When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated. Written by
Filmed during a break in Danny Boyle's two-year preparation schedule for the opening and closing ceremonies of the 2012 Summer Olympics in London. The film was edited after the Olympics wrapped. See more »
At the auction they call the painter Francesco de Goya. His name was Francisco de Goya. See more »
[auctioneer is barking prices]
There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
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Danny Boyle's films are a mixed bag. On the one hand you have amazing efforts such as 28 Days later and Trainspotting and on the other you have Shallow Grave and the Beach. He's never made a bad film in my opinion and they are always interesting even if they feel a bit convoluted or gimmicky. On his best days his films can feel whimsical and transcendent like Millions and A Life Less Ordinary and than sometimes they can feel a little to Oscar baity like 127 hours and slumdog millionaire. Trance falls nicely in line with these films and towards the top I might add. At the center of the film is a ho hum concept about a somewhat successful heist and the twistiness that surrounds it. The films overall effect relies on your acceptance on the believability of Hynopsis but in the end it's a beautifully crafted ride. Stocked with truly memorable visuals and some truly wonderful cinematography. From the creative lighting and color combinations to the inspired use of shadows and reflections, it is truly something to behold. Speaking of something to behold I must give credit where it is due and although james McAvoy's nude scene is impressive Rosario Dawson just blows him away in that department. Who knew she had such an amazing body it truly needs to be seen to be believed. Now all of that being said on the downside the film makes some big promises that any film would have a problem living up to. At times it comes across way more complex and intelligent that it ends up being. But like his earlier works Trance is a solid, memorable techno thriller that works as a bendy mind twister that mostly delivers. 4/5
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