When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision corner with his older brother.
Set against the sexy, glamorous golden age of Formula 1 racing in the 1970s, the film is based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Hemsworth), and his methodical, brilliant opponent, Austrian driver Niki Lauda (Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing 1976 season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die. Written by
The James Hunt/Niki Lauda 1976 race depicted in the film, was the last Formula One event staged on Germany's notorious Nürburgring Nordschleife (North Loop), since the lap was deemed far too hazardous. See more »
At an F3-race in 1970, a yellow Renault 5 is visible in the background. That model was introduced in 1972. See more »
Twenty five drivers start every season in Formula One, and each year two of us die. What kind of person does a job like this? Not normal men, for sure. Rebels, lunatics, dreamers. People who are that desperate to make a mark, and are prepared to die trying. My name is Niki Lauda, and racing people know me for two things. The first is my rivalry with him.
I don't know why it became such a big thing. We were just drivers busting each other's balls. To me this is perfectly...
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DIRECTION Ron Howard is amazing. His camera work here is absolutely incredible. I wouldn't at all be surprised if the cinematography and the sound editing are nominated for Oscars. The engines roaring alongside Hans Zimmer's score really gets you into the mood. The backdrop is gritty with lots of dark and gray colors giving it a tough 1970′s aesthetic. Howard places is camera so specifically and we get so many different angles that are gripping. Camera work inside the cars giving you the intense look of driving an F1 car as well as camera's on the grass looking up as they fly by. Howard's use of slow motion is also perfect and helps build the intensity of the rivalry he is exploring here. The racing is intense and the dangers are shown in some dramatic ways as the suspense keeps building up. The biggest problem is that Formula 1 isn't the biggest of sports here in the U.S. If people can get past that and go see this, they won't regret it.
SCRIPT The story follows two F1 drivers in the mid 1970′s that don't always get a long but have a mutual respect for one another. It centers around British driver, James Hunt and the Austrian Niki Lauda. Peter Morgan's script is brilliant and Howard brings it to life in some really great ways. In essence, both characters are the protagonist and the antagonist of the story. The film explores Hunt and his immature ways but at the same time makes him very likable. Then the story switches to Lauda and his quest to live his own life outside the big family business, yet again making him likable. However, at the same time each take their own turn in being the "bad guy" and showing you qualities that make this person flawed and unlikable in some ways. But then the movie brings it back around showing you why these characters are good characters to root for and the mutual respect they have for one another. It's the competition that drives them in this story. What makes it so great though, is that the audience really gets to choose who they want to root for. They build up and tear down each character so flawlessly. The use of narration at the beginning and at the end was a perfect choice as well. The ending becomes a bit sentimental and hits the buttons that you'd expect from Howard and company.
PERFORMANCES Daniel Brühl and Chris Hemsworth are amazing. This is perhaps Hemsworth's best as he portray's James Hunt in some incredible ways. He's the dangerous driver that has Tony Stark mentalities in terms of partying, women and being extremely likable. Yet Hemsworth shows some depth and some emotion here as well which this character calls for in some ways. Brühl, who you may know from Inglorious Basterds, almost steals the show. He's the Austrian car genius who becomes famous for knowing how to make the cars lighter and faster, thus making him part of the Ferrari team. One can argue he's the bigger lead here as he narrates a good chunk of the story and brings in some great perspectives. Brühl's performance is spot on though and brings life to this character even when Lauda is more deadpanned. Olivia Wilde is good here although her character is a small role. This is about Brühl and Hemsworth and they carry the movie extremely well.
SCORE Freakin Hans Zimmer. The dude is on fire lately. A lot of people like to criticize Zimmer for having score's that are similar or nothing new but they work. His score for Man of Steel added a lot to that film and his score for The Lone Ranger was about the only good part of that movie. And his score for Rush was really great, again. It added a lot of intensity to the racing moments and has become something he's perfected. The score here is more laid back and in the backdrop though many moments but when the action ramped up, so did his score as well as your emotion.
FINAL THOUGHTS Rush was an unexpected pleasant surprise. Given the sports stature of F1 in the U.S., I didn't have much expectations but Ron Howard usually delivers and he does once again. The cinematography is gorgeous and makes it visually very exciting. The performances are stand outs which makes the story feel so alive in many places.
Overall Grade: A
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