In London, a military plane crashes leaving its highly classified contents strewn across the city. Completely unaware that the city is in lockdown, a group of people become trapped inside a storage facility with a highly unwelcome guest.
Director:
Writers:
Awards:
- 1 win & 1 nomination.
- See more »
Photos and Videos
Cast
| Noel Clarke | ... |
Charlie
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| Colin O'Donoghue | ... |
Mark
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| Antonia Campbell-Hughes | ... |
Shelley
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| Laura Haddock | ... |
Nikki
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| Jamie Thomas King | ... |
Chris
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| Ned Dennehy | ... |
David
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| Geoff Bell | ... |
Bob
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| Alex Price | ... |
Jake
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| Ruth Gemmell | ... |
Sarah
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| Davie Fairbanks | ... |
Greg
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| Amy Louise Pemberton | ... |
Lucy
(as Amy Pemberton)
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Robert Freeman | ... |
The Creature
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| Rest of cast listed alphabetically: | |||
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John Hasler | ... |
News Reporter (uncredited) (voice)
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Directed by
| Johannes Roberts | ||
Written by
| Noel Clarke | ... | (idea) |
| Noel Clarke | ... | (screenplay) |
| Davie Fairbanks | ... | (screenplay) |
| Johannes Roberts | ... | (screenplay) |
| Marc Small | ... | (screenplay) |
Produced by
| Noel Clarke | ... | producer |
| Steve Cook | ... | co-producer |
| Johnny Fewings | ... | executive producer |
| Roslyn Hill | ... | co-producer |
| Pankaj Kapoor | ... | executive producer |
| Manu Kumaran | ... | producer |
| Shilpa Mittal | ... | line producer (as Shilpa Sharma) / supervising producer (as Shilpa Sharma) |
| Krishnakumar S Nair | ... | associate producer |
| Shail Shah | ... | executive producer |
| Marcus Campbell Sinclair | ... | co-producer |
Music by
| Christian Henson | ||
Cinematography by
| Tim Sidell | ||
Editing by
| Martin Brinkler | ||
Editorial Department
| Rory Gordon | ... | second assistant editor |
| Shane Woods | ... | on-line editor |
Casting By
| Colin Jones | ||
| Gail Stevens | ||
Production Design by
| Malin Lindholm | ||
Art Direction by
| Stuart MacKay | ||
Costume Design by
| Andy Blake | ||
| Molly Emma Rowe | ... | (as Miss Molly) |
Makeup Department
| Stuart Conran | ... | prosthetic technician |
| Robbie Drake | ... | prosthetic technician |
| Josh Head | ... | prosthetics designer |
| Lauren Johnson | ... | makeup trainee |
| Conal Palmer | ... | makeup effects artist |
| Harriet Thompson | ... | makeup artist |
| Jenna Wrage | ... | makeup designer |
Production Management
| Emily Beddard | ... | production manager |
| Steve Cook | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Bailey Marks | ... | second assistant director |
| Paul Murphy | ... | first assistant director |
| Cedric St. Clair | ... | third assistant director trainee |
| Tom Turner | ... | trainee assistant director |
Art Department
| Emma Lo Gatto | ... | graphic design |
| Sophia Millar | ... | assistant art director |
| Graham Robinson | ... | stand-by props |
| Libby Uppington | ... | stand by props |
| Daniel Wharton | ... | stand-by art director |
Sound Department
| Naomi Dandridge | ... | adr mixer |
| Will Farrell | ... | adr recordist |
| Matthew Hansell | ... | boom operator |
| Richard Lewis | ... | re-recording mixer / sound designer |
| Gavin Marshall | ... | boom operator |
| Daniel Tudor Owen | ... | boom operator |
| Steven Parker | ... | re-recording mixer / sound designer |
| James Shannon | ... | dolby sound consultant |
| Lionel Strutt | ... | adr coordinator |
| Roman Turtev | ... | sound engineer assistant |
| Julian Willson | ... | sound mixer |
Special Effects by
| Graham Aikman | ... | special effects technician |
| Neal Champion | ... | special effects supervisor |
| Luke Corbyn | ... | special effects technician |
| Chris Fitzgerald | ... | designer: sculptor |
| Bernard Newton | ... | special effects |
Visual Effects by
| Indranil Bhattacharya | ... | character modeling |
| Yogesh Bhavsar | ... | rigging artist |
| Louise Brand | ... | head of operations: 4DMax |
| Goolzar Buchia | ... | senior fx artist |
| Devrishi Chatterjee | ... | senior compositor: Prime Focus India Pvt Ltd |
| Vasistha Chawda | ... | visual effects artist |
