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Carrie (2013)

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A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

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(screenplay), (screenplay) | 1 more credit »
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5 wins & 7 nominations. See more awards »

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Cast

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Arlene Mazerolle ...
Evan Gilchrist ...
Greg Delois
Eddie Max Huband ...
Harry Trenant (as Eddie Huband)
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Storyline

The outcast teenager Carrie White is bullied by her classmates at high school. Her mother, Margaret White, is a pious and paranoid woman that sees sin everywhere and the need of self-inflicting punishment. When Carrie has her first period, she does not understand what is happening to her and her classmates humiliate her in the changing room. The spiteful Chris Hargensen videotapes Carrie with her cell phone and posts it on the Internet. Their teacher Ms. Desjardin punishes the students, but when Chris challenges her, she is suspended and consequently is banned from the prom. Meanwhile, Carrie discovers that she has telekinesis and learns how to control her ability. Sue Snell, one of the girls that tormented Carrie, feels bad and asks her boyfriend Tommy Ross to invite Carrie to go with him to the prom to make up for what she did to Carrie. But Chris and her boyfriend Billy Nolan plot an evil prank with her friends to seek vengeance for Carrie. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

You will know her name See more »

Genres:

Drama | Horror

Motion Picture Rating (MPAA)

Rated R for bloody violence, disturbing images, language and some sexual content. | See all certifications »

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Details

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Release Date:

18 October 2013 (USA)  »

Also Known As:

Carrie, la vengeance  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$16,101,552 (USA) (18 October 2013)

Gross:

$35,266,619 (USA) (22 November 2013)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

To prepare her for the role, director Kimberly Peirce sent star Chloë Grace Moretz to homeless shelters to meet people who had genuinely lived tough lives. See more »

Goofs

While Sue and her friends are decorating the gym for prom, Heather is sitting above Lizzy, but in the next shot (as Chris enters), Heather and Lizzy have switched spots. See more »

Quotes

[first lines]
Margaret White: [long bellowing cry from behind the door] Help me!
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Connections

References Black Swan (2010) See more »

Soundtracks

Live for the Night
Written by Jahan Yousaf, Yasmine Yousaf, Kris Trindl, Jean Paul Makhlouf, Alex Makhlouf, Samuel Frisch, Nicholas Ditri and Daniel Boselovic
Performed by Krewella
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Frequently Asked Questions

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User Reviews

 
Remake Rather Than Reimaging...But Still GOOD!
20 October 2013 | by (USA) – See all my reviews

I have been eagerly awaiting this movie since I heard of the casting of Chloe Grace Moretz. I could totally picture her portraying the character in the style and feel created by Sissy Spacek and followed up by Angela Bettis (2002 TV movie). I knew she would be a worthy successor after seeing the film Let Me In. I was, however, skeptical of the casting of Julianne Moore as the religious fanatic mother of Carrie, Margaret White.

After seeing the film twice this weekend, Julianne Moore turned out a creepy performance that should definitely garner her an Academy Award nod. Her portrayal of Margaret White was an emotional witches brew of fanaticism, insanity, and maternal instinct. For me, it was an unexpected treat.

As for Carrie, Chloe Grace Moretz did a fine job. She had big shoes to fill, and her performance does not top that of Sissy Spacek. However, she does hold her own. In all three versions of Carrie, each actress has portrayed Carrie in a different way. Each excelling in making the role their own while maintaining the artistic concept of Carrie herself. Chloe did deliver a chilling performance during the scenes where Carrie is exacting her revenge.

As for the movie itself, I would describe it as a remake of the 1976 film sprinkled with some additional elements from the Stephen King novel. It was very well made, and the modernization is appropriate without being too obvious of the change in times, i.e cell phones, the Internet, etc.

In closing, Carrie is an extremely competent attempt at remaking a classic. As I say with all remakes, you have to go into it with an open mind and not with the mind set of comparing it to the original. If you do that, you will find Carrie is a good movie.


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