Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
The Barden Bellas are a collegiate, all-girls a cappella singing group thriving on female pop songs and their perfect looks. After a disastrous failing at last year's finals, they are forced to regroup. Among the new recruits is freshman Beca, an independent, aspiring DJ with no interest in the college life. But after she meets Jesse, from the rival all-male a cappella group, Beca has a new outlook and takes it upon herself to help the Bellas find their new look and sound and get back into the competition. Written by
'Adam DeVine' (qv (Bumper) accidentally hit a cameraman with one of the burritos he had to throw out of the bus. See more »
When Jesse is about to start the end of "The Breakfast Club," he turns one of the lamps next to Beca's bed off. Since there is a light on Beca's desk, the room should still be lit, but the room goes completely dark. See more »
Take Bring It On, Glee (not in the icky cheesy way, but because there's singing involved, the good kind), Mean Girls, and add some quick-witted, sharp-tongued dialogue and commentary, and you have the funniest of movies.
At first I was leery: a movie about A Cappella singing groups; I thought at best, it would be a teen flick. Yes, I know, Anna Kendrick. But bigger (some better) names have made some doozies. But, I was unbelievably surprised. Every kind of humour is covered here, and done to absolute perfection. You will be adopting many, many of the lines into your daily lexicon.
For me, Rebel Wilson (as Fat Amy) and Elizabeth Banks (as Gail, the commentator) have some of the most hysterically smart lines ever committed to celluloid (right up there with Young Frankenstein).
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