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It's been said that the first 21 years defines the career of an artist. Few directors have single-handedly shaken up the film establishment like the godfather of indie, Richard Linklater. ... See full summary »
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The audio under the opening credits is from a sketch Chapman regularly used to perform, where he would ask a live audience at the start of the show to give him '30 seconds of abuse', as this would save time later on. For the film, specially recorded abuse was added from John Cleese, Michael Palin, Terry Jones (shouting Medieval curse words), Terry Gilliam, Carol Cleveland and David Sherlock, Chapman's former partner. One of the investors in the film can also be heard shouting "I want my f**king money back!" See more »
Sigmund Freud's name is misspelled as "Seigmund Freud" in the opening title sequence and closing credits. See more »
This is a very naughty movie. Many times I said to myself, "Did I just see what I thought I just saw? No, it couldn't be." It celebrates anuses, penises, anal sex, 69, promiscuity, alcoholism and death. The animation is very cleverly done to give you the subjective impression of seeing the world from inside Graham Chapman's head. Everything just sort of flows, the way ideas flow.
There is one big catchy musical number with words that summarises the cheeky raunchiness:
Sit on my face and tell me that you love me
I'll sit on your face and tell you I love you too
I love to hear you oralize
When I'm between your thighs
You blow me away
Sit on my face and let my lips embrace you
I'll sit on your face and then I'll love you truly
Life can be fine if we both sixty nine
If we sit on our faces in all sorts of places
And play till we're blown away
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