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The Hunger Games: Catching Fire (2013)

PG-13  |   |  Adventure, Sci-Fi, Thriller  |  22 November 2013 (USA)
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Ratings: 7.7/10 from 447,589 users   Metascore: 75/100
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Katniss Everdeen and Peeta Mellark become targets of the Capitol after their victory in the 74th Hunger Games sparks a rebellion in the Districts of Panem.



(screenplay), (screenplay) (as Michael deBruyn) , 1 more credit »
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Nominated for 1 Golden Globe. Another 24 wins & 54 nominations. See more awards »



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Cast overview, first billed only:
Greasy Sae (as Sandra Lafferty)


Twelve months after winning the 74th Hunger Games, Katniss Everdeen and her partner Peeta Mellark must go on what is known as the Victor's Tour, wherein they visit all the districts, but before leaving, Katniss is visited by President Snow who fears that Katniss defied him a year ago during the games when she chose to die with Peeta. With both Katniss and Peeta declared the winners, it is fueling a possible uprising. He tells Katniss that while on tour she better try to make sure that she puts out the flames or else everyone she cares about will be in danger. Written by

Plot Summary | Plot Synopsis


Remember who the enemy is. See more »

Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of violence and action, some frightening images, thematic elements, a suggestive situation and language | See all certifications »

Parents Guide:



Official Sites:

| |  »



Release Date:

22 November 2013 (USA)  »

Also Known As:

Catching Fire  »

Filming Locations:


Box Office


$130,000,000 (estimated)

Opening Weekend:

$158,074,286 (USA) (22 November 2013)


$424,645,577 (USA) (28 March 2014)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Zoe Aggeliki and Mia Wasikowska were considered for the role of Johanna Mason. See more »


Effie Trinket ushers Katniss off her front steps with a pushing motion, then spreads out her arms. In the next shot, from slightly further away, Effie makes the exact same motion. See more »


[first lines]
Gale Hawthorne: [as Katniss almost shoots him] Whoa, whoa. Easy. Saw some turkeys on the way here. Crossed right in front of me like I wasn't even there.
Katniss Everdeen: How rude of them.
Gale Hawthorne: That's what happens. You spend six days a week working in the mines and stupid birds start to think they own these woods.
[brief pause]
Gale Hawthorne: When's the tour leave?
Katniss Everdeen: Couple hours.
Gale Hawthorne: Well, let's go.
See more »

Crazy Credits

The film's title doesn't appear until the start of the closing credits. See more »


Referenced in Face Off: Going for Gold (2013) See more »


Written and Performed by Of Monsters and Men
Courtesy of Republic Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Plagiarized Version OF Japan's "BATTLE ROYALE 2"
25 December 2013 | by (Bundelkhand Region) – See all my reviews

Suzanne Collins's apologia to the capitalists and greed merchants who bankrupted the economy of the world in the 1930's borders on sanctimonious state sanctioned plagiarism, made by an inept puppeteer of emotions.

Written merely to make train loads of money and sold to meandering and lost U.S. audiences, who humbly crave a place in the world and a pain numbing drug (feel good cinema), ensnarled both by their love of sugar and savvy chic theater appeal, while their enthusiastic leaders wage war in foreign soils, this is the continued attempt of Hollywood to enter once again the politics of the "I".

Using the theme of "courageous moral values" (much like today's incompetent charismatic leaders), which time and time again is sequestered by those in power to move the humble masses into ideological behavior patterns, Collins crafts a narrow look into difficulties of being infatuated with two hot guys, whose lack of foresight and intelligence, makes them, and Katniss herself, all gullible and 'proud', traits possessed by most of the lower class, to their detriment.

Absolutely devoid of any human interest or articulation, this film is pure rubbish, created by an "opium inducing Hollywood" to forget that "times are hard" and that by the lie which they force feed to the masses, "sheer determination and hard work", they'll all be better. Well, that is hardly reality, and unlike Battle Royale, neither is this film, it borders on liquid loads of sentimentality, showing starving families and kids who crave a better life, hungering for the "American dream" just around the block, which itself is a fictitious and disastrous lie. Instead of properly showing the Katniss as she is, an exploited and misguided archer without an IQ or class consciousness, subjugated day one from indoctrination in an industrial-capitalist world, a mere casualty of an oppressed class, Collins surges her to the role of a saint for the poor and downtrodden. She pays off her 'welfare' because she's so ashamed to be on it, she gives apples to blind kids and she kisses her old mum at night, oh what loyalty to authority! Well, inject sugar into my veins, I can overcome my own poverty if I merely get into an death dome to have my brains splattered by greedy promoters and homicidal youths. This childish disposition to which Collins indulges us to drink, is nothing but empty and stale air. Collins makes Katniss into a wooden girl, invulnerable at all to our own failings, and therefore, inhuman, without fault.

Cartoon-like episodes are neither vivid nor distinct, and by the end of this film, we feel like we have watched another worthless re-packaging of Battle Royale but with the same indeposable values that the U.S. seems to heap upon the unaware, blind, obedient masses. Instead of actually reading important books, a trait which is entirely forgotten by U.S. audiences, they want "feel good portions" heaped upon them.

This film drips with the adoration of petty values espoused by the elite classes while they themselves eat well and are mired in their own hypocrisy. Please, some audience members are not stupid, but most are, and they will praise this unworthy film, along with others, as the splendid creation of an artist touched by her evocation of the future which she has created. Not much substance for this weak stab at the BR Genre.

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