Revolves around a love triangle between a conservative English aristocrat, his mean socialite wife and a young suffragette.
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1  
2013  
Nominated for 5 Primetime Emmys. Another 7 wins & 29 nominations. See more awards »
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Cast

Series cast summary:
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 Christopher Tietjens (5 episodes, 2012)
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 Sylvia Tietjens (5 episodes, 2012)
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 General Campion (5 episodes, 2012)
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 Valentine Wannop (5 episodes, 2012)
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 Mark Tietjens (5 episodes, 2012)
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 Mrs. Wannop (5 episodes, 2012)
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 Glorvina (5 episodes, 2012)
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 Mrs. Satterthwaite (4 episodes, 2012)
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 Lady Claudine (4 episodes, 2012)
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 Potty Perowne (4 episodes, 2012)
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 Vincent Macmaster (4 episodes, 2012)
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 Sandbach (4 episodes, 2012)
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 Edith Duchemin (4 episodes, 2012)
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 Father Consett (3 episodes, 2012)
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 Bobbie Pelham (3 episodes, 2012)
Lucinda Raikes ...
 Hullo Central - Evie (3 episodes, 2012)
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 Marchant (3 episodes, 2012)
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 Tietjens Senior (3 episodes, 2012)
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 Bertram (3 episodes, 2012)
Candida Benson ...
 Effie (3 episodes, 2012)
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 Gerald Drake (3 episodes, 2012)
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 Reverend Duchemin (3 episodes, 2012)
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 McKechnie (3 episodes, 2012)
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 Edward Wannop (3 episodes, 2012)
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 Colonel Levin (2 episodes, 2012)
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 General Haggard (2 episodes, 2012)
Misha Handley ...
 Michael - 4 years old (2 episodes, 2012)
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 Lord Beichen (2 episodes, 2012)
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 Reverend - Effie's Husband (2 episodes, 2012)
Emma Dewhurst ...
 First Teacher (2 episodes, 2012)
Lucy Briers ...
 Mrs. Ferguson (2 episodes, 2012)
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 Latin Teacher (2 episodes, 2012)
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 Second Teacher (2 episodes, 2012)
Tim McMullan ...
 Stephen Waterhouse (2 episodes, 2012)
Jamie Parker ...
 Brownlie (2 episodes, 2012)
Rudi Goodman ...
 Michael - 8 years old (2 episodes, 2012)
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 Sir Reginald (2 episodes, 2012)
Pierre Van Heddegem ...
 Capitaine Thurston (2 episodes, 2012)
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 Ruggles (2 episodes, 2012)
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 Marie-Léonie (2 episodes, 2012)
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 Critic at Macmaster's Flat (2 episodes, 2012)
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 Michaelangelo Woman (2 episodes, 2012)
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Storyline

Story is set against the backdrop of WWI and follows Christopher Tietjens, a top civil servant from a background of wealth and privilege, whose marriage flounders almost as soon as it begins. He falls in love with another woman, but he remains honorable for some considerable time to Sylvia who has several affairs. On top of this, Chris is dealing with shell shock and partial memory loss that he endures during the war. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Action | Drama | Romance | War

Certificate:

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Release Date:

26 February 2013 (USA)  »

Also Known As:

Az utolsó angol úriember  »

Company Credits

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Technical Specs

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Aspect Ratio:

16:9 HD
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Did You Know?

Trivia

The series covers the women's suffrage movement during 1914. Anne-Marie Duff who plays Edith Duchemine, played a dedicated feminist activist in Suffragette (2015) See more »

Connections

Featured in The One Show: Episode #7.133 (2012) See more »

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User Reviews

 
Surprisingly Powerful and Sympathetic Costume Drama
2 August 2014 | by (London) – See all my reviews

Set in the early twentieth century, PARADE'S END revolves round a love-triangle involving Christopher Tietjens (Benedict Cumberbatch), his wife Sylvia (Rebecca Hall) and Tietjens' mistress Valentine Wannop (Adelaide Clemens). With a screenplay ably written by Tom Stoppard, director Susanna White situates this story in the repressive world of bourgeois England, where appearances matter and emotions should be kept hidden at all costs. So long as people "seem" to be respectable, then everyone will be happy. Tietjens tries his best to maintain such (false) standards, but the experience proves too much for him, especially in the later episodes when he goes to fight in France and falls foul of just about everyone. In Hall's performance, Sylvia reminds me of the characters in Scott Fitzgerald's THE GREAT GATSBY in the sense that she seems hell-bent on destroying those around her. She refuses to play the social games required of her, and spends much of her time deceiving her husband. Valentine remains faithful throughout despite her mother's (Miranda Richardson's) entreaties, proving beyond doubt that love can conquer all. Martin Childs' production design is a wonder to behold, particularly in the scenes set in the First World War, where he manages to recreate the atmosphere of desperate squalor in the trenches, contrasted with the elaborate formality of life back in Groby Hall, Yorkshire. In the context of the First World War, British bourgeois life in the Hall seems symptomatic of a lost world. In the new world following the conclusion of the War, the characters can no longer rely on old certainties; they have to determine their own lives. Cumberbatch is particularly good at communicating this altered view: through a series of close-ups we watch his features harden as he finally rejects Sylvia and embraces a new life in his deserted London apartment. It might not have the opulence of his past life, but at least he can be himself. The narrative zips along at a brisk pace, offering viewers a lesson in changing values in British history as well as telling a thoroughly compelling tale. Definitely worth repeated viewings.


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