Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
True-crime writer Ellison Oswalt moves himself and his family into a house where a horrific crime took place earlier, but his family doesn't know. He is trying to find out more about the crime so he can write a new book about it to help his flailing career. He uses some "snuff" film footage he finds in the house to help in his research, but he soon finds more than he bargained for. There is a figure in each of the films, but who or what is it? As a result, his family start to suffer (as does he), and things take a turn for the worse. Will they survive? Written by
Michael Hallows Eve
When Ellison finds the undead children in the attic watching their super 8 movie, they all appear to be in various states of decay. Stephanie, who was killed in 2011, has decayed more than the other children, who died decades before she did. The boy who was killed in 1968 looks nearly the same as he did before, yet the boy who was killed in 1979 has a face blue-green with mold and rot. Bodies that have been dead longer decay more than recent bodies. See more »
This one scared the hell out of me. With the eerie music to accompany the film it sure made the movie creepy as hell. The opening sequence felt so real that it got me hooked to know just what the hell is going on.
I was watching it alone on Friday night after work and sure enough there were about less than 10 people in the theater (all of whom were couples). I could bet with my bottom dollar that with this movie they'd be so engaged in the film that they wouldn't dare to think about making out.
It is THAT SCARY!!!
The film was directed by Scott Derrickson, the same guy who made THE EXORCISM OF EMILY ROSE; and he collaborated with the composer, Christopher Young, on that very film. I am quite familiar with Young's music score from his composition for A NIGHTMARE ON ELM STREET 2 and it was creepy; also he did the score for Sigourney Weaver's serial killer film, COPYCAT.
I'm telling you if those two managed to bring out the spine-chilling factor in EMILY ROSE, in SINISTER they really sealed the deal in being the potent filmmakers in the exploration into the paranormal and supernatural. It gave me goosebumps just thinking about it.
One thing that I feel about SINISTER was that Derrickson (together with Young) brought us back to that atmospheric terror of the unknown that is truly nostalgic of horror films of the 70s.
The feel of the movie was so scary that this was how THE AMITYVILLE HORROR should have been remade.
In short, I'd highly recommend you (or better still DARE YOU) to see SINISTER. This is one good date movie if you want your date to crawl under your shirt; or just bring some best buddies to scare the crap out of you. I mean it may not be INSIDIOUS, nevertheless, if you love that then you'll love this.
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