| Charlotte Rampling | ... | Herself | |
| Peter Lindbergh | ... | Himself (segment "Exposure") | |
| Paul Auster | ... | Himself (segment "Age") | |
| Barnaby Southcombe | ... | Himself (segment "Resonance") | |
| Juergen Teller | ... | Himself (segment "Taboo") | |
| Frederick Seidel | ... | Himself (segment" Demons") | |
| Franckie Diago | ... | Herself (segment "Desire") | |
| Anthony Palliser | ... | Himself (segment "Death") | |
| Cynthia Fleury | ... | Herself (segment "Love") | |
| Joy Fleury | ... | Herself (segment "Love") |
Directed by | |||
| Angelina Maccarone | |||
Writing credits | ||
| Angelina Maccarone | (screenwriter) | |
Produced by | |||
| Gerd Haag | .... | producer | |
| Cornelia Kellers | .... | line producer | |
| Serge Lalou | .... | producer | |
| Sabine Schenk | .... | line producer: nyc | |
| Michael Trabitzsch | .... | executive producer | |
| Charlotte Uzu | .... | producer | |
Cinematography by | |||
| Judith Kaufmann | (director of photography) (segment: "Exposure") | ||
| Bernd Meiners | (director of photography) | ||
Film Editing by | |||
| Bettina Böhler | |||
Production Management | |||
| Anjali D'Souza | .... | production manager | |
Sound Department | |||
| Pascal Capitolin | .... | sound engineer | |
| Ulla Kösterke | .... | sound engineer | |
| Falk Möller | .... | sound mixer | |
| Mirko Reinhard | .... | sound editor | |
| Michael Thäle | .... | sound engineer | |
| Carsten Windt | .... | sound engineer | |
| Wilmont Schulze | .... | foley artist (uncredited) | |
Camera and Electrical Department | |||
| Angelina Maccarone | .... | additional camera | |
Editorial Department | |||
| Galina Amashukeli | .... | assistant editor | |
| Martin Becker | .... | digital colorist | |
| Sebastian Gassner | .... | digital intermediate | |
| Emmelie Mansee | .... | assistant editor | |
| Uwe Müller | .... | digital intermediate | |
| Petra Schütt | .... | color timing | |
| Marcel Vob | .... | conformer | |
Other crew | |||
| David Charpentier | .... | production assistant | |
| Inge Classen | .... | commissioning editor: ZDF/3sat | |
| Hélène Coldefy | .... | commissioning editor: Arte France | |
| Patrick Eaton | .... | production assistant | |
| Edith Haschke | .... | production accountant | |
| Sonja Hempel | .... | production assistant | |
| Kristin Höfener | .... | location manager: Paris | |
| Simone Jost-Westendorf | .... | production assistant | |
| Emmanuelle Koenig | .... | footage research | |
| Lissy Kowalski | .... | location manager: London | |
| Olivier Paoli | .... | footage research | |
| Sabine Schenk | .... | production services: New York, Schenk Productions | |
| Alla Schubert | .... | production accountant | |
| Ralph Sikau | .... | adaptation subtitles | |
| Birgit Staudt | .... | location manager: New York | |
| Nathalie Verdier | .... | commissioning editor: Arte Frace | |
| Marcel Vob | .... | titles | |
| Ulla Wätzig | .... | production assistant | |
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| Pina | Cave of Forgotten Dreams | Cabaret-Berlin: The Wild Scene | The Fallen Vampire | Doctor Prince & Mister Jackson |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Germany section |
It was thrilling, moving and at times startling to look into Charlotte Rampling's faces, all of them. For me, an added plus because only a few weeks ago I heard director Martin Donovan at a lecture talking about her. He described her as a fearless artist who forged her own path in the most unconventional way. He also confessed that she as one of the actresses he dreamed to work with and, he added, "I haven't given up on that dream". The Look" confirms Donovan's theory in spades. Confronting her own fears seems to be her mantra. Her face, unique. Woody Allen dedicated her a full segment of riveting close ups in "Stardust Memories" and the cold intellectualism of Liliana Cavani put her through a torturous road of sado-masochism in "The Night Porter" If you love acting and films, you can't afford to miss "The Look"