| Photos (See all 10 | slideshow) | Videos (see all 2) |
| Ann Dowd | ... | Sandra | |
| Matt Servitto | ... | Supplier | |
| Dreama Walker | ... | Becky | |
| Pat Healy | ... | Officer Daniels | |
| Philip Ettinger | ... | Kevin | |
| Ashlie Atkinson | ... | Marti | |
| Nikiya Mathis | ... | Connie | |
| Ralph Rodriguez | ... | Julio | |
| Stephen Payne | ... | Harold | |
| Bill Camp | ... | Van | |
| Amelia Fowler | ... | Brie | |
| John Merolla | ... | Customer | |
| James McCaffrey | ... | Detective Neals | |
| Desmin Borges | ... | Officer Morris | |
| Matt Skibiak | ... | Robert Gilmour (as Matthew Skibiak) | |
| Maren McKee | ... | Daughter | |
| Raymond McAnally | ... | Portland Detective | |
| George Asatrian | ... | Convenience Store Clerk | |
| Rebecca Henderson | ... | Lawyer | |
| Jeffrey Grover | ... | Television Journalist | |
| rest of cast listed alphabetically: | |||
| Michael Abbott Jr. | ... | Officer Jimmy Palmer (uncredited) | |
| Samuel Caruana | ... | Kid with Dad (uncredited) | |
| Liam O'Connor | ... | Customer (uncredited) | |
Directed by | |||
| Craig Zobel | |||
Writing credits(in alphabetical order) | ||
| Craig Zobel | written by | |
Produced by | |||
| Carina Alves | .... | executive producer | |
| James Belfer | .... | executive producer | |
| Andrew Brickman | .... | co-executive producer | |
| Tyler Davidson | .... | producer | |
| David Gordon Green | .... | executive producer | |
| Eric Hollenbeck | .... | co-executive producer | |
| Sophia Lin | .... | producer | |
| Allan Marks | .... | co-executive producer | |
| Lisa Muskat | .... | producer | |
| Theo Sena | .... | producer | |
| Alyson E. Winick | .... | co-executive producer (as Alyson Winick) | |
| Craig Zobel | .... | producer | |
Original Music by | |||
| Heather McIntosh | |||
Cinematography by | |||
| Adam Stone | (director of photography) | ||
Film Editing by | |||
| Jane Rizzo | |||
Casting by | |||
| Kerry Barden | |||
| Paul Schnee | |||
Production Design by | |||
| Matthew Munn | |||
Art Direction by | |||
| Michael Powsner | (as Michael S. Powsner) | ||
Set Decoration by | |||
| Tom McMillan | |||
Costume Design by | |||
| Karen Malecki | |||
Makeup Department | |||
| Jessie Gambardella | .... | assistant hair stylist | |
| Jessie Gambardella | .... | assistant makeup artist | |
| Rondi Scott | .... | hair stylist | |
| Rondi Scott | .... | makeup artist | |
Production Management | |||
| Marcelo Gandola | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Juan Mazara | .... | second second assistant director | |
| William Harry Nangle | .... | second assistant director (as Wm. Harry Nangle) | |
| Josh Newport | .... | first assistant director | |
Art Department | |||
| James Maher | .... | construction coordinator | |
| Jessica Voris | .... | on-set dresser | |
Sound Department | |||
| Alan Blanco | .... | adr engineer | |
| Rich Bologna | .... | supervising sound editor | |
| Will Files | .... | sound re-recording mixer | |
| Christof Gebert | .... | sound mixer (as Christopher Gebert) | |
| Scott Lewis | .... | assistant to sound re-recording mixer | |
| John Moros | .... | foley artist | |
| Nathan Nance | .... | assistant to sound re-recording mixer | |
| Abigail Savage | .... | additional dialogue editor | |
| Laura Sinnott | .... | adr engineer | |
| Shaun Brennan | .... | foley artist (uncredited) | |
| Jesse Flaitz | .... | foley recordist (uncredited) | |
Visual Effects by | |||
| Casey Macker | .... | visual effects artist | |
Camera and Electrical Department | |||
| Messiah Amaram | .... | grip | |
| Anthony Anderson | .... | additional digital imaging technician | |
| Justin Bennett | .... | best boy grip (as Justin Rusty Bennett) | |
| Pedro Corcega | .... | digital imaging technician | |
| Chris DesRochers | .... | grip | |
| Michael Farino | .... | grip | |
| Michael Fuchs | .... | steadicam operator | |
| Scott Gardner | .... | additional photographer | |
| Jamison Henson | .... | camera production assistant | |
| Jeff Holman | .... | best boy electric | |
| Linda Kallerus | .... | additional first assistant camera (as Linda Slater) | |
