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Sanjjanaa Archana Galrani ...
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23 March 2012 (India)  »

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INR 90,000,000 (estimated)
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Explosive trash
25 March 2012 | by (India) – See all my reviews

The Neil Vincent Review of "The King and the Commissioner"

"It's all about the commercial quotient. So why not cash on that? "This was Renji Panicker's statement before the project began. How true! This could be the laziest film of the year with such poor homework done. I don't just mean logical fillers but just BAD scripting. This entire movie is based on the two characters. Its more like the story of Joseph Alex with Bharath Chandran thrown in to assist him.

Mamooty is indeed Joseph Alex, IAS. He's panache and suave with crisp dialogues and prolific dialogue delivery playing the role to perfection as usual. 'Mammuka' looks young and so dashing and yet sophisticated and in control.

Suresh Gopi lost 30 pounds to get into the skin of Bharath Chandran IPS and he's a thorough treat to watch. I don't think he shares great chemistry with 'Mamooty' but every strand of hair on my body stood up and saluted when he said: 'Ormaya undo e mugham?'

I was also thinking in real life if 'Mammuka' and 'Suresh Gopi' could mug all those dialogues they should have applied for and written IAS. The number of trees cut for the paper on which those dialogues were written could easily have been a forest in Palakkad.

Janardanan as Minister GK was so effortless, possibly the only sensibly etched supporting character in the movie. Saikumar brought so much of sense to such a senseless role. I can't stand meaningless demigod super villains whose sole motive is money. And Mohan Aghase was an awesome Prime Minister who did actually make me smile. Jayan Chertala was bad to say the least. He seemed lost and in a hurry to finish his lines. I did not know what was worse, his acting or his makeup. Janardanan, Saikumar and Mohan Aghashe did a job worth my ticket price. Their acting made me realize that there are no small roles, only small actors.

Alas I have finished telling you everything good about this movie. Now if we had a few bullets of that which were fired all across the screen then you could use three for the cinematographers! Bharani K. Dharan, Sharavanan & Shaji Kumar handled the camera and it looks like the whole of what they shot was stuffed onto the screen. The entire movie is not shot straight but from such hard to view angles and they change so fast that your mind cannot even process them. It makes me wonder what did Samjath do while editing this movie. I got lost many times when scenes that had no relation just followed each other.

Murphy's Law is so adept for this movie. Everything that can go wrong will go wrong! Let's begin with the great Shaji Kailas. Since 2001, Shaji Kalias has done 19 movies of which 16 were colossal flops. In that regard this is a huge improvement. Comparatively. Renji Panikar needs lessons in GK, Current Affairs and also technology.

TKATC portrays India as a devolving anarchy. The villains are so typecast with money being the sole criterion for anything they do. That again is the fault of poor scripting with such shallow meaningless characters. Moreso, the film is unnecessarily long at 3 hours and 10 minutes and I'm not a fan of constant senseless killings.

Please watch TKATC with your friends; and before you walk into the theatre for TKATC please carry two dictionaries (English & Malayalam). The amount of dialogues the villains and the heroes speak would require the use of dictionaries; and with your friends around, searching becomes easier.

I felt numb after the movie and so did all those around me. Dear Mr.Shaji Kailas & Mr.Renji Panikar, please treat the 'malayee audience' with respect, don't write out garbage just for the money. Create something worth watching.


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