A thriller set in London, in which a politician's life becomes increasingly complex as his research assistant is found dead on the London Underground and, in a seemingly unrelated incident, a teenage pickpocket is shot dead.
A novelist's life ricochets from 1920s Paris to '50s New York and '80s London. Along the way he meets Ernest Hemingway, Ian Fleming and the Duke and Duchess of Windsor - the exiled British king and his mistress Wallis Simpson.
Meet Sam. A spy. A hunter. And herself hunted by an enemy more ruthless and determined than any she's ever known. Sam has been running from her past her entire life but when she returns to ... See full summary »
After the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the King, a role fraught with danger.
I like to support original drama that isn't entirely period, but I have to say that if this is the best script the BBC had in the offering recently the future of original programming in this country is in big trouble. The characters not only don't gel they are as dull as dishwater, which at least matches the storyline, much as there is one. It's as if someone born in the 80s was commissioned to write a story about the period and advised by someone who may have been around then but who didn't go out much nor pay any attention the contemporary culture that was going on outside their firmly bolted front door and blacked out windows. And then we are asked to believe the dreary characters who all have nothing in common and lead dreary lives have actually formed lifelong friendships which had one miraculous effect on them: by the time we reached the present day they all look at least one decade younger than they would in reality. So boring characters, zero storyline and managed to make the 60s look dull. Ridiculous dumbed-down nonsense dressed up as drama for the dumbed-down generation.
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