A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
The costumed high-school hero Kick-Ass joins with a group of normal citizens who have been inspired to fight crime in costume. Meanwhile, the Red Mist plots an act of revenge that will affect everyone Kick-Ass knows.
Chloë Grace Moretz,
Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
The outcast teenager Carrie White is bullied by her mates at high-school. Her mother Margaret White is a pious and paranoid woman that sees sin everywhere and the need of self- inflict punishment. When Carrie has her first period, she does not understand what is happening to her and her mates humiliate her in the changing room. The spiteful Chris Hargensen videotapes Carrie with her cell phone and posts in Internet. Their teacher Ms. Desjardin punishes the students and Chris challenges her and is suspended and consequently she can not go to the prom. Meanwhile Carrie discovers that she has telekinesis and leans how to control her ability. The popular Sue Snell feels bad with her attitude towards Carrie and asks her boyfriend Tommy Ross to invite Carrie to go with him to the prom to make up for what she did to Carrie. But Chris and her boyfriend Billy Nolan plot an evil prank with her friends to seek vengeance for Carrie with tragic consequences. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Production was running over schedule and they were faced with abandoning the scene in which Carrie goes into a shop and finds fabric for her prom dress, but director Kimberly Peirce was adamant that it be filmed. The scene was shot quickly from one angle with no additional coverage. See more »
When the gas station blows up behind Carrie, the Mustang is empty even though Chris was stuck in the windshield in the previous shot. See more »
I have been eagerly awaiting this movie since I heard of the casting of Chloe Grace Moretz. I could totally picture her portraying the character in the style and feel created by Sissy Spacek and followed up by Angela Bettis (2002 TV movie). I knew she would be a worthy successor after seeing the film Let Me In. I was, however, skeptical of the casting of Julianne Moore as the religious fanatic mother of Carrie, Margaret White.
After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.
As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.
As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.
In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.
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