| Adam O'Brian | ... | Frédéric Bourdin | |
| Anna Ruben | ... | Carey Gibson | |
| Cathy Dresbach | ... | Nancy Fisher | |
| Alan Teichman | ... | Charlie Parker | |
| Ivan Villanueva | ... | Social Worker | |
| Maria Jesus Hoyos | ... | Judge | |
| Anton Marti | ... | Male Police Officer | |
| Amparo Fontanet | ... | Female Police Officer | |
| Ken Appledorn | ... | Vice Consul | |
| Carey Gibson | ... | Herself | |
| Bryan Gibson | ... | Himself | |
| Beverly Dollarhide | ... | Herself | |
| Frédéric Bourdin | ... | Himself (as Frederic Bourdin) | |
| Nancy Fisher | ... | Herself (as Nancy B. Fisher) | |
| Phillip French | ... | Himself | |
| Codey Gibson | ... | Himself | |
| Charlie Parker | ... | Himself | |
| Bruce Perry | ... | Himself (as Bruce Perry M.D.; P.H.D.) | |
| Allie Hosteiler | ... | Herself | |
| Kevin Hendricks | ... | Himself / Interviewer | |
| rest of cast listed alphabetically: | |||
| Sylvie Cohen | ... | FBI Agent (uncredited) | |
| John Geiger | ... | Pedestrian (uncredited) | |
| Debbie Jennings | ... | FBI Agent / Passport Agent (uncredited) | |
| L.T. Kidd | ... | Detective (uncredited) | |
| Karen Lewsader | ... | Loraine - Call Center (uncredited) | |
Directed by | |||
| Bart Layton | |||
Produced by | |||
| John Battsek | .... | executive producer | |
| Sam Brown | .... | development producer | |
| Katherine Butler | .... | executive producer | |
| Simon Chinn | .... | executive producer | |
| Paul Cziok | .... | archive producer | |
| Robert DeBitetto | .... | executive producer | |
| Poppy Dixon | .... | co-producer | |
| Dimitri Doganis | .... | producer | |
| John Farrar | .... | development producer | |
| Kate Horne | .... | assistant producer: Spain | |
| Tabitha Jackson | .... | executive producer | |
| Mary-Jane Mitchell | .... | development producer | |
| Randy Murray | .... | local producer: Phoenix, AZ | |
| Theresa Murray | .... | local producer: Phoenix, AZ | |
| Robert Sharenow | .... | executive producer | |
| Molly Thompson | .... | executive producer | |
| Vanessa Tovell | .... | line producer | |
| Paloma Lopez Vazquez | .... | local producer: Madrid | |
Original Music by | |||
| Anne Nikitin | |||
Cinematography by | |||
| Lynda Hall | (director of photography) | ||
| Erik Wilson | (director of photography) (as Erik Alexander Wilson) | ||
Film Editing by | |||
| Andrew Hulme | |||
Makeup Department | |||
| Pablo Morillas | .... | hair designer: Madrid | |
| Pablo Morillas | .... | makeup designer: Madrid | |
| Bianca Risch | .... | hair stylist assistant: Phoenix, AZ (as Bianca Rusch) | |
| Bianca Risch | .... | makeup artist assistant: Phoenix, AZ (as Bianca Rusch) | |
| Dana Vargas | .... | hair stylist: Phoenix, AZ | |
Production Management | |||
| Andy Nelson | .... | production manager: Phoenix, AZ | |
| Piers Vellacott | .... | head of production | |
| Nicola Whitehead | .... | post-production producer: Prime Focus | |
| Alejandro Alvarez Yanes | .... | production manager: Madrid | |
Art Department | |||
| Sonia Aranzabal | .... | art director: Madrid | |
| Marcia Calosio | .... | production designer: Phoenix, AZ (as Marcia Carols) | |
| Temple Clark | .... | storyboard artist | |
| Angel Garcia | .... | prop assistant: Madrid | |
| Mariona Julbe | .... | art director: Madrid | |
| Vanessa Monreal | .... | art director: Madrid | |
| John M. Oswald | .... | set decorator: Phoenix, AZ (as Jon Oswald) | |
| Luis Miguel Revenga | .... | prop assistant: Madrid | |
| Ashley Sanders | .... | storyboard artist | |
| Travis Secory | .... | set dresser: Phoenix, AZ | |
| Zack Shisslak | .... | property master: Phoenix, AZ | |
| Ted Sorensen | .... | set dresser: Phoenix, AZ | |
Sound Department | |||
| Brian Albritten | .... | sound recordist: documentary crew | |
| Mike Cooper | .... | sound recordist: Madrid | |
| Kaye Charles Cruz | .... | sound recordist: documentary crew | |
| Paul Davies | .... | sound designer | |