| Andy Chopping | ... | photographer: 4DMax |
| Santosh Choudhary | ... | online editor |
| Charlotte Collings | ... | di producer |
| Oliver Cubbage | ... | digital artist |
| Shome Dasgupta | ... | visual effects producer: Prime Focus IND |
| Bharat De | ... | comp supervisor |
| Vishal Desale | ... | visual effects artist |
| Keith Devlin | ... | visual effects supervisor |
| Ujwal W. Dhankute | ... | digital compositor |
| Vikram Dharankar | ... | vfx editorial |
| Prashant Dhotre | ... | lighting artist |
| Hasraf Dulull | ... | visual effects supervisor |
| Vikas Gandhi | ... | visual effects: line producer |
| Sanchit S. Gavale | ... | visual effects artist |
| Shivesh Gehlot | ... | digital compositor |
| Saneesh George | ... | matchmove artist: Prime Focus India Pvt Ltd |
| Arijit Ghosh | ... | visual effects artist |
| Gaurav Gupta | ... | lighting technical director |
| Shivakant Gupta | ... | paint artist |
| Sameet Gupte | ... | cg supervisor |
| Piers Hampton | ... | visual effects supervisor |
| Steve Hickman | ... | lead modeller: 4DMax |
| Lawrence Huck | ... | vfx editor |
| Hemant Khairnar | ... | prep artist |
| Nasir Khan | ... | visual effects coordinator |
| Manish Khatiwada | ... | digital compositor |
| Dam Khuman | ... | visual effects artist |
| Mithil Kotwal | ... | visual effects coordinator |
| Mani Bhushan Kumar | ... | rigging supervisor |
| Abhijeet Lamture | ... | senior texture painter |
| Duncan Lees | ... | head of 3D services: 4DMax |
| Sandeep Mane | ... | visual effects: line producer |
| Vishal Mehta | ... | lead texture artist |
| Nair Midhun | ... | visual effects artist (as Midhun) |
| Souvik Mitra | ... | matchmove artist |
| Abhijeet Mohanty | ... | animator: animator |
| Andy Mulligan | ... | matchmover: Prime Focus |
| Anoop M. Nair | ... | visual effects artist |
| Anand Nayak | ... | fx artist |
| Atul Palande | ... | visual effects artist |
| Om Parab | ... | matchmove artist |
| Riaz Patel | ... | digital compositor |
| Abhijit Patil | ... | digital compositor |
| Shritej Patvardhan | ... | roto artist (as Shritej Patwardhan) |
| Khatal Prajakta | ... | digital compositor: Prime Focus |
| Rajesh Prasad | ... | rigging td: prime focus |
| Vivek Pundir | ... | vfx: line producer |
| Tuhin Rana | ... | digital compositor: Prime Focus Ltd. |
| Anil Rawat | ... | digital compositor |
| Tyagi Reetuj | ... | digital compositor |
| Alessandro Righi | ... | visual effects artist |
| Akash Roy | ... | visual effects coordinator |
| Jean-Marc Rulier | ... | cyber scanning technician: 4DMax |
| Duncan Russell | ... | senior colourist |
| Siva Sankar | ... | compositor |
| Amit Sardal | ... | line producer: cg |
| Joseph Severn | ... | lidar technician: 4DMax |
| Vikash Sharma | ... | production coordinator |
| Yogesh Sharma | ... | visual effects artist |
| Gaurvendra Singh | ... | digital compositor |
| Merzin Tavaria | ... | visual effects creative director: Prime Focus, India |
| Yogendra Tonke | ... | texture lead |
| Rahul Toraskar | ... | roto artist |
| Vipin Tripathi | ... | roto artist |
| VenkataSubramaniam | ... | visual effects producer (as Venkatasubramanian) |
| Gopalarathinam Viswanathan | ... | lead matchmove artist: Prime focus |
| Jitendra Yadav | ... | digital compositor: Prime Focus |
| Sunil Kumar Yadav | ... | roto lead |
| Varadraj Deorukhkar | ... | digital artist (uncredited) |
| Rajat Roy | ... | global technical supervisor (uncredited) |
Stunts
| Russell MacLeod | ... | utility stunts |
| Peter Pedrero | ... | stunt coordinator |
| Ashley Virgil | ... | stunt double: Noel Clarke |
Camera and Electrical Department
| Niall Barry | ... | camera trainee dailies |
| Anna Bogacz | ... | focus puller |
| Ashley Cutmore | ... | camera trainee |
| Meg de Koning | ... | second assistant camera |
| Neil Hawkins | ... | best boy |
| Matt Humphrey | ... | still photographer |
| Zack Lyon | ... | rigging spark |
| Tom Maine | ... | rigging electrician |
| Joseph Mastrangelo | ... | focus puller |
| Alanna Miejluk | ... | digital imaging technician |
| David Nye | ... | gaffer |
| Nathan Porter | ... | rigging electrician |
| Joel Rainsley | ... | spark |
| Chris Rusby | ... | key grip |
| Bill Rae Smith | ... | rigging gaffer (as Will Rae Smith) |
| Ian Stowe | ... | electrician |
| Evelin van Rei | ... | lighting trainee: dailies (as Ann Evelin Lawford) |
Animation Department
| Surendar Gaur | ... | animator |
| Vumzolian Gwite | ... | animator |
| Amit Sompura | ... | animator |
Casting Department
| Venetia Suchdev | ... | extras casting |
Costume and Wardrobe Department
| Amy Tapper | ... | key costumer |
Location Management
| Darren Pratt | ... | location manager |
Music Department
