On a flight home to Chicago for a family wedding, childhood friends Josh and Molly innocently agree to fake a wedding engagement to make Josh's dying father happy. Things quickly get out of...
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Unknowingly trapped in her role as caretaker of her unappreciative family, a young single woman desperately needs to get her own life. When she volunteers to cat sit at her unrequited love's downtown L.A. loft, her world, as she knows it, changes forever.
Laurel is a struggling fashion designer who finds herself with a job as a personal assistant for Danny, a quarterback sidelined with an injury. Laurel knows nothing about football and Danny hasn't ever had a female assistant.
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On a flight home to Chicago for a family wedding, childhood friends Josh and Molly innocently agree to fake a wedding engagement to make Josh's dying father happy. Things quickly get out of hand with their two boisterous families, and a series of events causes them to pretend to be a couple and start planning a phony wedding. Written by
Screenwriter Dode Levenson named two of the lead characters, Molly and Max, after his maternal grandparents, Max and Mollie Katz. See more »
When Molly is showing her friends her bridesmaids dress, her cell phone is on the near side of the ottoman, but when the scene shifts and her cell phone rings, it has moved to the far side of the ottoman. See more »
If you think that you've found someone that you can stand to be with, and she can stand to be with you even when you're both having really shitty days, and neither of you feel like shaving anything. And he looks at you like you're a Victoria Secret model in an old sweatshirt and jeans... Don't give that one up. Because if you think you're gonna find that with everyone you sleep with, you don't... I oughta know.
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Written by Ryan Anzalone, Nick Barbone, Dave Bender, Chris Ralph, Adam Johnson, and Jeremy Kulak
Performed by Flatbed Orange See more »
I won't give you ANY spoilers, but I will say that the cast struggles mightily against a formulaic script. Amy Pohler did a comedy about formulaic movies, and this film reminds me of what she was referencing.
The camera work isn't bad. The lighting is OK. The prop people did their job, for the most part. I'm trying to stay positive, here, and that's the best I can do.
The only name I recognize is that of Daniel J. Travanti of HILL STREET BLUES fame. It was interesting to see how he's aged (and he has aged--he has a very expressive face in his dotage).
I can't in good conscience recommend this movie. It just doesn't have enough good points to merit an investment of a couple of hours.
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