Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational, and is churning out menacing food-animal hybrids.
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
After the disastrous food storm in the first film, Flint and his friends are forced to leave the town. Flint accepts the invitation from his idol Chester V to join The Live Corp Company, which has been tasked to clean the island, and where the best inventors in the world create technologies for the betterment of mankind. When Flint discovers that his machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world. Written by
Reese Sara Eversting
The animators also added an "Easter Egg" hidden fruit, which can be seen several times in the movie. It's name is Sasquash, and is shaped like a hairy gourd. See more »
(at around 1 min) In the beginning of the movie, Chester V tells the TV audience that his first invention was the "humble food bar". Later in the movie (at around 43 mins), in Flint's broken-down lab, he explains to Flint that he invented his "anti-wedgie underwear" when he was only 3. In the TV show, Chester was obviously a young teenager. See more »
My name is Flint Lockwood. My whole life I wanted to be a great inventor. Just like my hero.
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During the end credits, there is a reference to the famous American talk show "The Conan Show". Flint can be seen talking to a corncob talk show host who strongly resembles Conan. The show is called "The Late Chow with Cornan". See more »
I'm resigned to the fact that "0 out of 124 people" will find the following review useful (in the world of IMDb, dissenting opinions are usually regarded as useless - quite odd, as I always enjoy reading reviews that challenge my thoughts on a film). Anyway, here goes: If the original Cloudy was like one of those Heston Blumenthal dishes that's both outrageously odd and utterly brilliant - I don't know, perhaps fried egg with jam and Rice Krispies - then this misguided, saccharine sequel is a pointless pudding, an overly sweet dessert that makes you sick up a bit of the main course.
Flint Lockwood (Bill Hader) lands a job with a shady corporation run by his childhood hero - funny how he wasn't mentioned in the first film - who decides to send Flint back to his home island for the post-first-film clean-up, whilst playing him off against his friends. The island itself is now inhabited by living beings made of food, including a cute little strawberry with the voice of Eric Cartman, a spider comprising Big Mac and fries, and a taco-dile that spits vegetables everywhere. Are you sure this script is ready? The problem, no doubt, is that Phil Lord and Chris Miller were only on hand to provide the story and exec-produce, with former South Park staffer Erica Rivinoja botching the writing job, and Cody Cameron (Shrek, Madagascar) and Cloudy contributor Kris Pearn taking care of the rest.
There are a few good jokes - the fishing trip, the translation, Steve the monkey generally - but it's largely overbearing sentiment, food creatures with punny names (essentially a Twitter hashtag that got out of hand), and Steve Jobs-based villainy, a sort of Robots/Wreck-It Ralph/Jurassic Park III hybrid, with a minimum of heart, wit and invention. I wanted something as anarchic and genuinely original as the first movie. Instead, I got a film that's not only aimed at kids, but doggedly conventional, and insultingly predictable, both in its re-treading of old ground and its telegraphing of old jokes.
It's the most disappointing movie I've seen for a couple of years at least.
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