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Gerhard Richter - Painting
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Gerhard Richter - Painting (2011) More at IMDbPro »

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Gerhard Richter - Painting -- Legendary German painter Gerhard Richter granted filmmaker Corinna Belz access to his studio in the spring and summer of 2009, where he was working on a series of large abstract paintings. In quiet, highly concentrated images, this documentary provides a fly-on-the-wall perspective of Richter's extremely personal, tension-filled process of artistic creation.
Gerhard Richter - Painting -- A documentary on the German artist that includes glimpses at his studio, which has not been seen in decades.


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Corinna Belz (written by)
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Release Date:
14 March 2012 (USA) See more »
A documentary on the German artist that includes glimpses at his studio, which has not been seen in decades. | Add synopsis »
2 wins & 1 nomination See more »
User Reviews:
Leave him alone See more (7 total) »


  (in credits order)
Gerhard Richter ... Himself
Norbert Arns ... Himself
Hubert Becker ... Himself
Sabine Moritz-Richter ... Herself
Konstanze Ell ... Herself
Marian Goodman ... Herself
Benjamin Buchloh ... Himself
Kasper König ... Himself
Ulrich Wilmes ... Himself
Sandy Nairne ... Himself
Paul Moorhouse ... Himself

Directed by
Corinna Belz 
Writing credits
Corinna Belz (written by)

Produced by
Christoph Friedel .... co-producer
Jutta Krug .... co-producer
Thomas Kufus .... producer
Sabine Rollberg .... co-producer
Claudia Steffen .... co-producer
Katja Wildermuth .... co-producer
Cinematography by
Johann Feindt 
Frank Kranstedt 
Dieter Stürmer 
Film Editing by
Stephan Krumbiegel 
Production Management
Tassilo Aschauer .... production manager
Sound Department
Andreas Hildebrandt .... sound
Thomas Kalbér .... assistant sound re-recording mixer
Sven Phil Lentzen .... sound
Gerrit Lucas .... sound
Carsten Richter .... foley artist
Dominik Schleier .... sound designer
Martin Steyer .... re-recording mixer
Marcus Sujata .... foley mixer
Camera and Electrical Department
Andy Schocken .... additional cinematography

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Additional Details

Also Known As:
Germany:97 min

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Aus Der Ferne III (Hommage À Alfred Schlee 90)See more »


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7 out of 14 people found the following review useful.
Leave him alone, 15 October 2011
Author: captain_dimpf from Berlin, Germany

Gerhard Richter is an old man who doesn't like to be interviewed, who doesn't like to be filmed and who doesn't like to talk about his paintings. He's also a very famous German artist and though he obviously couldn't care less about this film, some clever marketing executive said, hell, we do it anyway, cause he is so damn famous, once this film is out, the middle class intellectuals will flock into the cinema in order to feel sophisticated in the virtual presence of a true artist. Sadly enough, judging by the crowd it attracted when I went so see it, it worked pretty well. My main gripe with this film is that Corinna Belz, who I take to be some TV journalist, has no concept for this full length documentary. Apparently she was under the illusion that it's enough to just stumble into the studio of such a genius, turn on the camera and then the magic will unfold. Well, sadly enough, it doesn't. In fact nothing happens and Corinna's inane off camera questions (How long did it take you?) don't help either. But then she is not bold enough to concentrate on the one thing that does in fact happen, namely, Gerhard Richter in the process of painting; no, spoiled by television aesthetics the edit never lingers too long on the act itself but feels compelled to jet to New York and London for a more cosmopolitan flair. But whenever I was on the brink of nodding off I was jolted back to attention by archive footage from the sixties where an eloquent and rather angry Richter is talking about his approach towards art. That would have been the proper time to make a documentary like this. Back then when he was still able to express himself coherently, when he was on the peak of his artistic powers, when he wasn't the weary and rather tired superstar he is now. Another venerable approach would have been to actually tell us something about his art, his significance in todays art world, but no one here has the guts to do so. He created so many great paintings, but this film doesn't do him any justice. He apparently wants to be left alone in his studio so that he can concentrate on his art. Whatever happened to decorum in the film industry. Just because he is old, doesn't mean his wishes should be ignored, especially when the resulting film is as nondescript as this.

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