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What Maisie Knew (2012)

R | | Drama | 3 May 2013 (USA)
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In New York City, a young girl is caught in the middle of her parents' bitter custody battle.

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(screenplay), (screenplay) | 1 more credit »
3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Beale
...
...
Margo
...
Sadie Rae ...
Zoe (as Sadie Rae Lee)
Jesse Stone Spadaccini ...
Martin (as Jesse Spadaccini)
...
Cecelia (as Diana Garcia Soto)
...
Ms. Baine
...
Ms. Fairchild-Tetenbaum
Paddy Croft ...
Mrs. Wix
...
Musician #1
...
Holly
...
Hostess
...
Zoe's Mother
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Storyline

What Maisie Knew is a contemporary New York City revisioning of the Henry James novel by the same name. It revolves around unwitting 7-year-old Maisie, caught in the middle of a custody battle between her mother Susanna, an aging rock star, and her father, Beale, a major art dealer. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Hold on with all your heart.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

3 May 2013 (USA)  »

Also Known As:

Quel che sapeva Maisie  »

Box Office

Budget:

$6,000,000 (estimated)

Opening Weekend:

$21,480 (USA) (3 May 2013)

Gross:

$1,065,000 (USA) (26 July 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Working with 6-year-old actress Onata Aprile meant that the crew had to do most of the filming before her bedtime. However, during a scene that had to be filmed at night, Aprile fell asleep, and could not be woken up. The scene had to be shot two weeks later. See more »

Quotes

[first lines]
Susanna: Want to sleep with mommy tonight?
Maisie: Um hmm.
Susanna: In my bed?
Maisie: Um hmm.
Susanna: You promise not to kick me?
Maisie: I promise.
See more »

Connections

Referenced in Summer of Blood (2014) See more »

Soundtracks

Anesthesia
Performed by The Face
Written by Jose Castillo and Tyler Morrisette
Courtesy of Sweet Tiger Records
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Thoughtful, beautiful, amazingly constructed Henry James update
1 December 2013 | by (United States) – See all my reviews

What Maisie Knew (2012)

A truly remarkable movie, filled with great acting, masterful editing and filming, and terrific writing. The basis of it all is the core here, a glimmering Henry James novel by the same title from over 100 years earlier. It's amazing how well the story holds up set in contemporary times, and changed in many necessary (and interesting) ways. What it keeps it going is the basic heartbreaking drama of a child tossed between two indifferent parents.

The mother might be seen as the main actor here, Julianne Moore, and this is the best I've ever seen her, I think. She gives a slightly fiery performance, and "slightly" is perfect, avoiding an overacting job suggested by her role as a slightly successful rock and roll star. She's terrifically awful and you come to hate her, appropriately.

The father (Steve Coogan) also puts in a sharp performance playing the lively, fun parent who is a selfish womanizer, hiding, sometimes, his flaws from his daughter. His relationship with the mother is not detailed very far because it is mostly one of distance and disdain. And mutual abuse.

The real star here is the girl, an utterly charming and beautifully effective actress, Onata, Aprile. She succeeds not by her delivery of great lines, but by her expressions. It's all because Henry James understood something delicate about children in these situations: they know what's going on and don't say it. And they also don't let it affect them because they simply can't afford to, or because they become hardened in some little ways, making them withdraw or act out. That Maisie maintains a delicious sweetness without playing the victim is quite remarkable, and Aprile is brilliant.

The secondary woman and man in the story are also terrific, and their roles grow as the movie grows. In fact, they become the sympathetic heart of things.

Pulling this together is the directing pair, McGehee and Siegel. This is their fifth movie together, and neither man has directed anything without the other. I've not seen any of the other four, but the reviews are middling to poor for all of them, so I'm not sure how far the novelty takes us. But it works here perfectly, making the complexity unfold quickly and coherently.

It's an ordinary drama on the surface, but let this one sink in over time. It's that good.


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