Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
When a family of raccoons discover worms living underneath the sod in Jeff and Nealy's backyard, this pest problem begins a darkly comic and wild chain reaction of domestic tension, infidelity and murder.
Jacob Aaron Estes
Bad Blood...The Hunger! For several College Students embarked on a summer of sun and fun find that their adventure turns eerily Macabre when dark and ancient forces propel them into a ... See full summary »
A depressed mother's husband has left her for she could not bear a second child. Living alone with her only son, she has an unlikely meeting with an injured escaped convict, and reluctantly takes him into her own care. The man proves to be better than his criminal image as the three bond over Labor Day weekend. The only problem? Everyone in town is looking for him.
According to the book, the library is open on Sunday because of a book sale. See more »
Early in the movie Henry is shown taking his mom to the movie. On the marquee is the movie is D.A.R.Y.L. which came out in 1985 and would not still be in theaters in 1987. See more »
It was just the two of us after my father left. She said I should count the baby he had with his new wife Marjorie as part of my family too. Plus Richard, Marjorie's son. For the most part my mother never mentioned my father, or the woman he was married to now.
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For a relatively young filmmaker, Jason Reitman is a keen observer and a skilled storyteller. In "Thank You for Smoking" and "Up in the Air" he has offered unique and insightful views into the business world, and in his latest "Labor Day" he continues to intrigue us with a different subject, a fragmented family that yearns to become full again.
Kate Winslet, Gattlin Griffith, and Josh Brolin bring palpable chemistry as a tired single mother, her whole-world adolescent son, and a ragged man who walks into their life by chance. The somewhat contrived setup is compensated with an intimate observation of these very different characters, as they learn to appreciate and show us precisely what they can do to complement each other. Like other Reitman films, this one has signs of wisdom embedded here and there. There may be a simple quote that comes to greater significance in a later scene, or a plot device that may start making sense when the film is about to finish.
The ending is rather rushed and roughly executed with the older version of Winslet looking eerily lively and the brief appearance of Tobey Maguire that feels superfluous. Still, the meticulous and sensual narrative of the film is so inspirational that, when the film is over, you will find your senses heightened in more ways than one.
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