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New Regency is reuniting with the director of its Oscar-winning 12 Years A Slave on the heist thriller as the studio continues to assemble its stable of prestige filmmakers.
Iain Canning and Emile Sherman are producing Widows, based on Lynda La Plante’s 1980s TV series that aired on Thames Television about the wives of four armed robbers who come together to finish a robbery after their spouses are killed.
McQueen will also write and produce the feature, scheduled to start pre-production by the end of the year.
New Regency, led by Brad Weston, is riding high on awards buzz for its current releases Birdman from Alejandro Gonzalez Iñárritu and Gone Girl by David Fincher, which Fox Searchlight and Fox are distributing, respectively.
The studio is also in pre-production on a Gore Verbinski »
- firstname.lastname@example.org (Jeremy Kay)
The Walking Dead, Season 5, Episode 6: “Consumed”
Directed by Seith Mann
Airs Sundays at 9pm Et on AMC
“Consumed” follows Carol and Daryl in pursuit of the mysterious vehicle that belongs to Beth’s kidnappers. The dynamic duo make good progress into the city eventually arriving at a safe house while running into the occasional zombie along the way. The hour proves harmless enough for the pair of seasoned veterans, and while at times exciting, “Consumed” is a predictable, voyage into the heart of Atlanta. But despite a lack of suspense and horror, “Consumed” is a welcome return to two of the show’s most compelling characters; and an episode that gives two of our least talkative survivors a chance to express themselves and some much-needed breathing room to examine how much they’ve both changed in five seasons.
Despite Daryl’s presence, the »
Teased in Warner Bros. Pictures’ "For Your Consideration" and later confirmed by all involved, Watertower Muisc has released actor-musician Billy Boyd’s "The Last Goodbye" in full. Running behind "The Hobbit: Battle of the Five Armies’" credits, the track is one of the few components of Peter Jackson’s trilogy-capper that could take Oscar gold. Written and composed by Boyd (Howard Shore, who played Pippin in Jackson’s "Lord of the Rings" films, "The Last Goodbye" fits with "The Hobbit" series’ musical trend of folksy male vocalists (with Neil Finn’s "Song of the Lonely Mountain" and Ed Sheeran’s "I See Fire") versus the ethereal ballads that Enya, Emilíana Torrini, and Annie Lennox leant to "Lord of the Rings." Neither Finn nor Sheeran’s songs cracked the Original Song races in the past two years, giving "The Last Goodbye" an uphill battle when it comes to Oscars. “We focused »
- Matt Patches
At the European press conference for Interstellar earlier this month, Sir Michael Caine named 'Sandy Bullock in Gravity' as his favourite sci-fi character. This connected Matthew McConaughey's Cooper with Bullock's Ryan Stone in our minds and got us thinking… Wouldn't they make a great couple (if they could get the space suits off long enough to snog)?
So join us as we go further down this rabbit hole, and pitch more movie characters who should probably swipe right on Tinder and get into each other's pants the first opportunity they get.
1. Cooper (Interstellar) & Ryan Stone (Gravity)
Why They're A Good Match: They're both space-exploring adventurers who've beaten some pretty big odds in their time. They've both had the opportunity to gaze in wonderment at the stars – now let's set them up on a date so they can remember that we're all made of stars and they should be gawking at each other instead. »
Among all working directors, few can rival Wes Anderson's reputation for set design. From the eccentric home of "The Royal Tenenbaums" to the maritime world of "The Life Aquatic with Steve Zissou" to the subtle 1960s environment of "Moonrise Kingdom," he works with his production designers to create memorable color palettes and designs that are of the utmost importance in telling the story. "The Grand Budapest Hotel" probably tops all of his films to date in this regard. It’s fair to say that Adam Stockhausen created a "title character" through his design of the eponymous lodge. HitFix recently spoke to the production designer, fresh off his first Oscar nomination for "12 Years a Slave" and currently in Germany filming Steven Spielberg’s latest, about his role in creating that character. Stockhausen’s journey to Anderson is very much aligned with his journey to cinema, totally unexpected but finding him »
- Gerard Kennedy
This weekend’s onslaught of smaller new films will have awards contenders and big names to jostle with at the box office. Awards hopefuls Foxcatcher and The Homesman begin their theatrical runs in limited New York and L.A. rollouts, with the former a likely winner in the first weekend when the numbers come in Sunday. The films from Sony Pictures Classics and Roadside Attractions, respectively, tell particularly American stories, though from very different eras. The Daily Show‘s Jon Stewart took time off in 2013 to work on his directorial debut. Open Road’s Rosewater, starring Gael García Bernal, will begin its theatrical rollout this weekend. It will be the biggest opener of this weekend’s cadre of specialty newcomers, playing in several hundred locations in the U.S. and Canada. Actor Chris Lowell also makes his filmmaking launch with Beside Still Waters. The project had smooth sailing until it came time for distribution, »
- Brian Brooks
This spring, the oceans rose in theaters nationwide in one of the Bible's most famous stories, with Darren Aronofsky bringing "Noah" to life. An ambitious and boundary-pushing take on the familiar tale, the movie was another memorable effort from the filmmaker, that certainly gains power from being seen on as big a screen as possible. And next week in New York City you'll get another chance, and we've got tickets to an event that's now sold out. On Monday, November 17th at 7 Pm, the Museum Of The Moving Image will present "Noah," followed by a conversation between Aronofsky and the legendary Patti Smith, the latter also performing the song she wrote for the film, "Mercy Is" a capella. It doesn't get much better than that. This will be a rare chance to see the movie with this kind of talent on hand, and it's one you won't want to miss. »
- Edward Davis
Most awards buzz centers on fourth-quarter films, but many earlier 2014 works deserve to be remembered. For example, “Noah.” Paramount debuted the film back in March, but long after the release, filmmaker Darren Aronofsky was enthused about talking with his collaborators on the film, which scored an impressive $362 million globally.
