| Thomas Jane | ... | Ray Drecker | |
| Jane Adams | ... | Tanya Skagle | |
| Charlie Saxton | ... | Damon Drecker (credit only) | |
| Sianoa Smit-McPhee | ... | Darby Drecker (credit only) | |
| Rebecca Creskoff | ... | Lenore Bernard | |
| Gregg Henry | ... | Mike | |
| Lennie James | ... | Charlie | |
| Stephen Amell | ... | Jason | |
| Anne Heche | ... | Jessica Haxon | |
| Kaitlin Doubleday | ... | Logan | |
| Analeigh Tipton | ... | Sandee | |
| Matt Walsh | ... | Matt Saline | |
| Ana Ortiz | ... | Lydia | |
| Alanna Ubach | ... | Yael Koontz | |
| Loren Lester | ... | Howard Koontz | |
| Mary Fegreus | ... | Andie Figler | |
| Rio Scafone | |||
| Ken W. Murphy | |||
| Jason Williams | |||
| rest of cast listed alphabetically: | |||
| Aswad Ali | ... | Police Officer (uncredited) | |
| Episode Crew |
Directed by | |||
| Daniel Attias | (as Dan Attias) | ||
Writing credits | ||
| Colette Burson | (creator) & | |
| Dmitry Lipkin | (creator) | |
| Brett C. Leonard | (written by) | |
Produced by | |||
| Colette Burson | .... | executive producer | |
| Noreen Halpern | .... | executive producer | |
| Alexandra Kondracke | .... | co-producer (as Alex Kondracke) | |
| Brett C. Leonard | .... | producer | |
| Dmitry Lipkin | .... | executive producer | |
| John Morayniss | .... | executive producer | |
| Guy Oseary | .... | co-producer | |
| Alexander Payne | .... | executive producer | |
| Angela Robinson | .... | co-executive producer | |
| Michael Rosenberg | .... | executive producer | |
| Arturs Rusis | .... | co-producer | |
| Hilton Smith | .... | producer (as Hilton H. Smith) | |
| Scott Stephens | .... | executive producer | |
Original Music by | |||
| Craig Wedren | |||
Cinematography by | |||
| Uta Briesewitz | |||
Film Editing by | |||
| Jonathan Alberts | |||
Casting by | |||
| Anya Colloff | |||
| Amy McIntyre Britt | |||
Production Design by | |||
| Richard Toyon | |||
Art Direction by | |||
| L.J. Houdyshell | |||
Set Decoration by | |||
| Barbara Cassel | |||
Costume Design by | |||
| Alix Friedberg | |||
Makeup Department | |||
| Bernadette Beauvais | .... | key makeup artist | |
| Michelle Denering | .... | makeup artist | |
| Tina Harrelson | .... | key makeup artist | |
| Sharon Rivera | .... | department head hairstylist | |
| John Rizzo | .... | makeup department head | |
| Johnny Rodriguez | .... | key hair stylist | |
Production Management | |||
| Courtney Cowan | .... | post-production supervisor | |
| Peter Feldman | .... | production supervisor | |
| Scott Stephens | .... | unit production manager (as S.A. Stephens) | |
Art Department | |||
| Andrew P. Alvarez | .... | labor foreman | |
| Brian Bains | .... | set dresser | |
| Angel L. Balestier | .... | set dresser | |
| Fritz Ebner | .... | leadman | |
| Stephen Foley | .... | set dresser | |
| Steven Gartz | .... | assistant property master | |
| William Gideon | .... | general foreman | |
| Dallas Hallem | .... | assistant property master | |
| Jason E. Hatfield | .... | set dresser | |
| Sandhya Huchingson | .... | assistant property master | |
| Michael LaCorte | .... | art department coordinator | |
| Rich Lepore | .... | greensman | |
| Ben Lewis | .... | property master | |
| Peter Liebgold | .... | set dresser | |
| Melanie Mahoney | .... | paint foreman | |
| Andre Martin | .... | on set dresser | |
| Loren Nickloff | .... | construction coordinator | |
| Peter Roderick | .... | construction buyer | |
| Mara A. Spear | .... | buyer | |
| Jim Yarmer | .... | set designer | |
| Marissa Zajack | .... | graphic designer | |
Sound Department | |||
| Susan Cahill | .... | supervising sound editor | |
| Michael Colomby | .... | sound re-recording mixer | |
| Chris Cooper | .... | second boom operator | |
| Chris Cooper | .... | utility sound | |
| Matthew T. Duncan | .... | adr mixer | |
| Matthew T. Duncan | .... | sound recordist | |
| Judah Getz | .... | adr mixer | |
| Jordan Lezama | .... | assistant sound editor | |
| Geoffrey Patterson | .... | sound mixer | |
| Timothy P. Salmon | .... | boom operator | |
| Adam Sawelson | .... | sound re-recording mixer | |
| Sal Ojeda | .... | dubbing re-recording mixer (uncredited) | |
| Corey Woods | .... | boom operator (uncredited) | |
Special Effects by | |||
