Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Literature professor and gambler Jim Bennett's debt causes him to borrow money from his mother and a loan shark. Further complicating his situation, is his relationship with one of his students. Will Bennett risk his life for a second chance?
Based on the true story of Daniel Lugo (Mark Wahlberg) a Miami bodybuilder who wants to live the American dream. He would like to have the money that other people have. So he enlists the help of fellow bodybuilder Adrian Doorbal (Anthony Mackie) and ex-convict, Christian bodybuilder Paul Doyle (Dwayne Johnson). Their kidnapping and extortion scheme goes terribly wrong since they have muscles for brains and they're left to haphazardly try to hold onto the elusive American dream. Written by
For years, Michael Bay's career has solely consisted of shoot em up flicks and apocalyptic disaster movies. One after the other, they've always told the same stories, utilized the same clichés and have been brutalized by critics everywhere. Personally, I never had anything against the guy. He does what he loves to do and almost 100% of the time gives his audience what they're there for. But don't mistake him as a one trick pony. Bay has been making a career of blockbusters for the sole purpose of having the luxury to make serious, less expensive movies. Pain & Gain might be proof positive of my point. It was quite a daring move for Bay to commit to such a bold feat as to make a film based on the true events of the Sun Gym gang. Like most of the film's critics (and there are quite an abundance of them), I agree that maybe it wasn't such a good idea to reenact the actual murders and backstabbing actions that these murderers did and play them up for laughs. Because, yes, this is indeed a comedy. Or is it? I can't tell what genre this movie falls under. But I cant deny thats its entertaining. I was very interested in the story of the actual events. What I'm trying to say is, the execution couldn't have been better in telling the story. The performances from Wahlberg, Johnson and Mackie were equally unique and insanely enjoyable. The three of them were able to capture the meat-headed simpletons that these criminals really were. The movie as a whole works. As a thriller, I was thrilled. But as a comedy, I was sort of indifferent. At times, I found myself laughing at some of the film's darker shaded sense of humor, and rolling my eyes at the cringe worthy, Adam Sandler style gross out jokes that the film unwillingly felt obligated to shove down our throats. An identity crisis, this film indeed had. When you get past all these cons, Pain & Gain is a well crafted, violent joy ride. Its one of the most underrated films of the year, and its worth your time in seeing it.
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