|Index||10 reviews in total|
At first, i tough this is not going to be a good movie, but later on i
realize that has a very good plot and a solid performance of the entire
cast. this is the kind of movie that you must see every detail. kept
you intrigue along the entire film. The end was the best, a really good
end, like the kind of movies you don't know what's gonna happened to
the final. the art is for me another strong point, really well ambiance
when you also can feel the mystery.
So i give 8 out of 10 to this great Spanish film. Very recommendable. PD: as you can see English is not my first language, so sorry for the basics lines.
Congratulations to Spanish cinema by presenting us with yet another
thriller / mystery spectacular without showing explicit sex, as we have
seen in some Spanish films. The movie is great! The way that every
thriller should be: it leaves you lost, but arrives somewhere. And this
place is beyond the obvious. The atmosphere of suspense and tension
remains, and we are honored by the environment's main plot: nothing
less than a morgue! The unwinding of the film is fantastic, amazing and
high quality. The Spanish film hardly disappoints me. This one does not
disappoint at any time. We watch unblinking eyes and is surprised as
the quality of the excellent climate of suspense. The final part is
amazing, leaves us with an open mouth and makes us wonder as was
thought up this great script. Without blinking my grade is 10! Never
has a movie surprised me as much as this in recent years.
Thanks again Spanish cinema!
At first i must say that in my opinion the makers of this wonderful movie intended not to make just a story that their audience will sit and enjoy the -well done- build tension , but they wanted to amaze their audience-and in my case they did it! You 'll not believe to your eyes at the last 7 minutes of this piece of art , of course you can try guessing about 10 scenarios at the first 94 minutes the solution of this mystery ...unsuccessfully . The actors were well selected and i must admit that they did their jobs very professional and they helped in the creation of this -almost- masterpiece ... I don't want to spoil anything , i recommend everyone to see this movie and some of you(like me for example) try not to stay with your mouth open at the end ...
A very exciting thriller with many interesting and surprised
fluctuations which probably even had puzzled Hitchcock but also made
The film is very classic, almost old-fashioned, and it flirts healthy and often with particularly mentioned the horror master. The story moves very smoothly between Film Noir, and more traditional contemporary thriller.
"The Body" is about a woman's dead body disappears from the morgue. The husband of the deceased woman, quickly becomes a target of both, the murder of his wife and stealing the body. He was called to the scene to assist with the investigation. The interrogations led by the right shady Commissar, with his own dim past and hearings interspersed with flashbacks of the couple's life, which is played in various flashbacks.
Everything takes place in a proper rainy night in the morgue and the surroundings could hardly be more nasty and claustrophobic. The film really works admirably well and fooling with the viewer, exactly where it wants. The script is well written and although certainly a gap or two can be found, don't bother to look when you are in the middle, instead of being frightened and follow the clues presented.
The film is directed by Oriol Paulo, who two years ago-wrote sovereign "Julia's Eyes" in which Belen Rueda plays Julia and in "The Body" she plays the unsympathetic Mayka (the deceased), an incredibly believable performance. There are good actors in all roles and although sometimes the commissar is near the border of caricature so successful balancing act and it never gets too much.
The last scene when everything unraveled is somewhat contrived. Everything needs was not unfolded and some unanswered questions are good to keep a little spice, but despite the somewhat pedagogical explanations in the end, everything leading up to it wonderfully confusing and nerve wracking as well, as I really hope to get jump-to more such films by Oriol Paulo ahead.
Mystery , intrigue about bizarre facts happen in a morgue .The same
team - actress (Belen Rueda) , producer (Mikel Lejarza , Mar Targarona)
, screenwriter (Oriol Paulo) , cameraman (Oscar Faura)- who made ¨The
orphanage¨ and ¨The Julia's eyes¨ bring us another suspenseful film , ¨
The body¨ or ¨El Cuerpo¨ . The picture is thrilling and some moment
brilliant , and the actors are quite reliable as Jose Coronado and Hugo
Silva . And again a wonderful Belen Rueda as a nasty woman in a movie
with intense sequences of tension and suspense . It deals with a
veteran detective called Jaime Peña (Jose Coronado) searches for the
body of a femme fatale (Belen Rueda is sensational in one of her best
films along with ¨El Orfanato¨) which has gone missing from a morgue .
As main suspect there appears her husband Alex Ulloa (Hugo Silva) .
Alex is detained and finding alone in the morgue , he is terrorized by
strange events , surrounded by corpses and then weird deeds take place
The film contains tension , thriller , drama , mystery , plot twists and shocks , including decent scares with tense sequences especially in its final part , in a unexpected denouement , near of the end . Hitchcock-style psychological thriller , being surprisingly good and compellingly realized . The original as well as entertaining idea is overspread throughout the movie , but not totally satisfactory , including conventional pitfalls . The main cast is frankly fine , such as José Coronado as Inspector Jaime Peña who bears a dark past , Hugo Silva as upsetting Álex Ulloa , Belén Rueda as Mayka Villaverde , a selfish and domineering woman and the young lover Aura Garrido as Carla . The motion picture is pretty well , although sometimes stagy and packs excessive turns ; however is entertaining for continuous suspense . Sinister and mysterious atmosphere plenty of lights and shades , it is finely photographed by cameraman Oscar Faura . Suspenseful and stirring musical score by Sergio Moure who previously composed successful films as ¨Unconscious¨ and being expert on frightening atmosphere such as ¨Thesis on a Homicide" and ¨Kidnapped¨ .