| John C. Hartigan | .... | special effects supervisor (as John Hartigan) | |
| Steve Newquist | .... | special effects foreman | |
Visual Effects by | |||
| Gevork Babityan | .... | visual effects artist | |
| Geoff DuQuette | .... | visual effects artist | |
| Nick Sinnott | .... | tracking artist | |
Casting Department | |||
| Lisa Beach | .... | original casting | |
| Sarah Katzman | .... | original casting (as Sara Katzman) | |
| Garrett McGuire | .... | casting associate | |
| Kathy Mooney | .... | casting director: Michigan | |
| Rob Swanson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Rachel Amondson | .... | costumer | |
| Paul Corricelli | .... | set costumer | |
| Cheryl Cravedi | .... | set costumer | |
| Patricia McLaughlin | .... | costume supervisor | |
| Molly O'Haver | .... | assistant costume designer | |
Editorial Department | |||
| Adam Lemnah | .... | assistant editor | |
| Lauren McMeikan | .... | post-production coordinator | |
| Christian Miglio | .... | assistant editor | |
| Adria Murray | .... | post-production assistant (uncredited) | |
Music Department | |||
| Maarten Hofmeijer | .... | music editor | |
| Lindsay Marcus | .... | score mixer | |
| Matt Novack | .... | technical score advisor | |
Transportation Department | |||
| Rob Bailey | .... | driver | |
| Tom Garris | .... | transportation co-captain | |
| Anthony Gregorio | .... | production van driver | |
| Mel Langford | .... | transportation | |
| Ray Leon | .... | driver | |
| Hector Mendoza | .... | driver | |
| Steve Polon | .... | driver (as Steven W. Polon) | |
| Joe Popp | .... | transportation co-captain | |
| Howard Sanders | .... | driver | |
| Jason Sanders | .... | transportation captain | |
| Jimmy Sanford | .... | driver | |
| Andy Straub | .... | transportation coordinator | |
| Jimmy Tornerro | .... | driver | |
| Lyn Vandeman | .... | driver (as Lyn Vanderman) | |
| Paul Veluzat | .... | driver | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Colette Burson | creator | |
| Dmitry Lipkin | creator | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
*** This review may contain spoilers ***
The episode begins where it left off last week. We find a charged Ray who cannot get enough of Logan, his former student. Logan wants to do it in his car, oblivious to who might be watching them. Logan is hosting a party at her parent's house; she invites Ray to come and enjoy. Ray is clearly out of his league, but he mixes well with the young crowd.
Tanya is concerned with the situation caused by Lydia, the real life cop who has been seeing Ray often. She seeks Charlie's advice. The pimp has his own views on how to handle the situation, but Tanya is not quite sure about it. She feels Jason might be able to fill the needs of the police woman.
Jason goes to see Lenore. He is not quite satisfied with what he is doing and the money. Lenore tries reasoning with the man pointing out what he gets from one of his arranged dates by his pimp versus what he makes at the restaurant where he works. Sandee, his girlfriend, having been promised a large screen television goes to select one, which is not exactly what Lenore had in mind, thinking a bargain set with a dent could have pleased the girl.
Jessica, now a doctor's assistant, is ogled by Matt Saline. One day he catches her singing a number from a musical, to his complete amazement. It does not take long for the doctor to invite her to a revival of "Man of La Mancha" on a local cinema where they sing most of the tunes to the complete shock of the people in the theater. There is a problem though, Jessica is not quite satisfy with Matt's performance in bed.
Jessica finds Ray has been seeing Logan, something she finds disgusting, after all, she could be his daughter. Ray wants to make a clean break from Lydia, but she wants a bit of fun with him. Logan ends up paying six hundred dollars to Ray for services rendered and she will be out of the picture.
Directed by Dan Attias, the chapter was written by Brett Leonard. The introduction of sex with a younger woman is at the center of the story this time around. Ray seems to revert to a less complicated time of his life, which actually does not work out. The excellent writing and acting keeps this show from surprising its audience week after week.