from Law & Order, plays Bob, a serial killer cab driver and gives one hell of a chilling performance. You feel horrible for but hate him at the same time, a killer that's a product of his environment. Eamon Farren plays older Rabbit, which is the name Bob gives to him after he abducts him and his mom when he was a young child. Now he is chained to a wall with no way out, but to only buddy up with his captor enough to be freed from the chains. Eamon gives a captivating performance and you root for him to escape the horrors and at one point having you shout at the screen to fight back and get revenge. Harrowing film! Director, Jennifer Chambers Lynch who directed the equally startling film Surveillance, has crafted yet another distressing, graphic and wicked film. The rawness of her films is now very much signature to me, she always has a way of getting under your skin, keeps you in suspense and hits you hard with a shocking conclusion. Her film will make you think twice about calling for a cab! Very much interested to see what she throws at us next, I won't be surprised if it leaves me in the fetal position, shaken out of my mind. She is that good! Overall, this film is definitely not for everyone as it's blood curdling, but the performances are some of the best of 2012 from this twisted genre. The story will keep you in cold sweat, wondering and guessing if poor Rabbit will make it out OK and has one hell of a shocking ending that will leave you breathless. A tough watch, but worth it! 7 out of 10.
*** This review may contain spoilers ***
This film was wonderful, definitely worth watching. It may not be
considered a must see but I do suggest it. Great acting, plot twists,
and the film knows how to keep you interested. It's about a cab driver
named Bob who one day picks up a mother and her child, whose name is
Tim, and Bob kills Tim's mother and keeps Tim shackled in his home. He
grows up being called Rabbit only being allowed to eat Bob's left over
food and in charge of cleaning every inch of the house to please Bob.
Bob wants Rabbit to follow his life's path of murder. You will be on
the edge of your seat anticipating the next scene the entire time.
Solid 8 out of 10.
Will Rabbit do what is expected of him?
*** This review may contain spoilers ***
I walked away from this movie with mixed feelings.
Vincent D'Onofrio's acting is (as always) strong, newcomer Eamon Farren looks like he lost quite a few pounds for this role and the director, whom i've never hear of before, did a excellent job.
The reason why i was, in the end, disappointed is one i cannot reveal in my always spoiler free reviews.
I do however, recommend this movie. It's tense, it's dramatic and has some gore without it being too much. Watch it when you want to see a horror flick without supernatural nonsense, or just for Vincent D'Onofrio's acting. Don't have high hopes in terms of plot though.
Oh and hang tight when the credits roll.
|Page 1 of 5:||    |
|External reviews||Parents Guide||Plot keywords|
|Main details||Your user reviews||Your vote history|