| Brooks Lockwood | .... | electrician | |
| Adam Lukens | .... | gaffer | |
| Brian MacLean | .... | key grip | |
| Stephen McBride | .... | second assistant camera | |
| Nathan McGarigal | .... | additional digital imaging technician | |
| John-Paul Rankin | .... | grip | |
| David Regan | .... | first assistant camera | |
| Jonathan E. Rotberg | .... | electrician (as Jonathan Rotberg) | |
| Aaron Smith | .... | grip | |
| John Spicer | .... | grip | |
Animation Department | |||
| Scott Kawczynski | .... | animator: end titles (uncredited) | |
Casting Department | |||
| Rich Delia | .... | casting associate | |
| Allison Estrin | .... | casting associate | |
| Michael Fredlund | .... | casting assistant | |
| Adam Richards | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mackenzie Aliano | .... | wardrobe assistant | |
| Cara Alpert | .... | wardrobe assistant | |
| Lainie Anderson | .... | associate costume designer | |
Editorial Department | |||
| Mike Chiado | .... | digital intermediate technologist | |
| John Diesso | .... | digital conform | |
| David Feldman | .... | digital intermediate account executive | |
| Liam Ford | .... | digital intermediate producer | |
| Andrew Geary | .... | assistant colorist | |
| Tom Poole | .... | colorist | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer: Company 3 | |
| Devin Sterling | .... | digital intermediate head of production | |
| Vincent F. Welch | .... | assistant editor (as Vincent Welch) | |
| Marc Brown | .... | film output: digital intermediate (uncredited) | |
Music Department | |||
| Derek Almstead | .... | music engineer | |
| Derek Almstead | .... | musician: electric guitar, percussion | |
| Kris Deason | .... | musician: electric guitar, electronics | |
| Peter Erchick | .... | musician: piano | |
| Andrew Gonzalez | .... | music engineer (as Andy Gonzales) | |
| Andrew Gonzalez | .... | musician: electric guitar (as Andy Gonzales) | |
| Brian Graiser | .... | musician: percussion | |
| Eric Harris | .... | musician: percussion | |
| John Lindaman | .... | musician: electric guitar | |
| Heather McIntosh | .... | music engineer | |
| Heather McIntosh | .... | musician: cello, celeste, glockenspiel, electric bass | |
| Griffin Rodriguez | .... | music mix refinement: The Shape Shoppe West | |
| Jay Sweet | .... | music consultant | |
| Jeremy Thai | .... | musician: french horn | |
| Jeremy Wheatley | .... | musician: marimba | |
Thanks | |||
| David Buckman | .... | special thanks | |
| Jeffrey A. Green | .... | very special thanks | |
| Robert Ruggeri | .... | special thanks | |
| Joseph Stephens | .... | very special thanks | |
| Don Wells | .... | special thanks | |
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| First Snow | The Dead Girl | In the Company of Men | A Mighty Heart | Slipstream |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
"Compliance" is a shockingly terrifying film. As I watched the events unfold on the screen, knowing that they were tightly based off a true story, I had difficulty maintaining my breathing. With a sinister visual style from the start, filled with tight macro shots and a simply greasy aura, as well as powerful performances from all of the cast members, most exceptionally Ann Dowd, "Compliance" transcends from its fast-food setting into something much darker, and much more haunting. The abuse of the young cashier is repulsive. "How could you do that?!" you will continually wonder, wishing the words would escape your head in the form of a scream. This film is frustrating, vexing, and equally engrossing, almost as if the story itself doesn't satisfy man's need for vicarious horror. "Compliance" forces me to question my fate in humanity and the limits of the 7 billion people with whom I share this Earth. Ultimately this film is a sickening narrative, a narrative I might as well wish I had never seen. Must you watch this? No. Is this a vital piece of cinema? No. Is "Compliance" paralyzing, appalling, thought provoking, and, most brutally, true? More than you could ever imagine.