| Goetz Botzenhardt | ... | score mixer |
| Ben Foskett | ... | orchestrator |
| Richard Lewis | ... | music editor |
| Nick Taylor | ... | music score recording engineer |
Script and Continuity Department
| Lucy Ward | ... | script supervisor |
Additional Crew
| Jonny Boston | ... | legal advisor |
| Jack I Fitches | ... | Rigger |
| Calum Gray | ... | sales |
| J.J. Guest | ... | title designer |
| Lauren Holden | ... | production secretary |
| Jerri Howlett | ... | production runner |
| Lisa Iona | ... | production coordinator |
| Kayas Irshad | ... | epk |
| Sarah Lebutsch | ... | sales director |
| Andrew Orr | ... | international sales |
| Cedric St. Clair | ... | epk shooter |
| William Todd-Jones | ... | creature movement consultant |
| Sarah Townsend | ... | head of marketing |
| Tom Turner | ... | key floor runner |
| Mike Woodley | ... | aviation consultant |
Thanks
| Paul Blacknell | ... | special thanks |
| Harriet Collings | ... | special thanks |
| Anshul Doshi | ... | thanks |
| Mark Greaves | ... | special thanks |
| James Harris | ... | special thanks |
| John Hasler | ... | special thanks |
| Anthony Hickox | ... | thanks |
| Namit Malhotra | ... | thanks |
| Billy O'Brien | ... | special thanks |
| Ernest Riera | ... | special thanks |
| Jeremy Sassen | ... | special thanks |
Production Companies
- Medient Studios
- Unstoppable Entertainment
- Big Yellow Films (in association with)
- Mediente International Films
Distributors
- Focus & Co. (2013) (South Korea) (theatrical)
- IPA (2013) (Thailand) (theatrical)
- Magnet Releasing (2012) (United States) (theatrical)
- Magnet Releasing (2013) (United States) (theatrical)
- The Klockworx (2013) (Japan) (theatrical)
- Universal Pictures International (UPI) (2012) (United Kingdom) (theatrical)
- Bac Films (2012) (France)
- Bir Film (2012) (Turkey)
- CN Entertainment (2012) (Hong Kong) (DVD)
- CN Entertainment (2012) (Hong Kong) (Blu-ray) (DVD)
- Focus Cultural Media Co (2012) (Korea)
- IPA Asia Pacific (2012) (Thailand)
- IPA Asia Pacific (2012) (Vietnam)
- Lark Films Distribution (2012) (Hong Kong)
- Magnolia Home Entertainment (2013) (United States) (DVD)
- Magnolia Home Entertainment (2013) (United States) (Blu-ray) (DVD)
- Universal Home Entertainment (2012) (United Kingdom) (DVD)
- Universal Home Entertainment (2012) (United Kingdom) (Blu-ray) (DVD)
- Universal Pictures Home Entertainment (2012) (Germany) (DVD)
- Universal Pictures Home Entertainment (2012) (Germany) (Blu-ray) (DVD)
- Universal Pictures (2012) (Netherlands) (Blu-ray)
- Universal Pictures (2012) (Netherlands) (DVD)
- Universal Sony Pictures Home Entertainment (2012) (Australia) (DVD)
- Video Service Corporation (2013) (Canada)
Special Effects
- 4DMax (3D Cyber & LIDAR scanning and digital modelling)
- Prime Focus World (visual effects)
- SFX GB
Other Companies
- Prime Focus (post-production facilities)
- 1Film Unit (camera equipment provided by)
- Compact Media Group (collection account management)
- Derventio Design (costumes)
- Digital Media Services (DMS) (digital marketing asset management)
- MovieScore Media (soundtrack)
- Mythology 500 Management (funding)
- Panalux (lighting equipment by)
- Pindrop (sound post-production)
- Sapex Scripts (post production script services)
- Warner Bros. De Lane Lea (sound re-recording)
Storyline
| Plot Summary | |
| Plot Keywords | |
| Taglines | Will their first contact be their last? See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
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| Runtime |
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| Official Sites | |
| Country | |
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| Color | |
| Aspect Ratio |
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| Sound Mix | |
| Filming Locations |
Did You Know?
| Trivia | Released in the US for one day at one theater where it made the grand total of $72 before being released on VOD. See more » |
| Goofs | When Mark leaves Charlie to his fate in the ductwork he is shown crawling toward the camera with no sign of the bag of weapons collected earlier. After reaching the remaining survivors, he kicks out the vent cover and enters the room feet first. There is no bag of weapons and he goes immediately to hug Shelley. At no point is any bag shown from the time Mark leaves Charlie until Mark hugs Shelley. The very next scene is Mark going through the bag of weapons showing the group what he found. See more » |
| Movie Connections | Featured in Storage 24 (2012). See more » |
| Crazy Credits | "No animals or critters were harmed in the making of this film. Except the one that was horrible and killed by the lead character." See more » |
| Quotes |
Charlie:
I just want to go home. See more » |