Cinematography, Matthew Libatique
We wanted to reinvent the biblical epic. The edict was no robes, no long beards, no sandals, no Middle East deserts. The Noah story is prehistorical. Everything was new, everything was a miracle — like the first rainbow. So we wanted to create a universe unto itself. We did a lot of research, but much of the look and lighting was dictated by Iceland. We chose Iceland because it’s the newest piece of earth on the planet. We wanted to go to the true primordial place on the map. The lighting there is unique and Matty had huge challenges, »
- Tim Gray
This story first appeared in the Nov. 21 issue of The Hollywood Reporter magazine. As Paramount found this year with Darren Aronofsky's Noah, films about biblical subjects can expose a studio to unwanted controversy. That's especially true for stories about Moses, a figure of significance to Jews, Christians and Muslims. Now it's Fox's turn to grapple with sensitive depictions as Exodus: Gods and Kings opens Dec. 12. See more Hollywood's 100 Favorite Films Choosing a voice of God is an especially tricky proposition. When DreamWorks Animation made The Prince of Egypt in 1998,
- Kim Masters
A new international trailer has arrived online for Andy and Lana Wachowski’s upcoming sci-fi actioner Jupiter Ascending, which stars Channing Tatum (Foxcatcher) and Mila Kunis (Oz the Great and Powerful); check it out here after the official synopsis…
Jupiter Jones (Mila Kunis) was born under a night sky, with signs predicting that she was destined for great things. Now grown, Jupiter dreams of the stars but wakes up to the cold reality of a job cleaning toilets and an endless run of bad breaks. Only when Caine (Channing Tatum), a genetically engineered ex-military hunter, arrives on Earth to track her down does Jupiter begin to glimpse the fate that has been waiting for her all along – her genetic signature marks her as next in line for an extraordinary inheritance that could alter the balance of the cosmos.
Jupiter Ascending is set to open on February 6th 2015, with a cast »
- Gary Collinson
We’ve got questions, and you’ve (maybe) got answers! With another week of TV gone by, we’re lobbing queries left and right about shows including The Good Wife, Selfie, American Horror Story: Freak Show and How to Get Away With Murder!
1 | On Grimm, is Trubel a worthy stand-in for a powerless Nick? Or are you counting the days until Det. Burkhardt gets his mojo back?
3 | Can we talk about what’s happening with The Good Wife‘s Alicia and Finn (see above photo)? Are they just friends, »
The venture will be overseen by Guy Botham, who previously ran business operations for the visual effects firm Hydraulx, and Andrew Fowler, former vice president of visual effects and production at the Walt Disney Company.
