Researcher Dr. Stephen Ezard returns home to the UK after the reported death of his brother, Michael Ezard, only to find that his widow, Yasim Anwar, is harboring a wanted yet deathly ill ... See full summary »
A married couple move back to his childhood village to start a family but a surprise visit from the husband's brother ignites sibling rivalry and exposes the lies embedded in the couple's ... See full summary »
James and his three closest lifelong friends go on an ill-advised trip to the stunning coastal area of Barafundle Bay in West Wales. What follows is a touching and comical adventure dealing with friendship, heroism and love.
A short film starring Benedict Cumberbatch, Colin Salmon and Nick Moran. LITTLE FAVOUR follows the story of WALLACE (Benedict Cumberbatch) when he is contacted by a former colleague to help... See full summary »
Patrick Viktor Monroe
Paul Slippery (Hugh Laurie), a forty-something doctor, lives with his wife Estelle and three sex-obsessed sons Rory, Daniel and Edwin in the west London suburb of Putney. On top of coping ... See full summary »
A drama documenting the life and work of the theoretical physicist Professor Stephen Hawking who, despite being diagnosed with motor neurone disease at the age of 21, has galvanized the ... See full summary »
In 1939 Hortense, illegitimate but intelligent and ambitious, is brought up on Jamaica with the family of charismatic, free-thinking Michael, who joins the Air Force when war breaks out and... See full summary »
Two young soldiers, Bartle (21) and Murph (18) navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling. All the while, Bartle is tortured by a promise he made to Murph's mother before their deployment.
Story is set against the backdrop of WWI and follows Christopher Tietjens, a top civil servant from a background of wealth and privilege, whose marriage flounders almost as soon as it begins. He falls in love with another woman, but he remains honorable for some considerable time to Sylvia who has several affairs. On top of this, Chris is dealing with shell shock and partial memory loss that he endures during the war. Written by
Benedict Cumberbatch claimed that his character of Christopher Tietjen was one of the more admirable he has ever played. He claimed "[Christopher] has many admirable qualities I'd like to siphon off into my life." See more »
Surprisingly Powerful and Sympathetic Costume Drama
Set in the early twentieth century, PARADE'S END revolves round a love-triangle involving Christopher Tietjens (Benedict Cumberbatch), his wife Sylvia (Rebecca Hall) and Tietjens' mistress Valentine Wannop (Adelaide Clemens). With a screenplay ably written by Tom Stoppard, director Susanna White situates this story in the repressive world of bourgeois England, where appearances matter and emotions should be kept hidden at all costs. So long as people "seem" to be respectable, then everyone will be happy. Tietjens tries his best to maintain such (false) standards, but the experience proves too much for him, especially in the later episodes when he goes to fight in France and falls foul of just about everyone. In Hall's performance, Sylvia reminds me of the characters in Scott Fitzgerald's THE GREAT GATSBY in the sense that she seems hell-bent on destroying those around her. She refuses to play the social games required of her, and spends much of her time deceiving her husband. Valentine remains faithful throughout despite her mother's (Miranda Richardson's) entreaties, proving beyond doubt that love can conquer all. Martin Childs' production design is a wonder to behold, particularly in the scenes set in the First World War, where he manages to recreate the atmosphere of desperate squalor in the trenches, contrasted with the elaborate formality of life back in Groby Hall, Yorkshire. In the context of the First World War, British bourgeois life in the Hall seems symptomatic of a lost world. In the new world following the conclusion of the War, the characters can no longer rely on old certainties; they have to determine their own lives. Cumberbatch is particularly good at communicating this altered view: through a series of close-ups we watch his features harden as he finally rejects Sylvia and embraces a new life in his deserted London apartment. It might not have the opulence of his past life, but at least he can be himself. The narrative zips along at a brisk pace, offering viewers a lesson in changing values in British history as well as telling a thoroughly compelling tale. Definitely worth repeated viewings.
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