A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular ... See full summary »
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to ... See full summary »
Iain De Caestecker,
The film of an on-stage charity benefit for Amnesty International. The show includes comedy skits by the members of Monty Python, as well as noted comedians Peter Cook, Rowan Atkinson, and ... See full summary »
Stella's day job is to inhabit an adult bear costume and become Happy Bear, the shopfront mascot for toy store 'Happy Toys'. The humdrum of the working day is punctured when Stella's father... See full summary »
This is a wonderful, kaleidoscopic and quirky portrait of the city of which one can never tire. The past 100 years are presented in roughly chronological order, but with ample allusions that tie contemporary events to those of the past. The message is clear: London is not its monuments, its parks or even its history, but rather its people. And what a diverse, determined and fascinating people they are.
Temple does a masterful job in putting the widest possible range of London on display: from the race riots that have permeated the city's modern history to the jazz and gay clubs of Soho, from the dockyard workers to the City bankers, from Brixton to Mayfair. In the two hours that sweep by so quickly, you feel like you have yourself lived through a century of what, you become convinced, is the world's most remarkable and resilient metropolis.
The editing of the film, both visually and musically, is brilliant, with connections and juxtapositions made boldly and, just as often, subtly. The technique of using London's extensive closed circuit camera system as a unifying device is both effective and subversive: you frequently feel like you are a voyeur, intruding on some of the most personal moments while being propelled unrelentingly forward.
I saw several films at TIFF this year, many with a lot more buzz, but in the end this is the one that will stay with me the longest and the one that I really look forward to seeing again.
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