Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.
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Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
Director:
Gary Ross
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Liam Hemsworth
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Peter Jackson
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Ian McKellen,
Martin Freeman,
Richard Armitage
A paraplegic Marine dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.
Director:
James Cameron
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Sigourney Weaver
A reluctant hobbit, Bilbo Baggins, sets out to the Lonely Mountain with a spirited group of dwarves to reclaim their mountain home - and the gold within it - from the dragon Smaug.
Director:
Peter Jackson
Stars:
Martin Freeman,
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Richard Armitage
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Joss Whedon
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Scarlett Johansson
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Director:
David O. Russell
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Bradley Cooper,
Jennifer Lawrence,
Robert De Niro
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Director:
James Cameron
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Leonardo DiCaprio,
Kate Winslet,
Billy Zane
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The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Director:
Kenneth Branagh
Stars:
Chris Hemsworth,
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A year after winning the 74th Hunger Games, Katniss Everdeen and her partner, Peeta Mellark must go on what is known as the Victor's Tour wherein they visit all the districts. But before leaving, Katniss is visited by President Snow who fears that Katniss defied him a year ago during the games when she chose to die with Peeta. With both Katniss and Peeta declared the winners, it is fueling a possible uprising. He tells Katniss that while on tour she better try to make sure that she puts out the flames or else everyone she cares about will be in danger. Written by
rcs0411@yahoo.com
A total of 48 minutes, including the entirety of the Arena sequences, were shot with IMAX cameras. See more »
Goofs
In District 11 when the soldiers open up their expandable batons after the salute, the batons of the two soldiers at the end do not open. The soldier 2nd to the end tries to hide that fact behind him. See more »
Quotes
[first lines]
Gale Hawthorne:
[Katniss almost shoots him]
Easy. Saw some turkeys on the way here. Crossed right in front of me like I wasn't even there.
Katniss Everdeen:
How rude of them.
Gale Hawthorne:
That's what happens when you spend six days a week working in the mines. Stupid birds start to think they own these woods.
[brief pause]
Gale Hawthorne:
When's the tour leave?
Katniss Everdeen:
Couple hours.
Gale Hawthorne:
Well, let's go.
See more »
Crazy Credits
The ending of the film has the Catching Fire logo shift into the Mockingjay one to tease the future of the films. See more »
I was lucky enough to be able to watch the movie one week early, since it opened here in Brazil one week before the release in the US, and I must tell you this fellow The Hunger Games fans, even though my English is not even that good: Catching Fire is a GREAT experience, and one that improves over the first film in nearly every possible level.
When I first read the books, I thought that they were not only incredibly addicting and fun, but also with an important message for the youngsters (and every other person, age is not important) who read it, and that made it different from some of the other uninteresting YA books around. I really liked the trilogy, and when I watched the first adaptation, I was disappointed with some aspects and routes they went with it. It was not an horrible movie, at all, but it was not very faithful to the book and lacked the impact I found in the novel.
With that in mind, I kept my excitement in close watch with Catching Fire and went expecting a good movie and nothing more. I was welcomed with an excellent surprise: the movie followed the events of the novel whenever possible and brilliantly so, while managing to keep me on the edge of my seat, even though I knew what was going to happen the entire time.
I won't go into details about the plot of the movie, some fellow reviewers already did it probably better than I'll ever do and the chances you're familiar with it are high. So I'll go right into the review and my opinions on the picture.
Francis Lawrence was nothing short of an excellent choice for the director's chair: gone are the shaky camera action (one of my major problems with the first film) and welcome are thrilling and pumping action scenes that expertly convey the tension and ferocity of the moment. He managed to keep the violence and shock without ever crossing the line, and whoever read the books know how important this is; it's part of the plot, of the criticism and one of the main elements that make the whole point of the film. He keeps you interested and invested in the story even when nothing bombastic is happening, and that is a great achievement, something that really sets this sequel apart.
But Francis is not alone on making this movie special. His young and talented cast, lead by the always amazing Jennifer Lawrence, is ferocious and eager to invest in their characters, making you an ally (or an enemy) while watching everything unfold. Lawrence shows us again why she was the perfect choice to play the now iconic Katniss Everdeen: she makes you root for this young, brave lady every single minute of the struggle; with her sad, hopeless stare that pierces your soul to her ability to convey admirable strength when everything seems to be out of reach are phenomenal and she deserves the praise she gets.
The rest of the cast is uniformly good, but I have to highlight Jena Malone, who plays the explosive Johanna: her presence makes the screen on fire whenever she's in, mixing the perfect amount of attitude and humor. A particular scene involving an elevator and a fancy dress is at the same time hilarious and shocking, just like her character. Donald Sutherland also shines as the menacing president Snow, in a restrained performance that doesn't need too many words spoken to make you think twice on how dangerous he is.
