10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Mentally challenged Raymond Rourke gets blamed and framed by several kids after they accidentally kill his younger brother Bryce. Six years later, Raymond escapes from the state mental ... See full summary »
Steven Lee Edwards
1921. In search of a new start and the American dream, Ewa Cybulska and her sister Magda sail to New York from their native Poland. When they reach Ellis Island, doctors discover that Magda is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined. Alone, with nowhere to turn and desperate to reunite with Magda, she quickly falls prey to Bruno, a charming but wicked man who takes her in and forces her into prostitution. And then one day, Ewa encounters Bruno's cousin, the debonair magician Orlando. He sweeps Ewa off her feet and quickly becomes her only chance to escape the nightmare in which she finds herself. Written by
Marion Cotillard was cast after she met director James Gray during a dinner at a French fish restaurant where Gray and her husband Guillaume Canet were talking about the script of Blood Ties (2013). Gray and Cotillard proceeded to get into an argument about an actor. "She threw bread at my head and she mentioned that she thought I was a jerk. And of course as consequence I immediately loved her." Gray told he had never seen Cotillard in anything before, but was instantly drawn to her. "I thought she had a great face, and not just physically beautiful because she is, but a haunted quality, almost like a silent film actress. I've talked about this, but she reminded me of Maria Falconetti in the Carl Theodor Dreyer film [The Passion of Joan of Arc (1928)]; able to convey depth of emotion without dialogue specifically. I watched every film of hers I could get my hands on. And then I knew I had to write something for her. So that's the genesis of this thing [The Immigrant]. I wrote the movie for her and Joaquin Phoenix, and if they hadn't wanted to do the movie, I'm not sure I would have made it", he told. See more »
Enrico Caruso would have been too ill to have performed in February 1921. After several years of poor health. His last performance was in late December 1920, after which his health deteriorated further and he underwent several surgeries. See more »
Absolute masterpiece, best movie I've watched in a long time
Magnificent performance by the leading actors, and even supporting roles. Incredible set, photography, costumes, script, direction, you name it. A true chef d'oeuvre and a feast for the senses. Cotillard is out of this world in almost every scene she appears in, I would not be surprised at all if she sealed an Oscar next year, or at least a nomination. Phoenix had an outstanding performance in this emotionally charged brilliantly written and directed movie about the very depths of human nature, lust, love, greed, survival, good and evil. Renner was great too, within the frame of his role, with some unexpected events as the story unfolds. This is not a movie where you can predict exactly what will happen next, you just sit back and live this amazing movie experience and thank God such great pictures are still made. A couple of hours of my life very well spent.
38 of 46 people found this review helpful.
Was this review helpful to you?