The film was well produced by various producers , such as Joaquin Padro , Mar Targarona and Mercedes Gamero ; all of them have produced a lot of successes in the new Spanish cinema . Being professionally written and directed by Oriol Paulo who formerly realized only short movies and wrote ¨The Julia's eyes¨ . The movie will appeal to suspense enthusiasts and Belen Rueda fans . Rating : Good , better than average . It's well worth watching and contains some really thrilling scenes and disturbing images .
*** This review may contain spoilers ***
Spain's industry -or, to better say, some young filmmakers and studios-
are producing fine thrillers lately. "The body" feels like the last
installment of a trilogy of movies all produced by the studios Rodar y
Rodar and all starred by Belen Rueda, the first being the awarded and
applauded "The orphanage".
Anyway, "The body" is an entirely different movie with very different goals, and it is more similar to the second movie, "Julia's eyes": it's a fast-paced thriller filled with twists, red herrings and a satisfactory ending. It follows young Alex, recently widowed of his older and richer wife, Mayka, who died of a sudden heart attack. Mayka was the owner of several pharmaceutical companies and is portrayed as a woman with a strange sense of humor and a domineering personality. This part of the movie is quite well done, because we are well informed of the peculiarities of this couple, even when the movie doesn't take a lot of time for this description (it's all done in flashbacks). Anyway, the action begins when Mayka's body goes missing from the morgue it was stored at, which brings police detective Jaime Peña to the crime scene.
Shortly thereafter, we learn that Alex has an affair with young and beautiful Carla, and that they have both plotted and executed the murder of Mayka. But the questions promptly arise in the characters' and the viewers' mind: is Mayka really dead? If so, who snatched the body, and with what purpose? And if she isn't dead, what happened and where is she?
Mayka is nowhere to be seen, but, dead or alive, her presence quickly infects the place, plaguing Alex's mind and making him fearful for whatever may be happening. Jaime Peña is deeply suspicious of him from the get-go and quickly becomes a fierce adversary to Alex.
As the search for the missing body goes on, Alex and Peña struggle to find out the truth, each with his own motive. And so does the viewer. The whole story unfolds in a bleak setting -a morgue, in the middle of the night-, with some winks to the supernatural, giving the movie the looks and feel of an extended "Tales from the crypt" episode.
"The body" is a good thriller that really delivers. The script takes some liberties in order to bamboozle the viewer, but -in my opinion- such liberties are not only inevitable but also forgivable (although many will probably differ). Ultimately, "The body" achieves what it set out for: grab our interest from the start, follow the story closely, keep guessing and changing our mind as to what really happened, and provide us with an ending that, even though it is not perfect and could be regarded as far-fetched, is quite fulfilling and fitting for this story and its characters.
The acting by the main four actors is good, the strongest man being the well-respected Spanish actor Jose Coronado.
The story centers upon a missing corpse of a wealthy lady from morgue.
This is an excitatory thriller, framed with severe mystery and
El Cuerpo is a stirring creation from Spain that literally causes my goosebumps.
Actors do their job well-enough to depict the script more puzzling, more shifty. Their believable acting makes the investigation occult; clues are popping up but not helping much to unravel the plot. The ending comes too shocking and too artful to get such prediction. Excellent screenplay; Kudos towards director Oriol Paulo___
Of the various movies you see, there are those very few ones which
linger in your mind for quite sometime & keeps you enthralled.
Well,this movie is one of them. A truly sublime thriller in every sense.
The story which is the spine of the movie is very good & the actors justify the role of characters brilliantly. Never mind the language, as Spanish is not my mother tongue but this movie really exemplifies that true cinema is beyond regions & boundaries. The direction is top notch & the movie grips you from the very beginning itself & won't let you go. As the story builds up & the viewer tries to decipher the next sequence,believe me it gives you unexpected twists & turns every time. I know I sound like I'm extolling the movie but it really deserves it. Overall,a very intelligent script, excellent direction & a true masterpiece movie indeed. See it to believe it.
*** This review may contain spoilers ***
It's a fine movie but i think not a great one.
First; i can't believe the ending and the whole plan! If someone kill my wife, i couldn't let that guy to "make love" with my daughter. :/ I think it was funny and unrealistic.
They wanted to make a shocking movie, i can accept that and i understand but like i said, no one do that. No one let that guy to do that.
And the Ulloa! Man, you should learn to appreciate what you have. Very twisted character. I don't like him either.
I appreciate the effort but like i said, this is not a great movie.
If you watch this film with lower expectation, you'll be glad at the end.
*** This review may contain spoilers ***
There are no actual spoilers in this review, but I just want to make sure some lines are not misunderstood. This Spanish thriller certainly has a strong pace and some really good basic ideas, though not particularly original. Alex Ulloa's wife Mayka dies of a heart attack ,someone steals the body from the morgue and detective Pena must find it. There are certainly some tricky cliffhangers but in the end some details do not quite fit. Besides the photography and the dialogs are a little too the CSI kind, at least for 75 percent of the movie. At the end of the movie you are going to regret about this telly mood, thinking what could have been done on a subject like this, by Korean directors such as Park Chan Wook (old boy) or Kim Jee Woon (I saw the devil).
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