| Photos (See all 12 | slideshow) |
| Heather Aitken | ... | Patient | |
| rest of cast listed alphabetically: | |||
| Manuel Bonnet | ... | Robert | |
| Lizzie Brocheré | ... | Sophie | |
| Anna Gaylor | ... | Cecille | |
| Rebecca James | ... | Nurse | |
| Jimmy King | ... | Thug | |
| Sylvie Loeillet | ... | Natalie | |
| Sydney McCann | ... | Chloe | |
| Christian Mulot | ... | Charles | |
| Akéla Sari | ... | Gypsy | |
| Eric Schaeffer | ... | Michael | |
| Chloé Stefani | |||
| Niseema Theillaud | ... | Sophie's Mother | |
| Deborah Twiss | ... | Caroline | |
| Matthias Van Khache | ... | Antoine | |
Directed by | |||
| Eric Schaeffer | |||
Writing credits(in alphabetical order) | ||
| Eric Schaeffer | writer | |
Produced by | |||
| Bruce Aitken | .... | co-producer | |
| Ed Flaherty | .... | producer | |
| Edward Flaherty | .... | producer | |
| Michele Larue | .... | co-producer | |
| Seán Michael | .... | co-producer | |
| Zach Miller | .... | producer | |
| Eric Schaeffer | .... | producer | |
| Deborah Twiss | .... | co-producer | |
Original Music by | |||
| Matthew Puckett | (score composer) | ||
Cinematography by | |||
| Zoran Veljkovic | |||
Film Editing by | |||
| Frank Reynolds | |||
Casting by | |||
| Sylvie Brocheré | |||
Makeup Department | |||
| Chloé Briand | .... | additional makeup artist | |
| Alisonn Fetouaki | .... | makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Karima Guennouni | .... | assistant production manager | |
| H. Spencer Young | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Claire Delâtre | .... | second assistant director | |
| Raphael Holt | .... | third assistant director | |
| David Villemin | .... | first assistant director | |
Art Department | |||
| David Jallier | .... | property master | |
Sound Department | |||
| Jérôme Ayasse | .... | sound mixer | |
| Chen Harpaz | .... | sound re-recording mixer | |
| Chen Harpaz | .... | supervising sound editor | |
Stunts | |||
| Philippe Guégan | .... | stunts | |
Camera and Electrical Department | |||
| Yvain Bois | .... | electrician | |
| Nicolas Cagniard | .... | steadicam operator | |
| Bruno Dransart | .... | grip | |
| Sébastien Greveldinger | .... | gaffer | |
| Olivier Kluyskens | .... | additional grip | |
| Rémy Pigeard | .... | additional electrician | |
| Jean-Michel Pitois | .... | additional best boy electric | |
| Sylvia Rodrigues | .... | key grip | |
| Hilda Sealy | .... | first assistant camera | |
Casting Department | |||
| Pierrick Boilevin | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Eugénie Poumaillou | .... | wardrobe | |
Editorial Department | |||
| H. Spencer Young | .... | colorist | |
| H. Spencer Young | .... | on-line editor | |
Music Department | |||
| Bill Weeden | .... | composer: additional music | |
Other crew | |||
| Cathie Muller | .... | caterer | |
| Saba | .... | subtitle supervisor | |
| Chloe Schulberg | .... | script supervisor | |
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| Kings & Queen | Atonement | Bitter Moon | Peyton Place | The Children of the Century |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
If all of the other reviewers on this site watched the same "After Fall, Winter" that I did. All of these stars and all of these gushing reviews feel like deck-stacking on the part of the filmmaker and his friends, and this phenomenon seems to follow Eric Schaeffer wherever he goes. He is like a male Bebe Buell in that regard. This particular group of reviews reeks of this tactic; all of them rave extensively over the movie but reveal no plot points and devote most of their text to praising Mr. Schaeffer.
I rented this movie because I'm a BDSM person, and on that level this picture is profoundly insulting. Without revealing any specific plot points, I will only remark that as a long-term dominatrix, I was deeply offended by the implication that one of my fellow older pros would ever, ever refer a client to a fellow practitioner with whom she felt he would not be safe, no matter how much he begged to be referred to such a person.
Another thing that leads me to suspect that these reviews are ringers is that none of them specifically praise the only person who seemed to be trying to bring this often-implausible script to sincere life - the lead actress, Lizzie Brochere. The only pleasure I was able to derive from this depressing, insulting film occurred when she was on screen. I feel like she really tried to make a decent movie that would be watchable for people other than Eric Schaeffer's friends but was subverted from that end time and time again by Mr. Schaeffer's colossal overestimation of his own ability to arouse sympathy and interest.