| Charlie Ethridge | .... | sound recordist: Phoenix, AZ (as Charles Ethridge) | |
| Allen Green | .... | sound recordist: documentary crew | |
| Andrew Stirk | .... | sound re-recording mixer | |
| Andrew Stirk | .... | supervising sound editor | |
| David Turner | .... | sound facility director | |
| Nick Walker | .... | sound recordist: : documentary crew | |
| Simon Hill | .... | mix technician (uncredited) | |
| Robert Karlsson | .... | dolby sound consultant (uncredited) | |
Special Effects by | |||
| Pedro Moreno | .... | special effects supervisor: Madrid | |
Casting Department | |||
| Cecilia Bayonas | .... | casting director: Madrid | |
| Danielle Thompson | .... | casting director: Phoenix, AZ | |
Costume and Wardrobe Department | |||
| Ivan Blanco | .... | wardrobe assistant: Madrid | |
| Jessica Carey | .... | set costumer: Phoenix, AZ (as Jessica Cary) | |
| Paco Delgado | .... | wardrobe designer: Madrid | |
| Susan Estavillo | .... | set costumer: Phoenix, AZ | |
| Paula Rogers | .... | costume designer: Phoenix, AZ | |
| Erika Ökvist | .... | additional costume (as Erika Okvist) | |
Editorial Department | |||
| Henry Adkin | .... | edit assistant | |
| Fiorenza Bagnariol | .... | digital film bureau | |
| Tom Barrett | .... | head of restoration | |
| Ben Chanan | .... | additional editing | |
| Peter Collins | .... | digital intermediate assistant | |
| Rob Farris | .... | digital intermediate producer | |
| Marie Fernandes | .... | digital intermediate producer | |
| Richard Giles | .... | digital on-line editor | |
| Toby Glover | .... | supervising on-line editor | |
| Cheryl Goodbody | .... | assistant digital intermediate producer | |
| Emily Greenwood | .... | digital on-line editor | |
| Tom Hannibal | .... | edit assistant | |
| Neil Harrison | .... | systems administrator | |
| Dan Helme | .... | data wrangler | |
| Timothy P. Jones | .... | digital film bureau | |
| Patrick Malone | .... | digital intermediate head of department | |
| Barry Moen | .... | assistant editor | |
| Avdhesh Mohla | .... | assistant editor (as Avi Molha) | |
| Laura Pavone | .... | digital film bureau | |
| Rob Pizzey | .... | digital colorist (as Robin Pizzey) | |
| Gordon Pratt | .... | digital film bureau | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Ben Stark | .... | additional editing | |
| Justin Tillett | .... | digital on-line editor | |
| Laurent Treherne | .... | digital film technical supervisor | |
| Georgia Woolley | .... | post-production coordinator | |
| Andy Worboys | .... | additional editing | |
Music Department | |||
| Alex Baranowski | .... | musician: piano | |
| Philippe Barnes | .... | musician: flute | |
| Goetz Botzenhardt | .... | music mixer | |
| Tom Bullens | .... | studio manager: Air-Edel Studios London | |
| Ian Cape | .... | musician: percussion, Wanderlust Band | |
| Ellie Fagg | .... | string section contractor and leader | |
| April Frederick | .... | musician: soprano | |
| Liz Gallacher | .... | music supervisor | |
| Andrew Green | .... | music copyist | |
| Kathleen Hasay | .... | music supervisor | |
| Tom Howe | .... | musician: electric guitar.bass | |
| James Jones | .... | conductor | |
| James Jones | .... | music assistant | |
| LivingRoomLondon | .... | musicians (as Living Room in London) | |
| Steve Moss | .... | musician: clarinet | |
| Anne Nikitin | .... | orchestrator | |
| RawStrings | .... | musicians (as Raw Strings) | |
| Richard Scott | .... | musician: counter tenor | |
| Nick Taylor | .... | music recording engineer | |
| Isobel Waller-Bridge | .... | orchestrator | |
| Isobel Griffiths | .... | orchestral contractor (uncredited) | |
| Patrick Jonsson | .... | assistant score recordist (uncredited) | |
Transportation Department | |||
| Tamara Henderson | .... | picture car coordinator: Phoenix, AZ | |
Other crew | |||
| Alberto Alepuz | .... | floor runner: Madrid | |
| Alejandro Arroyo | .... | floor runner: Madrid | |
