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After Fall, Winter (2011)

 -  Drama  -  27 January 2012 (USA)
6.6
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Ratings: 6.6/10 from 535 users   Metascore: 19/100
Reviews: 28 user | 19 critic | 7 from Metacritic.com

WINTER is a dangerous, sexy, poignant and at times darkly funny story about two people who desperately want intimacy but have fashioned lives of reclusivity and emotional fracture which ... See full summary »

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Title: After Fall, Winter (2011)

After Fall, Winter (2011) on IMDb 6.6/10

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Cast

Credited cast:
...
Victoria
Rest of cast listed alphabetically:
Manuel Bonnet ...
Robert
...
Sophie
Anna Gaylor ...
Cecille
...
Nurse
...
Thug
Sylvie Loeillet ...
Natalie
...
Chloe
Christian Mulot ...
Charles
Akéla Sari ...
Gypsy
...
Michael
Chloé Stefani
Niseema Theillaud ...
Sophie's Mother
...
Caroline
Matthias Van Khache ...
Antoine
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Storyline

WINTER is a dangerous, sexy, poignant and at times darkly funny story about two people who desperately want intimacy but have fashioned lives of reclusivity and emotional fracture which ultimately spells the doom of their great love. WINTER begins with Michael, in his mid forties, suicidal about his writing career, which once flourished and now is on a downturn. He leaves his home in New York and goes to Paris in hopes of igniting his passion for writing and life. He also has a penchant for S and M. Soon after is arrival he meets Sophie, a sexy, smart, soulful, nurse who helps dying people transition to the after world. She and Michael instantly have chemistry albeit combative. Sophie has a secret. Her other job is being a dominatrix. Throughout the film, Sophie is nursing a little girl, Anais, who is dying of leukemia. Written by Anonymous

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girl | leukemia | dominatrix | author | bicycle | See more »

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Drama

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27 January 2012 (USA)  »

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1.78 : 1
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Quotes

Michael: There's something I'm gonna tell you one day that I thought when I first saw you.
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Follows Fall (1997) See more »

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User Reviews

 
Earnest film marred by writer/director/star's own ego
28 January 2012 | by (United States) – See all my reviews

"After Fall, Winter" asks challenging questions about the connection between our traumatic pasts and present, and the coping mechanisms we invent or latch onto. It is deeply interested in pain, in all aspects, and in particular grief.

Once asked, however, the film has absolutely no interest in exploring any further, much less actually offer any answers. More on that later.

Eric Shaeffer has many talents. As a writer, he writes incredibly naturalistic dialog. As a director, not surprisingly, he wrangles incredibly naturalistic performances from his actors. As an actor, he's completely at ease leading by example - he engages his fellow actors by being naturalistic, and *almost* sells himself as how he probably imagines himself to be.

Trouble is, rather than the whole being greater than, or at the very least adding up to, the sum of its parts, you get the distinct sense that if he could relinquish control over at least ONE of those creative endeavours, he might actually be onto something good.

His poor editor. I'm fairly certain he was just two hands and an editing suite. Rather than being allowed to fashion the film in a way that somehow dug deeper into our human condition, or actually imposing a structure that could've made "After Fall, Winter" a much more disciplined, enlarging work, he had to be basically a technician piecing together a reel of how fascinating, interesting, talented, funny, raw, real, honest Eric Shaeffer is.

This is nothing against Eric Shaeffer, not on a personal level nor on any kind of professional-jealousy level. In fact, he was absolutely right in his speech before the NYC premiere at The Quad - it is incredibly difficult to get an indie film shown in the movie theaters these days, and I applaud him tremendously for ignoring the naysayers and the detractors, of which I'm just one more.

But we all have to eventually put up, or shut up. Mr Shaeffer, if you're reading, like I said above, you're a talented guy. But you have to realise that you're actually dooming yourself by not trusting others and letting their creative energies influence what you could become. Right now, you're just trapped in your vision of yourself, and you can't see that it's dragging you down.

He says he'll make a part of the "seasonal" series once every 15 years. Perhaps "After Winter, Spring", in 2027, will be the one where an older and wiser Mr. Shaeffer realises this, and unleashes the true, talented dramatist within.


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