| Videos (see all 2) |
| Jade Pettyjohn | ... | McKenna Brooks | |
| Kerris Dorsey | ... | Josie Myers | |
| Nia Vardalos | ... | Mrs. Brooks | |
| Ian Ziering | ... | Mr. Brooks | |
| Ysa Penarejo | ... | Toulane Thomas | |
| Cathy Rigby | ... | Isabelle Manning | |
| Kally Berard | ... | Sierra Kuchinko | |
| Talia Pura | ... | Grandma | |
| Paula Rivera | ... | Mrs. Thomas | |
| George Chiang | ... | Mr. Wu | |
| Kadence Kendall Roach | ... | Maisey Brooks | |
| Paiten Raine Roach | ... | Mara Brooks | |
| Aisha Alfa | ... | Announcer | |
| Will Woytowich | ... | Cowboy Bob | |
| Abbey Thickson | ... | Impatient Girl Tutor | |
| Emma Leipsic | ... | Megan Murphy | |
| rest of cast listed alphabetically: | |||
| Stefanie Wiens | ... | School Librarian | |
Directed by | |||
| Vince Marcello | |||
Writing credits(in alphabetical order) | ||
| Mary Casanova | novel | |
| Jessica O'Toole | teleplay | |
| Amy Rardin | teleplay | |
Produced by | |||
| Ellen L. Brothers | .... | executive producer | |
| Steven Brown | .... | producer | |
| Debra Martin Chase | .... | executive producer | |
| Erin Falligant | .... | co-producer | |
| Gaylyn Fraiche | .... | producer | |
| Ellen Rutter | .... | co-producer | |
| Kim Todd | .... | co-producer | |
Original Music by | |||
| Tim Wynn | (as Timothy Michael Wynn) | ||
Cinematography by | |||
| Jon Joffin | (director of photography) | ||
Film Editing by | |||
| Paul Millspaugh | |||
Production Design by | |||
| Craig Sandells | |||
Set Decoration by | |||
| Andrea Spakowski | |||
Costume Design by | |||
| Mary Partridge-Raynor | (as Mary Partridge) | ||
Makeup Department | |||
| Daena Groleau | .... | assistant makeup artist | |
| Ediena Hawkes | .... | assistant hair stylist | |
| Travis Marszalek | .... | key hair stylist | |
| Cindy Smith | .... | key makeup artist | |
| Alisha Talbot | .... | first assistant makeup artist | |
Production Management | |||
| Jeff Bessner | .... | post-production supervisor | |
| Ellen Rutter | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roman Buchok | .... | first assistant director | |
| Mimi Crowe | .... | third assistant director | |
| Brad Medhurst | .... | second assistant director | |
Art Department | |||
| Nick Burns | .... | storyboard artist | |
| Scott Hadaller | .... | graphic designer | |
| C. Summer Holmes | .... | lead dresser | |
| Robert Kestler | .... | on-set dresser | |
| Scott Layton | .... | set dresser | |
| Brent Letain | .... | construction coordinator | |
| Van McLean | .... | head carpenter | |
| Kristin Shanski | .... | property master | |
| Laura Souter | .... | art department coordinator | |
| Katharina Stieffenhofer | .... | set buyer | |
| Paul Wagner | .... | property master | |
| Greg Warkentin | .... | set dresser | |
Sound Department | |||
| Richard Calistan | .... | adr editor (as Rich Calistan) | |
| Steve Copley | .... | foley recordist | |
| John Elliot | .... | foley artist | |
| Joe Mancuso | .... | dialogue editor | |
| Edgar Ozolins | .... | boom operator | |
| Dino Schiavone | .... | production sound mixer | |
| Dan Sexton | .... | sound effects editor | |
| Dan Sexton | .... | sound supervisor | |
| Brad Thornton | .... | sound re-recording mixer | |
| Paul Williamson | .... | sound re-recording mixer | |
Special Effects by | |||
| Ed Preston | .... | special effects coordinator | |
| Wesley Reid | .... | special effects assistant | |
Visual Effects by | |||
| Bill Rude | .... | visual effects supervisor: Los Angeles | |
| Michael Shand | .... | visual effects supervisor (as Mike Shand) | |
Stunts | |||
| Kristen Sawatzky | .... | stunt double: Josie | |
| Dan Skene | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Todd Elyzen | .... | camera operator: 'b' camera | |
| Allen Fraser | .... | still photographer | |
| Shane Gowler | .... | generator operator | |
| Cynthia Greer | .... | second assistant camera: 'b' camera | |
| Jesse Harris | .... | dolly grip: 'b' camera | |
| Ting Henson | .... | best boy electric | |
| Doug Kiddell | .... | rigging gaffer | |
| Namowan Kirby | .... | lead grip | |
| Marvin Klein | .... | lead lighting | |
| Izak Mallin | .... | camera trainee | |
| Matt Margolis | .... | best boy grip | |
| Marty McInally | .... | camera operator: 'a' camera | |
| Jason McKinnon | .... | lighting designer | |
| Jeremy Milmine | .... | lighting crew | |
| Mark Motoch | .... | generator operator | |
| Robert L. O'Hara | .... | dolly grip: 'a' camera (as Rob O'Hara) | |
| Jos Oman | .... | first assistant camera: 'a' camera | |
| Laird Pierce | .... | second assistant camera: 'a' camera | |
| Rob Rowan | .... | gaffer | |
| Julian Saray | .... | grip | |
| Richard Sinclair | .... | first assistant camera: 'b' camera (as Rich Sinclair) | |
| John Westerlaken | .... | key grip | |
Casting Department | |||
| Shelly Anthis | .... | extras casting | |
| Stephanie Gorin | .... | casting: Canada | |
| Him Heber | .... | casting: Canada | |
| Elizabeth Lang | .... | casting: US (as Liz Lang) | |
| Patty Majorczak-Connolly | .... | adr voice casting | |
| Marcia Ross | .... | casting: US | |
