| Videos (see all 2) |
| Alycia Bellamy | ... | Shante | |
| Jayda Brown | ... | Sierra | |
| Orlando Brown | ... | Tyrone | |
| Christopher Carroll | ... | Butler | |
| Porscha Coleman | ... | Kendra Campbell | |
| Keith David | ... | Big Earl | |
| Marcos De Silvas | ... | Ernesto Martinez | |
| Kristinia DeBarge | ... | Lola | |
| Fefe Dobson | ... | Kim | |
| Omar Gooding | ... | Derrick Hollander | |
| Cynthia Graham | ... | Mrs. Hubbard | |
| Edwin Hodge | ... | Pookie | |
| Spencer Hubbard | ... | DJ Killionaire | |
| Budd Jackson | ... | Heckler | |
| Leslie Jones | ... | Tiny | |
| Charles Kim | ... | Steve Ho | |
| Arif S. Kinchen | ... | Squeaky | |
| Buddy Lewis | ... | Mr. Hubbard (as Roland 'Buddy' Lewis) | |
| Karen McClain | ... | Mrs. Jones | |
| Jonathan McHugh | ... | Policeman #2 | |
| 'Big' LeRoy Mobley | ... | Heckler | |
| Miguel A. Núñez Jr. | ... | Delicious | |
| Zion Otano | ... | Leon | |
| Jay Perry | ... | Police Officer (as Jermanne Perry) | |
| Sheryl Lee Ralph | ... | Abuta | |
| Evan Rayner | ... | E-Ray | |
| Darryl Alan Reed | ... | Sly | |
| Eric Roberts | ... | Tommy Maxell | |
| Emiliano Torres | ... | Tre | |
| Matthew Willig | ... | Charlie | |
| Malin Yhr | ... | Lost White Woman | |
| Heather Rae Young | ... | Paulette |
Directed by | |||
| David Raynr | |||
Writing credits(in alphabetical order) | ||
| Suzanne Broderick | ||
| Robert Fedor | ||
| David Raynr | ||
Produced by | |||
| Gregory Ramon Anderson | .... | associate producer | |
| Inuka Bacote-Capiga | .... | associate producer | |
| Susan A. Burig | .... | co-producer | |
| Re'Shaun Frear | .... | executive producer | |
| Paula Gregg | .... | co-producer | |
| Beth Hubbard | .... | producer | |
| Michael Hubbard | .... | producer | |
| Carl Lewis | .... | co-producer | |
| Jonathan McHugh | .... | co-producer | |
| Shahrook Oomer | .... | co-producer | |
| Marcia Cabral Penchel | .... | producer | |
| Murillo Penchel | .... | producer | |
| Jack Sojka | .... | line producer | |
Cinematography by | |||
| Sandra Valde-Hansen | |||
Film Editing by | |||
| Richard Halsey | |||
Casting by | |||
| Mathew Gray | (casting director) | ||
| Peter Wise | |||
Production Design by | |||
| Shaun Motley | |||
Costume Design by | |||
| Mikel Padilla | |||
Makeup Department | |||
| Taci Chenoa Garcia | .... | assistant makeup artist | |
| Denise Pugh-Ruiz | .... | makeup department head | |
Production Management | |||
| Jack Sojka | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lee D. Andrews | .... | second second assistant director | |
| Ted Campbell | .... | first assistant director | |
| Keith Jones | .... | second assistant director | |
Art Department | |||
| Aprile Lanza Boettcher | .... | supervising art director | |
| Jerry A. Chavez | .... | property master | |
| Demarcus Eckford | .... | intern | |
| Leo Rodriguez | .... | leadman | |
Sound Department | |||
| Jason Abell | .... | adr recordist | |
| Jason Abell | .... | dialogue editor | |
| Jason Abell | .... | foley editor | |
| Veda Campbell | .... | sound mixer | |
| Jamie Gambell | .... | additional sound mixer | |
| Matt D. Hall | .... | sound editor | |
| Leobardo Ledon | .... | foley mixer | |
| Michael J. McDonald | .... | sound re-recording mixer (as Michael McDonald) | |
| Michael J. McDonald | .... | supervising sound editor (as Michael McDonald) | |
| G.W. Pope III | .... | foley artist | |
| G.W. Pope III | .... | sound effects editor | |
Visual Effects by | |||
| Kyle Peters | .... | digital compositor | |
Stunts | |||
| Robair Sims | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kevin Akers | .... | first assistant "a" camera | |
| Tony Banando | .... | grip | |
| Joshua Bushek | .... | best boy grip | |
| Rowan Byers | .... | electrician | |
| Chris Carroll | .... | camera operator "b" camera | |
| Chris Carroll | .... | gaffer | |
| Victoria Chenoweth | .... | lighting technician | |
| Benjamin Conley | .... | second assistant "a" camera | |
| Ravi Gahunia | .... | key grip | |
| Cecilia Guerrero | .... | first assistant "b" camera | |
| Elton Hartney James | .... | electrician | |
| Leigh Mierke | .... | best boy electric | |
| Kevin Morris | .... | second assistant camera: "b" camera | |
| Jay Todd | .... | g&e swing | |
| Jerry J. White III | .... | grip | |
Casting Department | |||
| Re'Shaun Frear | .... | casting associate | |
Costume and Wardrobe Department | |||
| Cheryl Gray | .... | costumer | |
| Layne McGovern | .... | wardrobe supervisor | |
| Imari Quinn Tucker | .... | key costumer | |
Editorial Department | |||
| Justin Barham | .... | associate editor | |
| Nimrod Zalmanowitz | .... | digital intermediate colorist | |
Music Department | |||
| Jason Abell | .... | music editor | |
| Marla Ludwig | .... | music clearance and licensing | |
| Jonathan McHugh | .... | music supervisor | |
| Ruwanga 'Ru' Samath | .... | composer: additional music | |
Transportation Department | |||
| Anthony Detiege | .... | production driver | |
| D'Aldo Fazzone | .... | transportation | |
| Kimo Han | .... | driver | |
| Josh La Grotta | .... | transportation captain | |
| George A. Miki | .... | transportation co-captain | |
Other crew | |||
| Justin Aguirre | .... | production assistant | |
| Shawn Bisi | .... | production coordinator | |
| Marcella Bremond | .... | script supervisor | |
| Nick Fullen-Collins | .... | assistant to producer | |
| Victor Hall | .... | location scout | |
| David Hollywood Harrell | .... | intern coordinator | |
| David Hollywood Harrell | .... | location scout | |
| Robert A. Haynes | .... | ending credits | |
| Eric Hight | .... | asst. production coordinator | |
| Nancy Jundi | .... | publicist: Pittsburgh | |
| Megan Kerns | .... | production assistant | |
| Claudio Tepper | .... | key medic | |
| Kachain Thongmanee | .... | production assistant | |
| Frank C. Wells | .... | location manager | |
| Michael E. Wolfe | .... | assistant accountant | |
| Michael E. Wolfe | .... | location scout | |
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| Santa's Letters | Click | Chica de Río | The Sound of Music | Just Friends |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
My experience in watching Christmas in Compton was one of having fun and at the same time feeling it was a subtle message of love and connection that came through to me. I am looking forward to the opportunity to have my grandchildren who are 12 and 15 to see this movie. I also thought from a technical point of view the movie was well put together and moved fast enough to continuously keep my interest.
The character Big Earl is especially appealing as he encompasses traditional American values of acceptance, loving and caring. The extended international family that gradually become established through out the movie is handled in a beautiful and humorous way. With all that's happening in the world today it was nice to sit through a movie dealing with current family issues that move from the head to the heart.