Alejandro, a resourceful street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, Alejandro struggles to make a better life for himself and his sixteen-year-old sister.
Kaveh, a young man from America, walks the roads of southern Iran searching for Dehdari, his recently deceased and estranged father's childhood home. Abdul Reza, a thirty year old truck ... See full summary »
In the competitive world of modern agriculture, ambitious Henry Whipple wants his rebellious son Dean to help expand his family's farming empire. However, Dean has his sights set on becoming a professional race car driver. When a high-stakes investigation into their business is exposed, father and son are pushed into an unexpected crisis that threatens the family's entire livelihood. Written by
Sony Pictures Classics
I nearly wept at the end of this movie, over all the acting talent gone totally to waste on this dumb little story. It is more than dumb; it doesn't make any sense. I think that one scene sums up the problems this film creates for itself and then fails to solve. One of the characters (it doesn't even matter which one) breaks into a store by shooting a handgun through the window. When the window conveniently falls into a billion pieces, the character leaps through the open space and steals some stuff. Then he and his pal and girlfriend roar off, tires squealing. The event is presaged by nothing and leads to nothing. One is left only with a sense of mystification that anyone (even a film director) would think that a logical way to commit a burglary would be to shoot out the front window of a store with a gun. The rest of film is like that. One silly contrivance piled on another to create a nonsensical melodrama.
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