A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A corrupt, junkie cop with Borderline Personality Disorder attempts to manipulate his way through a promotion in order to win back his wife and daughter while also fighting his own borderline-fueled inner demons.
In an interview with Peter Travers (the film critic for Rolling Stone magazine), Christopher Walken talked about his character, Hans: "Everybody in this movie does want something... Hans wants to have a nice life. You know. He has a troubled past: difficult, you know, obviously. And I think he's at a point in his life where everything's okay, and then, you know, his wife dies, and things go... go south." See more »
While Marty and Billy are standing by the sign that says "No Shooting," the sign changes between loudly blowing in the wind to being still between shots. See more »
This is kind of like that window of time when you're waiting in the waiting room of the VD clinic, isn't it? For the door to open and the doctor to come out and say, "Billy, you're good to go." Or, "Billy, you've got VD." Or chlamydia or whatever.
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A surprise final scene interrupts the closing credits a few seconds after they start. See more »
An intricate film with genuine laughs centered around a solid script
When I was driving to the theater, I was doubting my choice in Seven Psychopaths, because the trailer made it seem like so many films I'd seen before that looked edgy and wry, and showed so much promise in the previews yet fell short because of flat characters and muddled plots. This one, however, did not let me down.
I suggest that you see this film purely because it tries to do more with a movie than anything you've seen in a while, and it manages to actually succeeds on all levels, while dangerously romancing the clichés of toying with clichés, movies about writing movies, and gangsters with a soft side. Every time the story started to get even a little generic, wild cards came firing in from all sides.
The actors played their parts well, but Rockwell gave the best performance. I was impressed by Woody and Walken's abilities to shed their skins and get deeper into character than I've seen them be in years.
This is a writer's film--the subplots (really, borderline vignettes) about the various psychopaths that Marty encounters are well done, their back stories unfold at different paces, and their details that connect them to the central plot are creatively deployed, while the momentum of the film clearly hinges in the here and now and does not make the mistake of merely chaining together several subplots to produce one "dog" of a story.
I enjoyed almost everything about Seven Psychopaths. 10/10 to offset the 2 that someone without a brain will rate this.
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