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Sinister (I) (2012)

6.8
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Ratings: 6.8/10 from 90,997 users   Metascore: 53/100
Reviews: 440 user | 368 critic | 30 from Metacritic.com

A true-crime writer finds a cache of 8mm home movies films that suggest the murder he is currently researching is the work of a serial killer whose career dates back to the 1960s.

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Cast

Complete credited cast:
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Rob Riley ...
Tavis Smiley ...
Janet Zappala ...
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BBQ Boy
Ethan Haberfield ...
Pool Party Boy
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Lawn Girl
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Sleepy Time Boy
Nicholas King ...
Bughuul / Mr. Boogie (as Nick King)
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Storyline

True-crime writer Ellison Oswalt moves himself and his family into a house where a horrific crime took place earlier, but his family doesn't know. He is trying to find out more about the crime so he can write a new book about it to help his flailing career. He uses some "snuff" film footage he finds in the house to help in his research, but he soon finds more than he bargained for. There is a figure in each of the films, but who or what is it? As a result, his family start to suffer (as does he), and things take a turn for the worse. Will they survive? Written by Michael Hallows Eve

Plot Summary | Plot Synopsis

Plot Keywords:

writer | book | research | snuff film | murder | See more »

Taglines:

Once you see him, nothing can save you. See more »


Motion Picture Rating (MPAA)

Rated R for disturbing violent images and some terror | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

12 October 2012 (USA)  »

Also Known As:

Found Footage  »

Filming Locations:

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend:

$18,007,634 (USA) (12 October 2012)

Gross:

$48,056,940 (USA) (28 December 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The snake that is seen in the movie is a King snake. You can identify him as the non-poisonous snake by doing the rhyme, "Red on yellow, dangerous fellow. Red on black, friend of Jack." See more »

Goofs

Near the beginning of the film, we see Ashley painting a girl in red on the wall. We see that Ashley has painted the girl fully in red, however, in the next shot we see that the girl has a white space where the red paint was before. See more »

Quotes

[first lines]
Tracy: Just one box?
Ellison Oswalt: It's for my office. It's fragile.
Tracy: Sissy.
See more »

Connections

Referenced in Midnight Movie Review: Sinister (2012) See more »

Soundtracks

Blood Swamp
Written and Performed by Sunn O))) and Boris
Courtesy of Southern Lord Recordings
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Horreur technologique
12 October 2012 | by (Portland, Oregon, USA) – See all my reviews

In this day and age, horror is getting more and more creative by demand since the psycho killer in the woods-scenario has pretty much run its course. A consequence of that is the incorporation of contemporary technology and concepts appearing in the genre; "found footage" films have replaced Jason and Michael, and while these films do have potential (this year's indie "V/H/S" had some neat ideas), even they are beginning to lose steam. Enter "Sinister", which is an amalgam of timeless supernatural horror themes and "found footage" technique that has proved to be a consistent box office draw.

"Sinister" follows a true crime author, Ellison (Ethan Hawke) who moves his family (unbeknownst to them) into a house where an entire family was hung to death in a tree in their backyard, save the youngest daughter who vanished without a trace. Upon moving in, Ellison finds a box of 8mm footage and a projector in the attic; contained in these reels of film are various murders dating from the 1960s up to present day— one of them is the filming of the hanging murder that occurred in his backyard. As he furthers investigation into the footage, he finds more than he bargained for when connections are made to an ancient deity who takes the souls of children.

On a surface level, "Sinister" appears like every other horror piece on the market, but I was surprised by the substance the film had. Conceptually and thematically speaking, it's not painfully original, but director Scott Derrickson makes up for that with striking visuals and a daunting soundtrack. The opening of the film is particularly disturbing— the movie begins with the family hanging murder, which sets a damned unsettling tone for the rest of the film.

In terms of the supernatural elements at play in the script, they almost seem fairytale-ish (a Pagan deity who feeds on children— c'mon), but it does add a unique element to the film. I have to say though that the most frightening thing in this movie are the actual murder tapes themselves. It could be just me, but the notion of filmed murders unsettles me to the core, even if I know that the footage is faked; as if the act of murder itself isn't awful enough, documenting it is downright... well, sinister. The footage utilized in the film is unsettling, shocking, and above all, it's realistic, so the audience gets the same unpleasant feelings shared by Ethan Hawke's character. Truly macabre stuff.

Another major positive for this film is that the acting is far above par for what most genre fans are dealt. Ethan Hawke is a quality actor and newcomer Juliet Rylance proves her chops here; their scenes together are particularly strong, and much more than any horror fan could dream of asking for. The film's ending can be seen from a certain distance, although it doesn't necessarily make it less shocking in this case. If anything, it adds to the sense of dread pervading the film.

Overall, "Sinister" was a pleasant surprise for me. It doesn't offer heaps in terms of originality, but it's a stylistically stunning film and takes steps in the right in direction very gracefully. When it comes down to it, I can't say that I was even really "scared" by the film so much as I was unsettled by it. It has its share of orthodox jump scares, but I was more bothered and rattled by the grim nature of the film as a whole, which is a nice feeling to walk away from the theater with as a thick-skinned genre fan who has become increasingly harder to unnerve. 7/10.


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