Rahmat has been asked to meet the inhabitants of these islands to collect their tears. Although for years people have been giving their tears to Rahmat, no one knows exactly what he has been doing with them.
Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they ... See full summary »
Shirin is supposed to get married in a couple of hours, but she unexpectedly murders a man. The cause of the crime, rooted in her nightmarish childhood, unravels gradually and the real question emerges: Who is the REAL criminal?
A look at the lives of 3 well-off Iranian couples who are ostensibly living an idyllic life and are going to have a get-together for a birthday party. Each couple bearing their own sordid ... See full summary »
Squatters, mostly Arabs in Persia, live on a mothballed oil tanker in the Persian Gulf. The children attend a school on board; men harvest scrap metal and old oil in the hull; women keep ... See full summary »
Ali is son of a well-off family who plays santoor (an Iranian instrument like dulcimer) and has earned some reputation through his concerts and teaching music but is rejected by his family ... See full summary »
A young intelligent Iranian woman prepares herself for the next phase in life, and that is to escape the political and social boundaries around her put up by the authorities of her country. Director Rasoulof was brave enough to tell this story because he himself was attempting to do the same thing, but ended up in prison for showing the hardships of life in a tyranny religious country.
The beauty of this slow moving film is that it doesn't state the obvious by ramming dramatic scenes down your throat. The story unravels a thin layer at a time, with scenes that have no more than a few shots, and sometimes only one lingering shot. This allows the viewer to observe the protagonist and the lonely fight she has to combat. With patience, you begin to make an emotional connection, feeling every frustration and moral outrage.
Leyla Zareh is simply amazing to observe. The low lit photography of Arastoo Givi heightens Leyla's sad features, even more so when she wears the hijab (headscarf) slightly over her face, creating shadows on her angelic features.
An interesting film showing the plight of the Iranian people who go about their lives, trying to make sense of it all.
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