Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational and is churning out menacing food-animal hybrids.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
It's a jungle out there for Blu, Jewel and their three kids after they're hurtled from Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets his father-in-law.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
Alex, Marty, Gloria and Melman are still fighting to get home to their beloved Big Apple. Their journey takes them through Europe where they find the perfect cover: a traveling circus, which they reinvent - Madagascar style.
A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.
After the disastrous food storm in the first film, Flint and his friends are forced to leave the town. Flint accepts the invitation from his idol Chester V to join The Live Corp Company, which has been tasked to clean the island, and where the best inventors in the world create technologies for the betterment of mankind. When Flint discovers that his machine still operates and now creates mutant food beasts like living pickles, hungry tacodiles, shrimpanzees and apple pie-thons, he and his friends must return to save the world. Written by
Reese Sara Eversting
Sam Sparks' outfit when she returns to Swallow Falls is the same as Laura Dern's character in Jurassic Park See more »
Chester V says that the food storm Flint created earlier did not destroy Lady Liberty. However, in the credits of Cloudy with a Chance of Meatballs, we can see that Lady Liberty has also been damaged. See more »
My name is Flint Lockwood. My whole life I wanted to be a great inventor. Just like my hero.
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During the end credits, there is a reference to the famous American talk show "The Conan Show". Flint can be seen talking to a corncob talk show host who strongly resembles Conan. The show is called "The Late Chow with Cornan". See more »
I'm resigned to the fact that "0 out of 124 people" will find the following review useful (in the world of IMDb, dissenting opinions are usually regarded as useless - quite odd, as I always enjoy reading reviews that challenge my thoughts on a film). Anyway, here goes: If the original Cloudy was like one of those Heston Blumenthal dishes that's both outrageously odd and utterly brilliant - I don't know, perhaps fried egg with jam and Rice Krispies - then this misguided, saccharine sequel is a pointless pudding, an overly sweet dessert that makes you sick up a bit of the main course.
Flint Lockwood (Bill Hader) lands a job with a shady corporation run by his childhood hero - funny how he wasn't mentioned in the first film - who decides to send Flint back to his home island for the post-first-film clean-up, whilst playing him off against his friends. The island itself is now inhabited by living beings made of food, including a cute little strawberry with the voice of Eric Cartman, a spider comprising Big Mac and fries, and a taco-dile that spits vegetables everywhere. Are you sure this script is ready? The problem, no doubt, is that Phil Lord and Chris Miller were only on hand to provide the story and exec-produce, with former South Park staffer Erica Rivinoja botching the writing job, and Cody Cameron (Shrek, Madagascar) and Cloudy contributor Kris Pearn taking care of the rest.
There are a few good jokes - the fishing trip, the translation, Steve the monkey generally - but it's largely overbearing sentiment, food creatures with punny names (essentially a Twitter hashtag that got out of hand), and Steve Jobs-based villainy, a sort of Robots/Wreck-It Ralph/Jurassic Park III hybrid, with a minimum of heart, wit and invention. I wanted something as anarchic and genuinely original as the first movie. Instead, I got a film that's not only aimed at kids, but doggedly conventional, and insultingly predictable, both in its re-treading of old ground and its telegraphing of old jokes.
It's the most disappointing movie I've seen for a couple of years at least.
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