As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ... See full summary »
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular ... See full summary »
Strawberry Fields is the story of two sisters who both like the same man but in different ways and is a bold and inventive melodrama that offers a distinctively refreshing spin on a complex... See full summary »
The extraordinary story of three Rwandan kids who walk 3000 miles to the Soccer World Cup in South Africa. Using a sack load of ingenuity and sass (and a World Cup wall chart for a map), ... See full summary »
Roger Jean Nsengiyumva,
Sanyu Joanita Kintu
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to ... See full summary »
Iain De Caestecker,
The story of two totally contrasting figures who come together in the most hostile of circumstances, only to form an unlikely bond that will help them both find a way out of their ... See full summary »
This is a wonderful, kaleidoscopic and quirky portrait of the city of which one can never tire. The past 100 years are presented in roughly chronological order, but with ample allusions that tie contemporary events to those of the past. The message is clear: London is not its monuments, its parks or even its history, but rather its people. And what a diverse, determined and fascinating people they are.
Temple does a masterful job in putting the widest possible range of London on display: from the race riots that have permeated the city's modern history to the jazz and gay clubs of Soho, from the dockyard workers to the City bankers, from Brixton to Mayfair. In the two hours that sweep by so quickly, you feel like you have yourself lived through a century of what, you become convinced, is the world's most remarkable and resilient metropolis.
The editing of the film, both visually and musically, is brilliant, with connections and juxtapositions made boldly and, just as often, subtly. The technique of using London's extensive closed circuit camera system as a unifying device is both effective and subversive: you frequently feel like you are a voyeur, intruding on some of the most personal moments while being propelled unrelentingly forward.
I saw several films at TIFF this year, many with a lot more buzz, but in the end this is the one that will stay with me the longest and the one that I really look forward to seeing again.
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