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An art auctioneer who has become mixed up with a group of criminals partners with a hypnotherapist in order to recover a lost painting.

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(screenplay), (screenplay) | 1 more credit »
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3 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Nate
...
Dominic
Wahab Sheikh ...
Riz
Mark Poltimore ...
Francis Lemaitre
...
Young Woman in Red Car
Simon Kunz ...
Surgeon
...
Security Guard #1
Tony Jayawardena ...
Security Guard #2
Vincent Montuel ...
Handsome Waiter
Jai Rajani ...
Car Park Attendant
...
60's Robber
Gursharan Chaggar ...
Postman
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Storyline

A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated. Written by Fox Searchlight

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, violence, some grisly images, and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

27 March 2013 (UK)  »

Also Known As:

En trance  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$131,145 (USA) (5 April 2013)

Gross:

$2,319,187 (USA) (31 May 2013)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When Simon goes to a hypnotherapy session to combat his amnesia, he is given a mobile phone with a ring-tone sounding suspiciously similar to Moby - Extreme Ways, a song made famous by the Bourne films, movies also centred around a brainwashed amnesiac. See more »

Goofs

At the auction they call the painter Francesco de Goya. His name was Francisco de Goya. See more »

Quotes

[first lines]
Simon: [auctioneer is barking prices] There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
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Crazy Credits

After the closing credits have rolled, the audience hears the familiar five taps on the glass window that was an iconic audible signature throughout the film. See more »

Connections

Featured in Maltin on Movies: Trance (2013) See more »

Soundtracks

Chanson D'Amour
Performed by Art Todd & Dotty Todd
Written by Wayne Shanklin
Courtesy of K-tel Music Inc.
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User Reviews

 
A Nutshell Review: Trance
5 May 2013 | by (Singapore) – See all my reviews

To say that Trance is this year's Inception, is to do either films a disservice. But if I were to lean toward a preference, then Danny Boyle's latest movie has an edge for being succinct in its tale, little loopholes and while fewer characters, is no less complex, but equally stylish in treatment, and bold in its story-telling, dealing with the premise of a heist gone wrong, and hypnosis being the last resort to get into the deepest recesses of the mind for the secrets it harbours.

James McAvoy is probably in one of his best roles yet, opening the film as Simon, an art auctioneer who apparently has reasons to turn corrupt, giving the lowdown on the security measures on how to secure the most valuable art piece of the session in the event of an interruption of the process. And lo and behold, a team led by Franck (Vincent Cassel) comes in forcefully to seize that same valuable asset, only for Simon to have hidden it away both physically and psychologically into his mind, that it seemed a peek into his subconscious would be necessary to unlock the location of the stolen painting. Enter Rosario Dawson's Elizabeth, a hypnotist with skills so sublime, she can lull you into anything if your guard is not tip top.

But you know I'm just scratching the surface of the premise, because even understanding the premise will take away the fun you would experience when watching the narrative unfold. What worked here is the multiple perspectives and shifts in the narrative that Danny Boyle puts you under, being the real mastermind and hypnotist at work in lulling us the audience into lapping up just about everything being thrown at us. Who you thought was the lead in the film, gave way to some other character, and then more, putting you in a spot, yet being terribly engaging from start to finish that you'd want to have a go at the story again, being enlightened the second time round as to who the real puppet master was.

Credit has to go to writers Joe Ahearne and John Hodge, the former who was responsible for an earlier television movie of the same name in which this film was partially based upon. What I love about the film, is that everything was neatly planned, and didn't entail crafting escape clauses for itself for a less than well thought out narrative. Everything was in place from the start, and the movie magic came from astute direction and intricate editing to shift perspectives, chronology and the like, together with absolutely wonderful performances from all three main leads to pull off this psychological thriller.

Danny Boyle once again proves to be one of the most eclectic filmmakers of this generation, taking on varied genres without a bat in the eyelid, and delivering impressive results in coming up with a film's powerful imagery, with that knack of blending in a top notch soundtrack, and coaxing stellar performances from his cast. Trance becomes that fine balance of substance and style, extremely well made, and very much less confusing than Inception, but no less complex in execution.

James McAvoy retains his boyish qualities while contrasting that with darker emotions that hasn't been seen in most of the films he had starred in. Vincent Cassel is no stranger to playing morally shady characters, and his chief instigator and mastermind being the heist could have been a walk in the park role, but once again he brings an edge to the character like none other, if not for his experience. And the surprise performance of all was Rosario Dawson. She's been in the industry for sometime already, but nothing really stood out until now. Not to mention it being one of her boldest acts yet, and the sacrifice having to really bare herself on screen.

There are many layers to this film than I dare reveal, but let's just say at its core, I'm buying into its love story about the dangers of obsession, which touched upon a raw nerve in how perverted it developed into, and how it enveloped all motivations of the players involved. The twists and turns in the last half hour will leave you breathless, filled with some gory moments that's quite Cronenberg-like. A definite recommend for its all round solid approach, and it's little wonder if it finds itself in my top films of the year listing.


49 of 88 people found this review helpful.  Was this review helpful to you?

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There should be sexual equality of nudity in films! andrewbanks
If im not intelligent enough then fine... john_lennon
music was awful mayque
Simon wasnt the bad guy I get it now jsr-321
I'm surprised this movie has a 7/10 score mircakes
Why steal a famously unique object? green17-1
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