The set pieces are also vastly improved upon: bigger, more ambitious and work perfectly in sync with the action to make for some really unforgettable moments. The arena looks beautiful and foreboding, hiding it's dangers behind the shining green water. So does the bizarre Capitol and the Districts, full of sadness and fear, two dichotomies in every aspect.
But what I really liked about the movie was that they didn't shy away from the political aspects from the novel and conveyed the despair and oppression imposed by the Capitol over the rest of Panem. It makes you think that all of this is happening around the world, in one way or another, maybe masquerade, but it is. It's sad that many teenagers are only in this ride for the hot action and beautiful people (some screaming girls in the movie theater I went only confirm this. They were not the majority, it was packed and most people were also extremely annoyed by it too - every time Finnick appeared it was a screaming hell). It has so much more to offer.
The Hunger Games: Catching Fire not only improves vastly upon it's predecessor: it's a great cinematic experience by itself, touching on important topics about the modern day society without losing it's thrilling core. It's not perfect, but what it does right it goes right into the bullseye. Don't let the hype or the teen fury on this fool you: it is entertainment at it's best.
287 of 498 people found this review helpful.
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I was lucky enough to be able to watch the movie one week early, since it opened here in Brazil one week before the release in the US, and I must tell you this fellow The Hunger Games fans, even though my English is not even that good: Catching Fire is a GREAT experience, and one that improves over the first film in nearly every possible level.
When I first read the books, I thought that they were not only incredibly addicting and fun, but also with an important message for the youngsters (and every other person, age is not important) who read it, and that made it different from some of the other uninteresting YA books around. I really liked the trilogy, and when I watched the first adaptation, I was disappointed with some aspects and routes they went with it. It was not an horrible movie, at all, but it was not very faithful to the book and lacked the impact I found in the novel.
With that in mind, I kept my excitement in close watch with Catching Fire and went expecting a good movie and nothing more. I was welcomed with an excellent surprise: the movie followed the events of the novel whenever possible and brilliantly so, while managing to keep me on the edge of my seat, even though I knew what was going to happen the entire time.
I won't go into details about the plot of the movie, some fellow reviewers already did it probably better than I'll ever do and the chances you're familiar with it are high. So I'll go right into the review and my opinions on the picture.
Francis Lawrence was nothing short of an excellent choice for the director's chair: gone are the shaky camera action (one of my major problems with the first film) and welcome are thrilling and pumping action scenes that expertly convey the tension and ferocity of the moment. He managed to keep the violence and shock without ever crossing the line, and whoever read the books know how important this is; it's part of the plot, of the criticism and one of the main elements that make the whole point of the film. He keeps you interested and invested in the story even when nothing bombastic is happening, and that is a great achievement, something that really sets this sequel apart.
But Francis is not alone on making this movie special. His young and talented cast, lead by the always amazing Jennifer Lawrence, is ferocious and eager to invest in their characters, making you an ally (or an enemy) while watching everything unfold. Lawrence shows us again why she was the perfect choice to play the now iconic Katniss Everdeen: she makes you root for this young, brave lady every single minute of the struggle; with her sad, hopeless stare that pierces your soul to her ability to convey admirable strength when everything seems to be out of reach are phenomenal and she deserves the praise she gets.
The rest of the cast is uniformly good, but I have to highlight Jena Malone, who plays the explosive Johanna: her presence makes the screen on fire whenever she's in, mixing the perfect amount of attitude and humor. A particular scene involving an elevator and a fancy dress is at the same time hilarious and shocking, just like her character. Donald Sutherland also shines as the menacing president Snow, in a restrained performance that doesn't need too many words spoken to make you think twice on how dangerous he is.
The set pieces are also vastly improved upon: bigger, more ambitious and work perfectly in sync with the action to make for some really unforgettable moments. The arena looks beautiful and foreboding, hiding it's dangers behind the shining green water. So does the bizarre Capitol and the Districts, full of sadness and fear, two dichotomies in every aspect.
But what I really liked about the movie was that they didn't shy away from the political aspects from the novel and conveyed the despair and oppression imposed by the Capitol over the rest of Panem. It makes you think that all of this is happening around the world, in one way or another, maybe masquerade, but it is. It's sad that many teenagers are only in this ride for the hot action and beautiful people (some screaming girls in the movie theater I went only confirm this. They were not the majority, it was packed and most people were also extremely annoyed by it too - every time Finnick appeared it was a screaming hell). It has so much more to offer.
The Hunger Games: Catching Fire not only improves vastly upon it's predecessor: it's a great cinematic experience by itself, touching on important topics about the modern day society without losing it's thrilling core. It's not perfect, but what it does right it goes right into the bullseye. Don't let the hype or the teen fury on this fool you: it is entertainment at it's best.