| Mark Sussman | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Katelynd Johnston | .... | costume buyer | |
| William Ng | .... | costume set supervisor | |
| Madeleine Stewart | .... | costume buyer | |
| Soo Luen Tom | .... | assistant costume designer | |
Editorial Department | |||
| Dax Brooks | .... | first assistant editor | |
| Jodie Brown | .... | post-production coordinator | |
| Colin Moore | .... | colorist | |
| Rocky Polidoro | .... | on-line editor | |
| Brett Trider | .... | colorist | |
Music Department | |||
| Julianne Jordan | .... | music supervisor | |
| Will Kaplan | .... | supervising music editor | |
| Patrick Kirst | .... | composer: additional music | |
| Dave Lawrence | .... | music editor | |
| Christopher Lennertz | .... | score producer | |
| Christopher Lennertz | .... | themes | |
| Jessica Neilson | .... | music coordinator | |
| Drew Silverstein | .... | music coordinator | |
| Drew Silverstein | .... | score coordinator | |
Transportation Department | |||
| Stephen McGuire | .... | transportation captain (as Steve McGuire) | |
| John Mysyk | .... | transportation coordinator | |
| Franklin Swark | .... | driver: honeywagon | |
Other crew | |||
| G. Thomas Arnold | .... | assistant location manager (as G. Thom Arnold) | |
| Pia Athayde | .... | production accountant | |
| Susan Boyajian | .... | voice actor | |
| Cathie J. Edgar | .... | location manager | |
| Jodi Goldberg | .... | creative consultant | |
| Kerri Heppner | .... | assistant production coordinator | |
| Rochelle Hykawy | .... | production assistant | |
| Alanna Mills | .... | script supervisor | |
| Amanda Misquez | .... | voice actor | |
| Becky Pelto | .... | first assistant accountant | |
| Bill Rude | .... | title designer | |
| RoseAnna Schick | .... | unit publicist | |
| Colleen Wowchuk | .... | production coordinator | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
McKenna Brooks is in the fourth grade but hopes to be an Olympic gymnast someday. She pushes herself really hard, and Coach Isabelle worries she's not ready for some of the moves she attempts. McKenna's best friend Toulane also aspires to be an Olympic gymnast because her older sister was hurt and lost her opportunity. Correction: Toulane's mother aspires for Toulane to be an Olympic gymnast, and Toulane can't tell her mother how she really feels. Meanwhile, McKenna is having trouble in school, and her parents expect her to improve her grades or no gymnastics. Her teacher Mr. Wu suggests Josie as a tutor. Josie is in a wheelchair, which gives the movie another opportunity for an inspiring story. But even though she is quite friendly and patient, her techniques make McKenna feel like a little child who has to start over. It will be a long road uphill, with plenty of obstacles to overcome.
This movie offers a lot of lessons about responsibility, determination, and the real meaning of friendship. It is kind of preachy but gets the message across with feel-good moments and plenty of humor.
Kerris Dorsey and Ysa Penarejo, as Josie and Toulane respectively, both do a reasonably good job acting, and both have their moments, but one can tell they are acting when they deliver dialogue. Dorsey does a very good job when it is her turn to be frightened, after Josie has been so strong and confident.
Nia Vardalos and Ian Ziering both do okay as McKenna's parents, but they're not quite up to the superior level one might hope for. Vardalos has more to do and does it better.
Jade Pettyjohn, however, becomes McKenna and does an outstanding job. She is so adorable and easy to like.
I didn't know Cathy Rigby could act, but I did not know which one was her. I figured she might be the coach, but she was so good.
The gymnasts also do an excellent job. In McKenna's case, we can't see her face and her hair is slightly different when she is doing her most difficult stunts, so I think we know what that means. It's hard to believe they're just kids. It's a beautiful thing to watch all these kids going through their routines--almost like Esther Williams without the water.
As would be expected for a movie targeting young girls, there's not a lot of music. There is a lot of what young girls think is music. But the movie does offer four exceptions to the rule. There is generic background music which is listenable for someone with my taste. And a song with the lyrics "Breathe in, breathe out" is sort of good. But two of the movie's funniest scenes have good music. One is a hilarious sequence where McKenna tries out different tutors. In another, Toulane behaves like a spy because of her jealousy when McKenna has secrets and other friends. In the library she uses her gymnastics skills to sneak around. The music resembles the "Mission: Impossible" theme.
The movie makes effective use of visual effects and editing, illustrating McKenna's problems with concentration, and dramatically showing her difficulty, through rapid-fire editing, taking a test when she can't remember anything.
This is a very good effort and one that is really worth seeing. There is no offensive content here. Just a few scary scenes, but this is appropriate for all ages.