Regarding the film's extensive use of visual effects, Darren Aronofsky said he and his crew "had to create an entire animal kingdom", using no real animals in the production but instead "slightly tweaked" versions of real creatures. Industrial Light and Magic said their work on the film represented "the most complicated rendering in the company's history". See more »
When Noah's boy meets the lonely girl in the artificial valley covered with death there are certain scenes showing the walls. Those walls are carved with traces and are so even and somehow polished that they can only have been made by digging machines and not by shovels or what ever low tech tools are shown to exist in the technology of the movie. See more »
From Adam to Seth, Seth to Enosh, Enosh to Kenan, Kenan to Mahalalel to my father, Methuselah, then to me. Today, that birthright passes to you, Noah. My son.
See more »
Besides the title of the movie, there are no opening credits See more »
I've been an IMDb lurker for several years and this film was so poor that I felt motivated to write my first-ever review. It's bad on so many levels, I'm not even quite sure where to begin...
Storyline: This film probably represents the biggest rick-roll I've ever seen. Naturally, when people see a film about a great flood, titled Noah, the automatic assumption is that it's a re-telling of the biblical story. This film cynically exploits that expectation and then drops a hammer on the bewildered audience. I believe most people who watch this film will recognise that something is deeply "wrong" in it's portrayal, but they're less likely to realise that the fundamental reason is because the director has flooded (pun intended) his movie with imagery and references based not in Christian theology, but Gnostic mysticism. I'm not Christian, so I wasn't offended by this perspective on a theological level, but that didn't lessen my disappointment on a cinematic level at all.
Special effects: Wow. Just... Wow. The effects in this film wouldn't look out of place in Jason and the Argonauts, or The Golden Voyage of Sinbad. If you're not familiar with either of these (much better) movies, it's possibly because you weren't born when they were produced, way back in the 60's and 70's. In any case, it saddens me to know that in 2014, effects of this standard are deemed acceptable for general release. But as soon as I finish this review, I'll be dusting off my Magnavox for a quick game of Wipeout just to complete the sensation of time-travel.
Acting: This film sports a strong cast with some of my favourite actors and most of them discharge their duties as well as might be expected given the script they're stuck with. I did feel there was some overacting with some of the more emotionally loaded scenes, but overall, I'm more disappointed with the cast for accepting their roles than how they actually played them.
Conclusion: Dear reader, I implore you. Go for a walk. Read a book. Call that friend you haven't caught up with for ages. Do anything but watch this film. I didn't pay to watch this mockery, but I still feel cheated. My OH slept through most of it and I feel jealous. If you avoid it altogether after reading this and other reviews, then I can at least feel like I've done my good deed for the day.
417 of 727 people found this review helpful.
Was this review helpful to you?