Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
Robert John Burke
A killer known as Ghostface begins killing off teenagers, and as the body count begins rising, one girl and her friends find themselves contemplating the "Rules" of horror films as they find themselves living in a real-life one.
True-crime writer Ellison Oswalt moves himself and his family into a house where a horrific crime took place earlier, but his family doesn't know. He is trying to find out more about the crime so he can write a new book about it to help his flailing career. He uses some "snuff" film footage he finds in the house to help in his research, but he soon finds more than he bargained for. There is a figure in each of the films, but who or what is it? As a result, his family start to suffer (as does he), and things take a turn for the worse. Will they survive? Written by
Michael Hallows Eve
One of the last scenes, Ellison retrieves firewood from outdoors, where it is raining. He then proceeds to make a perfect, non-smokey fire. This is impossible given the humidity that would have seeped into the wood. See more »
This one scared the hell out of me. With the eerie music to accompany the film it sure made the movie creepy as hell. The opening sequence felt so real that it got me hooked to know just what the hell is going on.
I was watching it alone on Friday night after work and sure enough there were about less than 10 people in the theater (all of whom were couples). I could bet with my bottom dollar that with this movie they'd be so engaged in the film that they wouldn't dare to think about making out.
It is THAT SCARY!!!
The film was directed by Scott Derrickson, the same guy who made THE EXORCISM OF EMILY ROSE; and he collaborated with the composer, Christopher Young, on that very film. I am quite familiar with Young's music score from his composition for A NIGHTMARE ON ELM STREET 2 and it was creepy; also he did the score for Sigourney Weaver's serial killer film, COPYCAT.
I'm telling you if those two managed to bring out the spine-chilling factor in EMILY ROSE, in SINISTER they really sealed the deal in being the potent filmmakers in the exploration into the paranormal and supernatural. It gave me goosebumps just thinking about it.
One thing that I feel about SINISTER was that Derrickson (together with Young) brought us back to that atmospheric terror of the unknown that is truly nostalgic of horror films of the 70s.
The feel of the movie was so scary that this was how THE AMITYVILLE HORROR should have been remade.
In short, I'd highly recommend you (or better still DARE YOU) to see SINISTER. This is one good date movie if you want your date to crawl under your shirt; or just bring some best buddies to scare the crap out of you. I mean it may not be INSIDIOUS, nevertheless, if you love that then you'll love this.
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