| Mafe Bello | .... | production secretary: Madrid | |
| Jonathan Blair | .... | legal services | |
| Josh Braun | .... | distribution advisory services: Submarine | |
| Georgina Buck | .... | production secretary | |
| Javier Cano | .... | location scout: Madrid | |
| Shaun Center | .... | key set production assistant: Phoenix, AZ | |
| Michael Cleaver | .... | legal services: US, SmithDehn | |
| Bethan Daunter | .... | production coordinator | |
| Harry Dixon | .... | business affairs: Film4/Channel4 | |
| Katelyn M. Edmonds | .... | production coordinator: Phoenix, AZ (as Katelyn Edmonds) | |
| Ros Ereira | .... | researcher (as Rosalind Ereira) | |
| Selina Ferguson | .... | production coordinator | |
| Rodrigo Grande | .... | production coordinator: Madrid | |
| Micah Green | .... | distribution advisory services: CAA | |
| Dominic Harrison | .... | legal and compliance: Film4/Channel4 | |
| Tracey Josephs | .... | production: Film4/Channel4 | |
| Jeremy Kimberlin | .... | head of rights: Film4/Channel4 | |
| Leonardo Martínez | .... | location manager: Madrid (as Leonardo Martinez) | |
| David Morrison | .... | tax accountant: UK, Nyman Lipsom Paul | |
| Mariangeles Nunez | .... | floor runner: Madrid | |
| Jason Sallee | .... | location manager: Phoenix, AZ | |
| Michael Simkins | .... | legal services | |
| Sue Bruce Smith | .... | commercial development: Film4/Channel4 (as Sue Bruce-Smith) | |
| Will Stanbridge | .... | researcher | |
| Peter Suddell | .... | insurance broker: Media Insurance Brokers | |
| Vinita Tawakley | .... | production accountant | |
| Michael Thompson | .... | craft service: Phoenix, AZ | |
| Freddie Paull | .... | intern (uncredited) | |
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| Lone Star Hate | I Don't Like Mondays | Secret Intersex | Lives of the Artists | The Thin Blue Line |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
On June, 13, 1994, Nicolas Barclay went missing. Last seen playing basketball with his friends in San Antonio, Texas. There was no word of his whereabouts for days, weeks, months, years until it was assumed he would be missing forever, the search having long since died out. Then the incredible happened. He was discovered in Linares, Spain.
Or was he? The Nicolas that went missing 3 years earlier had had blue eyes not brown and the new Nicolas had a french accent? This new Nicolas was actually Frederic Bourdin a 22 year old French-Algerian, with an addiction to and talent for deceit and fraud. Nevertheless he managed to fool the Barclay family, US embassy officials, the FBI and most of America, if not the world, into believing that he was indeed Nicolas Barclay. But one man had his doubts. A charismatic Texan private eye, Charlie Parker, originally hired to track down Nicolas for an interview with a local media company, noticed an irregularity between the two Nicolas's ears, which eventually lead to Frederic's discovery and arrest.
This captivating and chilling story is beautifully explored by the director Bart Layton. He blurs the boundaries between a documentary and blockbuster. Even though Layton allows you to be aware that Frederic is not the real Nicholas Barclay from the outset, he teasingly feeds you fragments of the story piece by piece from the perspectives of the family members, the officials and Frederic himself. The product is a gripping thriller, heightened by the knowledge that it is a true story and by the mesmerising stylised cinematography, including some eery moving portraits of the family members accepting an obvious stranger into their home. This is just one of the many striking images in this film that will stay with me for a long time.
Provoking questions about identity, human nature, society and national security, the Imposter our keeps you eager with anticipation while you bathe in the beauty of the images crafted by Layton. It's a brilliant film - one of the best thrillers, let alone documentaries, I have seen.