A warped and mysterious family are unable to leave the house they reside in for unknown reasons. When this strange brood decide to turn their captivity into a sick and violent game, it ...
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Jack Fox, a burnt out detective, is being forced into early retirement, as the worst serial killer since the Boston Strangler begins a killing spree through the streets of Salem. When ... See full summary »
On one evening in a decade of sex, drugs and rock 'n' roll, the innocence of youth and family unravels. Five lives will change forever on this final evening before their hangout, The Toy Soldiers Roller Rink, closes its doors.
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A warped and mysterious family are unable to leave the house they reside in for unknown reasons. When this strange brood decide to turn their captivity into a sick and violent game, it challenges their very reality and puts all of their lives in great jeopardy. Written by
The Type of Horror Film You Just Don't See Anymore
Director Richard Griffin's film EXHUMED is a dark, low-budget horror flick that succeeds on many levels. Shot entirely in RI (or at least entirely in Southern New England for sure), the movie is grim, nihilistic, and full of nice doses of black humor. To describe it best, it's almost like a "haunted house" movie about a dysfunctional family.
However, the film's greatest strength lies in its ability to feel fresh (though it does gain part of this edge simply from being made in a time suffering from a cesspool of banal films and an over-saturated film-market). Oddly enough, the film's freshness seems to come out in a weird (if seemingly contradictory) way by capturing the look and atmosphere of horror films of old. The micro-budget, black and white (often shot on one location), character centered horror films of the 60s. Director Jack Hill's 1968 flick SPIDER BABY comes off as the closest example of the type to EXHUMED and may have even influenced it. Despite being (welcomely) old fashioned, the film is set entirely in the present. EXHUMED is that kind of movie (sort of like say, PULP FICTION) that even though set in the present day for when it was filmed, feels strangely like it belongs in another time frame or even firmly in the film's own uniquely created world. EXHUHMED definitely has a timeless quality to it.
While Richard Griffin and screenwriter Guy Benoit deserve a lot of credit for crafting this great flick, cinematographer Ken Willinger and his crew deserve a huge shout out for providing some beautiful cinematography. The stark, low-key film-noir look to the film is pitch perfect and creates quite the atmospheric little horror flick.
EXHUMED isn't a perfect film by any means, but it easily stands as one of the finest films (and possibly best horror flick) of 2011.
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