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Trance (I) (2013)

R  |   |  Crime, Drama, Mystery  |  27 March 2013 (UK)
7.0
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Ratings: 7.0/10 from 83,614 users   Metascore: 61/100
Reviews: 204 user | 387 critic | 37 from Metacritic.com

An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.

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(screenplay), (screenplay), 1 more credit »
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Title: Trance (2013)

Trance (2013) on IMDb 7/10

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Cast

Cast overview, first billed only:
...
...
...
...
Nate
...
Dominic
Wahab Sheikh ...
Riz
Mark Poltimore ...
Francis Lemaitre
...
Young Woman in Red Car
Simon Kunz ...
Surgeon
Michael Shaeffer ...
Security Guard #1
Tony Jayawardena ...
Security Guard #2
Vincent Montuel ...
Handsome Waiter
Jai Rajani ...
Car Park Attendant
...
60's Robber
Gursharan Chaggar ...
Postman
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Storyline

A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated. Written by Fox Searchlight

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, violence, some grisly images, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

|

Release Date:

27 March 2013 (UK)  »

Also Known As:

En trance  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$131,145 (USA) (5 April 2013)

Gross:

$2,319,187 (USA) (31 May 2013)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Filmed during a break in Danny Boyle's two-year preparation schedule for the opening and closing ceremonies of the 2012 Summer Olympics in London. The film was edited after the Olympics wrapped. See more »

Goofs

Diesel will not ignite when a heat source is applied, like a gunshot causing a spark. See more »

Quotes

[first lines]
Simon: [auctioneer is barking prices] There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
See more »

Connections

Featured in Maltin on Movies: The Wolverine (2013) See more »

Soundtracks

Sandman
Written and Performed by Kirsty McGee
Courtesy of Hobopop Productions
Also Performed by Rosario Dawson
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User Reviews

 
But no piece of art is worth a human life...
3 April 2013 | by (United Kingdom) – See all my reviews

Trance is directed by Danny Boyle and adapted to screenplay by John Hodge from Joe Ahearne's film of the same name from 2001. It stars James McAvoy, Vincent Cassel and Rosario Dawson. Music is scored by Rick Smith and cinematography is by Anthony Dod Mantle.

Art auctioneer worker Simon (McAvoy) does the double-cross on Franck (Cassel), his partner in an art heist, but after taking a blow to the head suffers amnesia and can't recall where he has hidden a stolen Goya masterpiece. Franck and his thug side-kicks decide to send Simon to hypnotherapist Elizabeth (Dawson) in the hope of unlocking the painting's hiding place. However, once the therapy starts, secrets come tumbling out and nothing is ever as it at first seems.

Already this early in the day after the film's release, we know for certain that Danny Boyle's foray into neo-noir is going to split his fan base considerably. Admired for his ability to turn his hand at any genre he fancies, Boyle reaches back to his earlier movies and comes up with a mind bending neo-noir that crackles with the kind of sexual edginess that Paul Verhoeven thrived upon. It sounds snobbish I know, and I have been called a neo-noir snob recently, but if all things noir are not your thing then this really is a film you should stay away from. Think Basic Instinct meets Inception and they take out a 40s Heist movie for drinks and you get an idea where we are at with Trance.

All the hallmarks of noir, both neo and conventional classics, are evident here, from characterisations to visual smarts, it's a noir head's dream and very much a must see on the big screen or on Blu-ray formats. Forget any notion of having someone to root for in this, there is scarcely a decent human bone on show. Characters are either fuelled by greed, lust, jealousy or vengeance, or quite simply just not smart enough to operate in the circles they move in. Amnesia is a key component of the story, something which again features a lot in olde noir, as does the central character being a complete dupe...To expand upon more would be stupid of me, the less you know the better it actually is upon first viewing. It really is a difficult film to discuss without delving into why it is such a trippy and deliciously cheeky piece of film. That's not to say that narratively it's smarter than a brain pie, because that's not the case. For as the threads untangle, several times, the mind meld aspect will fall apart if plot dissection is your thing? Also cramming so much "brain food" into the last quarter of film kind of feels like too much, overkill if you will. While Franck's side-kick bad boys are irritatingly disposable. Yet it's a film that begs to be seen more than once, twice, thrice even...

Visually it's superlative, it's clear that Boyle and Mantle know and admire noir's visual splendours, with an awareness of atmospheric importance (noir is an atmosphere, not a genre. There's the snob in me again!) pulsing throughout. Set in London but filmed out of Dungeness in Kent, the backdrop is a city of steel and mirrors, a thriving city of wealth and mistrust. The tricks of the trade are here but never once is it style over substance, the visual ticks matter to the narrative. Night time overhead shots of a bustling city come and go, different colour tones for different character's apartments are clever, oblique camera angles ensure distortion of frame is equal to distortion of antagonists/protagonists minds (whose trance is this, really?...). Smudgey silhouettes through bronze glass, outrageous POV shots and caressing camera shots of the human form, no shot is wasted in the name of adding detail. Rest assured, Boyle brings his "A" game here. All of which is covered over by Smith's slow rumbling score that acts as a foreboding observer ready to unleash itself when the carnage begins.

The three principal actors come out firing and clearly are enjoying themselves. McAvoy cements his "A" list credentials with a multi layered performance, Cassel is as usual a mighty presence and Dawson, in a bold role, does her best work so far and hints she's ready to move into the big league. While it has to be noted that all three actors have to play their cards very close to their chests throughout; and do so admirably. Boyle's action construction is kinetic, with the pre-credits sequence one of the best opening sequences lately, and Hodge's script has a playfulness about it that ensures those paying attention know the film is self-mocking and not taking itself half as seriously as some film fans seem to think. An audience splitter it is sure to be, but for those with a bent for noirish sexy mind bending heist capers? Get in there! 9/10


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There should be sexual equality of nudity in films! andrewbanks
R. Dawson miscasted edgemarty-152-556428
Simon wasnt the bad guy I get it now jsr-321
music was awful mayque
If im not intelligent enough then fine... john_lennon
I'm surprised this movie has a 7/10 score mircakes
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