Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Guy and Albert, business partners, have fallen deeply in debt. Desperate to raise some cash,they, along with Albert's wife, approach underworld kingpin Spike, who gives them a chance to make money by smuggling $25 million worth
Fedja van Huêt,
Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukranian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
WWE Wrestler Randy Orton portrays Nick Malloy, an Emergency Medical Technician (EMT) who finds himself caught in a deadly 12-round game of cat and mouse with a vigilante tied to the ... See full summary »
Convicted cop-killer Carl Lucas, aka Frankenstein, is a superstar driver in the brutal prison yard demolition derby known as Death Race. Only one victory away from winning freedom for himself and his pit crew, Lucas is plunged into an all-new competition more vicious than anything he has experienced before. Pitted against his most ruthless adversaries ever, Lucas fights to keep himself and his team alive in a race in South Africa's infernal Kalahari Desert. With powerful forces at work behind the scenes to ensure his defeat, will Lucas' determination to win at all costs mean the end of the road for him? Written by
While Goldberg is speaking to Frankenstein about lying and betraying the team. Frankenstein takes his mask and turns around and throws it on the hood and his body is facing the front of the car while looking at Goldberg and isn't moving. In the next shot, he is once again leaning back against his car with his arms crossed again. See more »
Let me start by stating that I loved DR1, and found DR2 a surprisingly (and unusually) well-made and entertaining sequel, even if (clearly) not of the same caliber as the first movie. As such, I admit I had fairly high expectations for this third film, although I was not hoping for anything more than just a plain, good ol'fashioned, B action fest.
What you get instead is a badly edited piece of manure that lacks coherence, but is rich in really poor and amateurish performances, stuffed with mostly mediocre (and occasionally outright pitiful!) f/x. I cannot understand how the same director (and largely same cast) responsible for DR2 could end up with this mess! Sure, most of the problems - 'snipped' action sequences, scenes sequenced so quickly and randomly that they resemble a meaningless collage of music videos, nonsensical dialogue that makes you think the actor/actress is responding to lines cut from the final product, words dropped/missing, incoherent scenes, confused camera work etc. - could be explained by a hatchet-job in editing. Still, no matter how bad the editor may have been at his/her job, it cannot possibly explain the amateurishly exaggerated performances from virtually all the actors/actresses involved, very much including Ving Rhames, Luke Goss, and Danny Trejo, all of whom have proved themselves before (to a greater or lesser extent) to be able to carry their lines and scenes rather well.
This movie obviously had a much smaller budget, and did not have the benefit of inheriting the original cars (and probably some sets) as DR2 did. It is all the more surprising, then, that the director did not even make full use of the f/x and explosions/kills that they did spend money on, oftentimes opting to cut away from them and not letting them play themselves out on the screen!(?) There are a few genuinely nice (sometimes even beautiful) shots (courtesy of the stunning desert location) a few somewhat interesting cars (though most are entirely too reminiscent of those in Fast Five) and Eugene Khumbanyiwa (the actor who played the Nigerian warlord in District 9) is as deliciously psychotic as ever - but they are the rarest of exceptions in this otherwise confused, utterly amateurish endeavour. I found myself beginning to yawn about halfway through, and could not help but feel that DR3 compares to DR2 much the same way as, say, the Nemesis sequels compared to the original Nemesis.
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