Vitality will concentrate on beauty work, face replacement and 2D enhancements. In layman’s terms, it’s digital cosmetic surgery and body shaping that allows actors to appear blemish free, younger, older, fitter and even »
- Brent Lang
<< Back to Holiday 2014 ForecastExodus: Gods and KingsRelease Date: December 12th (3D)Studio: 20th Century FoxGenre: DramaDirector: Ridley ScottWriters: Adam Cooper & Bill Collage and Jeffrey Caine and Steven ZaillianCast: Christian Bale, Joel Edgerton, Ben Kingsley, Aaron Paul, Sigourney Weaver, John Turturro, Ben Mendelsohn, Indira VarmaStudio Description: The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.Analysis: Exodus: Gods and Kings arrives in theaters less than nine months after director Darren Aronofsky's Noah, which wrapped up its run at the domestic box office with $101.2 million. It's likely that Ridley Scott's big-budget retelling of the Exodus story tops that number, though it's hard to say by how much.The two movies share a number of similarities. Both explore well-known Old Testament stories that aren't specific to one religion or another: Moses and »
- Ray Subers <email@example.com>
Prepping for its Feb. 5, 2015 opening night, the Berlin Film Festival has named Darren Aronofsky its jury President. Despite never having a film play the Berlinale, the "Noah" director rides the good graces of Venice, Toronto, and Sundance to the head of the German fest’s table. "Darren Aronofsky has distinguished himself as an outstanding protagonist in contemporary auteur cinema," said Berlin chief Dieter Kosslick in a statement. "In his artistic approach he consistently sounds out cinematic language and its aesthetic possibilities. I’m pleased to be able to welcome him as Jury President of the Berlinale 2015." Aronofksy has earned critical praise and box office success for his part work, including "Pi," "Requiem for a Dream," "The Fountain," "The Wrestler," "Black Swan," and this year’s "Noah." The jury position adds Aronofsky to the ranks of recent Presidents, including Isabella Rossellini, Mike Leigh, Wong Kar Wei, and James Schamus. "At the Berlinale, »
- Matt Patches
Darren Aronofsky will be the jury president for the 65th Berlin International Film Festival in 2015. Aronofsky made his feature film debut in 1998 with Pi, and has since made a slew of critically acclaimed films such as Requiem for a Dream, The Wrestler, and Black Swan. Aronofsky most recently released the sweeping Biblical epic, Noah earlier this year. Jury presidents in previous years have included James Schamus, Wong Kar Wai, and Mike Leigh. The rest of the jury has yet to be announced. "Darren Aronofsky has distinguished himself as an outstanding protagonist in contemporary auteur cinema. In his artistic approach he »
- Teresa Jue
Writer/director Darren Aronofsky will serve as president of the Berlin International Film Festival, now approaching its 65th year. Films will compete for the Golden Bear, the top prize of this festival running February 5-15, 2015. From Mike Leigh to Wong Kar-wai, the Berlinale has tapped international auteurs to head up its jury in the past. The 2014 jury president was screenwriter/producer and former Focus Features CEO James Schamus, another tastemaker who has worked in both studio and independent film. Aronofsky's last film was the big-budget biblical epic "Noah," a box office success both overseas and in the Us that unfortunately seems to be lost in the shuffle at this point in the Fall awards race. »
- Ryan Lattanzio
The 65th Berlin Film Festival kicks off on February 5 next year with Darren Aronofsky atop the jury. Contrary to many recent Berlinale jury presidents, the Noah helmer has never had a movie in the official selection. He’s no stranger to the festival circuit, however, having made his feature debut with Sundance entry Pi in 1988. His 2000 follow-up, Requiem For A Dream, premiered out of competition in Cannes. The Fountain later premiered in Venice where in 2008 his The Wrestler won the Golden Lion. Berlin chief Dieter Kosslick said today, “Darren Aronofsky has distinguished himself as an outstanding protagonist in contemporary auteur cinema. In his artistic approach he consistently sounds out cinematic language and its aesthetic possibilities. I’m pleased to be able to welcome him as Jury President of the Berlinale 2015.” Aronofsky added, “At the Berlinale, the cinema is always exciting and fascinating. I am looking forward to watching the latest »
- Nancy Tartaglione
London — American director, screenwriter and producer Darren Aronofsky will be jury president of the 65th Berlin Intl. Film Festival.
“Darren Aronofsky has distinguished himself as an outstanding protagonist in contemporary auteur cinema. In his artistic approach he consistently sounds out cinematic language and its aesthetic possibilities. I’m pleased to be able to welcome him as jury president of the Berlinale 2015,” festival director Dieter Kosslick said.
Aronofsky made his feature film debut in 1998 with “Pi,” which won the award for best director at the Sundance Film Festival and script at the Independent Spirit Awards. He presented his cinematic adaptation “Requiem for a Dream” at the Cannes Film Festival in 2000, and the cult film “The Fountain” at the Venice Film Festival in 2006.
- Leo Barraclough
Aronofsky, whose most recent feature was biblical epic Noah, is to head the main jury of the Berlinale, which is set to run Feb 5-15, 2015.
The filmmaker said: “At the Berlinale, the cinema is always exciting and fascinating. I am looking forward to watching the latest from the greatest in one of the great cities on the planet.”
Aronofsky’s feature debut was Pi in 1998, for which he won best director at the Sundance Film Festival.
- firstname.lastname@example.org (Michael Rosser)
The Walking Dead, Season 5, Episode 4: “Slabtown”
Directed by Michael E. Satrazemis
Airs Sundays at 9pm Et on AMC
“Everything costs something, right?”
The mystery of Beth Greene’s whereabouts has been solved.
I’ve said it before, and I’ll say it again; The Walking Dead does well with episodes featuring fewer characters that we know. “Slabtown”, written by Matthew Negrete and Channing Powell, is a testament to the improvement of the writing ever since Scott M. Gimple took over as show-runner. That the hour maintains the quality and entertainment of previous episodes without Rick and the gang, is good news. Putting Beth, and only Beth, in the spotlight back in season two would have been ill advised, but ever since last season’s “Still,” Beth is a character we’ve all come to know and love. Of course “Still” is one of those episodes mentioned above, »
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